Canon 1D Mark II vs Sony A7R III
The Canon EOS-1D Mark II and the Sony Alpha A7R III are two digital cameras that were revealed to the public, respectively, in January 2004 and October 2017. The 1D Mark II is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark II) and a full frame (A7R III) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark II||Sony A7R III|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|8.2 MP, APS-H Sensor||42.2 MP, Full Frame Sensor|
|no Video||4K/30p Video|
|ISO 100-1,600 (50 - 3,200)||ISO 100-32,000 (50 - 102,400)|
|Optical viewfinder||Electronic viewfinder (3686k dots)|
|2.0 LCD, 230k dots||3.0 LCD, 1440k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|8.3 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|1200 shots per battery charge||650 shots per battery charge|
|156 x 158 x 80 mm, 1535 g||127 x 96 x 74 mm, 650 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark II and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1D Mark II and the Sony A7R III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is considerably smaller (51 percent) than the Canon 1D Mark II. Moreover, the A7R III is substantially lighter (58 percent) than the 1D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark II) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the A7R III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1D Mark II gets 1200 shots out of its NP-E3 battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7R III, Sony provides the VG-C3EM vertical grip as an optional accessory (see here on eBay). The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499|
|Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999|
|Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999|
|Canon 1D||156 mm||158 mm||80 mm||1585 g||500||Y||Sep 2001||6,499|
|Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7R III was launched at a markedly lower price (by 29 percent) than the 1D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 57 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the 1D Mark II (8.2MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 8.17μm for the 1D Mark II). Yet, the A7R III is a much more recent model (by 13 years and 8 months) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Canon 1D Mark II are 17.5 x 11.7 inches or 44.5 x 29.7 cm for good quality, 14 x 9.3 inches or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inches or 29.7 x 19.8 cm for excellent quality prints.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the 1D Mark II, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS-1D Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7R III offers substantially better image quality than the 1D Mark II (overall score 34 points higher). The advantage is based on 3.7 bits higher color depth, 3.6 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A7R III indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the A7R III can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7R III has a higher magnification than the one of the 1D Mark II (0.78x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D Mark II and Sony A7R III in connection with corresponding information for a sample of similar cameras.
|Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One feature that is present on the 1D Mark II, but is missing on the A7R III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1D Mark II writes its imaging data to Compact Flash or SD cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The A7R III supports UHS-II cards on its first slot and UHS-I on its second one, while the 1D Mark II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1Ds Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1D Mark II N||Y||-||-||-||-||-||1.1||-||-||-|
|Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark II does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the 1D Mark II and the A7R III have been discontinued, but can regularly be found used on eBay. The 1D Mark II was replaced by the Canon 1D Mark II N, while the A7R III was followed by the Sony A7R IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon 1D Mark II and the Sony A7R III? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS-1D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 650) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in January 2004).
Reasons to prefer the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 8.2MP), which boosts linear resolution by 127%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (34 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.8 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.55x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 8.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (127x96mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 885g or 58 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More modern: Reflects 13 years and 8 months of technical progress since the 1D Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the contest (29 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark II and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1D Mark II and the A7R III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark II||..||+ +||..||o||..||Jan 2004||4,499|
|Sony A7R III||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 1D Mark IV||..||89/100||..||5/5||..||Oct 2009||4,999|
|Canon 1D Mark III||..||..||..||o||..||Feb 2007||4,499|
|Canon 1Ds Mark III||..||+ +||4.5/5||..||..||Aug 2007||7,999|
|Canon 1D Mark II N||..||..||..||..||..||Aug 2005||3,999|
|Canon 5D||88/100||+ +||o||o||..||Aug 2005||3,299|
|Canon 1Ds Mark II||..||+ +||..||..||..||Sep 2004||7,999|
|Canon 1Ds||..||+ +||..||..||..||Sep 2002||8,999|
|Canon 1D||..||+ +||..||..||..||Sep 2001||6,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A9||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A99 II||..||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II N vs Canon 550D
- Canon 1D Mark II N vs Canon 7D II
- Canon 1D Mark II N vs Olympus E-3
- Canon 1D Mark II vs Fujifilm X100T
- Canon 1D Mark II vs Fujifilm X70
- Canon 1D Mark II vs Leica TL
- Canon 1D Mark II vs Nikon D40X
- Canon 1D Mark II vs Panasonic GM5
- Canon 1D vs Canon 1D Mark II
- Canon 5D vs Sony A7R III
- Canon M vs Sony A7R III
- Pentax 645D vs Sony A7R III
Specifications: Canon 1D Mark II vs Sony A7R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark II||Sony A7R III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||January 2004||October 2017|
|Launch Price||USD 4,499||USD 3,199|
|Sensor Specs||Canon 1D Mark II||Sony A7R III|
|Sensor Format||APS-H Sensor||Full Frame Sensor|
|Sensor Size||28.7 x 19.1 mm||35.9 x 24.0 mm|
|Sensor Area||548.17 mm2||861.6 mm2|
|Sensor Diagonal||34.5 mm||43.2 mm|
|Sensor Resolution||8.2 Megapixels||42.2 Megapixels|
|Image Resolution||3504 x 2336 pixels||7952 x 5304 pixels|
|Pixel Pitch||8.17 μm||4.52 μm|
|Pixel Density||1.49 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 32,000 ISO|
|ISO Boost||50 - 3,200 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC II||BIONZ X|
|DXO Sensor Quality (score)||66||100|
|DXO Color Depth (bits)||22.3||26.0|
|DXO Dynamic Range (EV)||11.1||14.7|
|DXO Low Light (ISO)||1003||3523|
|Screen Specs||Canon 1D Mark II||Sony A7R III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3686k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||230k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark II||Sony A7R III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||8.3 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Canon 1D Mark II||Sony A7R III|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 1.1||USB 3.1|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 1D Mark II||Sony A7R III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1200 shots per charge||650 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||1535 g (54.1 oz)||650 g (22.9 oz)|
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