Canon 1D Mark II versus Canon 5DS
The Canon EOS-1D Mark II and the Canon EOS 5DS are two professional cameras that were revealed to the public, respectively, in January 2004 and February 2015. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-H (1D Mark II) and a full frame sensor. The 1D Mark II has a resolution of 8.2 megapixel, whereas the 5DS provides 50.3 MP.
An illustration of the physical size and weight of the Canon 1D Mark II and the Canon 5DS is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 1D Mark II – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5DS is notably smaller (28 percent) than the Canon 1D Mark II. Moreover, the 5DS is substantially lighter (39 percent) than the 1D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor (as in the 5DS) will tend to go along with bigger and heavier lenses, while more compact options are available for the smaller-sensor camera (1D Mark II). You can find a comprehensive overview of suitable optics in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 1D Mark II (⇒ rgt)||156 mm||158 mm||80 mm||1535 g||1200||YES||2004||4,499||discont.||check|
|Canon 5DS (⇒ lft)||152 mm||116 mm||76 mm||930 g||700||YES||2015||3,699||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Canon 5D Mark IV (⇒ lft | rgt)||151 mm||116 mm||76 mm||890 g||900||YES||2016||3,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon 5DS R (⇒ lft | rgt)||152 mm||116 mm||76 mm||930 g||700||YES||2015||3,699||latest||check|
|Canon 1D Mark IV (⇒ lft | rgt)||156 mm||157 mm||80 mm||1230 g||1500||YES||2009||4,999||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||150 mm||160 mm||80 mm||1385 g||1800||YES||2007||7,999||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||156 mm||156.6 mm||80 mm||1155 g||2200||YES||2007||4,499||discont.||check|
|Canon 5D (⇒ lft | rgt)||152 mm||113 mm||75 mm||895 g||400||YES||2005||3,299||discont.||check|
|Canon 1D Mark II N (⇒ lft | rgt)||156 mm||158 mm||80 mm||1565 g||1200||YES||2005||3,999||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||156 mm||157.6 mm||80 mm||1215 g||1200||YES||2004||7,999||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||156 mm||157.6 mm||80 mm||1265 g||600||YES||2002||8,999||discont.||check|
|Canon 1D (⇒ lft | rgt)||156 mm||158 mm||80 mm||1585 g||500||YES||2001||6,499||discont.||check|
|Nikon D850 (⇒ lft | rgt)||146 mm||124 mm||79 mm||1005 g||1840||YES||2017||3,299||latest||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 5DS was launched at a somewhat lower price (by 18 percent) than the 1D Mark II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Canon 5DS a full frame sensor. The sensor area in the 5DS is 58 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 50.3MP, the 5DS offers a higher resolution than the 1D Mark II (8.2MP), but the 5DS has smaller individual pixels (pixel pitch of 4.14μm versus 8.17μm for the 1D Mark II). Yet, the 5DS is a much more recent model (by 11 years) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the 5DS offers substantially better image quality than the 1D Mark II (overall score 21 points higher). The advantage is based on 2.4 bits higher color depth, 1.3 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark II (⇒ rgt)||APS-H||8.2||3504||2336||no||22.3||11.1||1003||66|
|Canon 5DS (⇒ lft)||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Canon 6D Mark II (⇒ lft | rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 5D Mark IV (⇒ lft | rgt)||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 5DS R (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 1D Mark IV (⇒ lft | rgt)||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 1Ds Mark III (⇒ lft | rgt)||Full Frame||21.0||5616||3744||no||24.0||12.0||1663||80|
|Canon 1D Mark III (⇒ lft | rgt)||APS-H||10.1||3888||2592||no||22.7||11.7||1078||71|
|Canon 5D (⇒ lft | rgt)||Full Frame||12.7||4368||2912||no||22.9||11.1||1368||71|
|Canon 1D Mark II N (⇒ lft | rgt)||APS-H||8.2||3504||2336||no||22.3||11.2||975||66|
|Canon 1Ds Mark II (⇒ lft | rgt)||Full Frame||16.6||4992||3328||no||23.3||11.3||1480||74|
|Canon 1Ds (⇒ lft | rgt)||Full Frame||11.0||4064||2704||no||21.8||11.0||954||63|
|Canon 1D (⇒ lft | rgt)||APS-H||4.1||2496||1662||no||-||-||-||-|
|Nikon D850 (⇒ lft | rgt)||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The 5DS indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the 5DS can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The 1D Mark II and the 5DS are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Canon 1D Mark II, the Canon 5DS, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon 1D Mark II (⇒ rgt)||optical||YES||2.0||230||fixed||no||8000||8.3||no||no|
|Canon 5DS (⇒ lft)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 6D Mark II (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Canon 5D Mark IV (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||7.0||no||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 5DS R (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 1D Mark IV (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||10.0||no||no|
|Canon 1Ds Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||5.0||no||no|
|Canon 1D Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||10.0||no||no|
|Canon 5D (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||3.0||no||no|
|Canon 1D Mark II N (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||8.5||no||no|
|Canon 1Ds Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||4.0||no||no|
|Canon 1Ds (⇒ lft | rgt)||optical||YES||2.0||120||fixed||no||8000||3.0||no||no|
|Canon 1D (⇒ lft | rgt)||optical||YES||2.0||120||fixed||no||16000||8.0||no||no|
|Nikon D850 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||9.0||no||no|
The 5DS is a current model that online retailers, such as amazon, will have in stock. In contrast, the 1D Mark II has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the 1D Mark II was succeeded by the Canon 1D Mark II N.
So what is the bottom line? Is there a clear favorite between the Canon 1D Mark II and the Canon 1D Mark II? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS-1D Mark II:
- Faster burst: Shoots at higher frequency (8.3 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (1200 versus 700) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in January 2004).
Reasons to prefer the Canon EOS 5DS:
- More detail: Has more megapixels (50.3 vs 8.2MP), which boosts linear resolution by 148%.
- Better image quality: Scores substantially higher (21 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More compact: Is smaller (152x116mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 605g or 39 percent) and is thus easier to take along.
- More affordable: Was released into a lower priced segment (18 percent cheaper at launch).
- More modern: Reflects 11 years of technical progress since the 1D Mark II launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 5DS is the clear winner of the contest (12 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 1D Mark II or the 5DS. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 1D Mark II (⇒ rgt)||-||HiRec||-||reviewed||-||2004||4,499||discont.||check|
|Canon 5DS (⇒ lft)||Rec||83/100 Silver||4.5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Canon 5D Mark IV (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||5/5||4.5/5||2016||3,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 5DS R (⇒ lft | rgt)||Rec||83/100 Silver||5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 1D Mark IV (⇒ lft | rgt)||-||89/100 Gold||-||5/5||-||2009||4,999||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||-||HiRec||4.5/5||-||-||2007||7,999||discont.||check|
|Canon 1D Mark III (⇒ lft | rgt)||-||-||-||reviewed||-||2007||4,499||discont.||check|
|Canon 5D (⇒ lft | rgt)||88/100||HiRec||reviewed||reviewed||-||2005||3,299||discont.||check|
|Canon 1D Mark II N (⇒ lft | rgt)||-||-||-||-||-||2005||3,999||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||-||HiRec||-||-||-||2004||7,999||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||-||HiRec||-||-||-||2002||8,999||discont.||check|
|Canon 1D (⇒ lft | rgt)||-||HiRec||-||-||-||2001||6,499||discont.||check|
|Nikon D850 (⇒ lft | rgt)||HiRec||89/100 Gold||4.5/5||..||5/5||2017||3,299||latest||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, kindly get in touch, and I will try to add information on that model to the database.
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