Canon 10D vs Panasonic GF5
The Canon EOS 10D and the Panasonic Lumix DMC-GF5 are two digital cameras that were revealed to the public, respectively, in February 2003 and April 2012. The 10D is a DSLR, while the GF5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (10D) and a Four Thirds (GF5) sensor. The Canon has a resolution of 6.3 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 10D and the Panasonic Lumix DMC-GF5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 10D and the Panasonic GF5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GF5 can be obtained in three different colors (black, red, white), while the 10D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF5 is considerably smaller (55 percent) than the Canon 10D. Moreover, the GF5 is substantially lighter (69 percent) than the 10D. In this context, it is worth noting that neither the 10D nor the GF5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (10D) and the Micro Four Thirds Lens Catalog (GF5). Mirrorless cameras, such as the GF5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 10D||150 mm||107 mm||75 mm||850 g||500||n||Feb 2003||1,999||ebay.com|
|2.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||ebay.com|
|3.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||ebay.com|
|4.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|5.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|6.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||ebay.com|
|7.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299||ebay.com|
|8.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399||ebay.com|
|9.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||ebay.com|
|10.||Canon 300D||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899||ebay.com|
|11.||Canon D60||150 mm||107 mm||75 mm||855 g||620||n||Feb 2002||2,999||ebay.com|
|12.||Nikon D100||144 mm||116 mm||81 mm||780 g||370||n||Feb 2002||1,999||ebay.com|
|13.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|14.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|15.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||ebay.com|
|16.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||ebay.com|
|17.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF5 was launched at a markedly lower price (by 75 percent) than the 10D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 10D features an APS-C sensor and the Panasonic GF5 a Four Thirds sensor. The sensor area in the GF5 is 34 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 10D has a native 3:2 aspect ratio, while the one in the GF5 offers a 4:3 aspect.
Despite having a smaller sensor, the GF5 offers a higher resolution of 12 megapixels, compared with 6.3 MP of the 10D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.33μm versus 7.38μm for the 10D). However, it should be noted that the GF5 is much more recent (by 9 years and 1 month) than the 10D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GF5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF5 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Canon 10D are 15.4 x 10.2 inches or 39 x 26 cm for good quality, 12.3 x 8.2 inches or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inches or 26 x 17.3 cm for excellent quality prints.
The Canon EOS 10D has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-GF5 are ISO 160 to ISO 6400, with the possibility to increase the ISO range to 160-12800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 10D has a notably higher overall DXO score than the GF5 (overall score 7 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.6 bits higher color depth, 0.9 EV in additional dynamic range, and -0 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||20.5||10.0||573||50|
|3.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|13.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|14.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|16.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.1||459||50|
|17.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The GF5 indeed provides for movie recording, while the 10D does not. The highest resolution format that the GF5 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 10D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon 10D, the Panasonic GF5, and comparable cameras.
|1.||Canon 10D||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|3.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|4.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|6.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|7.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5/s||Y||n|
|8.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|9.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|10.||Canon 300D||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|11.||Canon D60||optical||Y||1.8 / 114||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Nikon D100||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|14.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|15.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|16.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|17.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 10D, but is missing on the GF5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 10D writes its imaging data to Compact Flash cards, while the GF5 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 10D and Panasonic Lumix DMC-GF5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 10D||Y||- / -||-||-||-||1.1||-||-||-|
|2.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|5.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|7.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|10.||Canon 300D||Y||- / -||-||-||-||1.1||-||-||-|
|11.||Canon D60||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Nikon D100||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|14.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|15.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the 10D has a hotshoe, while the GF5 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 10D (unlike the GF5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 10D and the GF5 have been discontinued, but can regularly be found used on ebay. The 10D was replaced by the Canon 20D, while the GF5 was followed by the Panasonic GF6. Further information on the features and operation of the 10D and GF5 can be found, respectively, in the Canon 10D Manual (free pdf) or the online Panasonic GF5 Manual.
So what conclusions can be drawn? Is there a clear favorite between the Canon 10D and the Panasonic GF5? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 10D:
- Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (500 versus 360) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2003).
Reasons to prefer the Panasonic Lumix DMC-GF5:
- More detail: Has more megapixels (12 vs 6.3MP), which boosts linear resolution by 35%.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 118k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (108x67mm vs 150x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 583g or 69 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More modern: Reflects 9 years and 1 month of technical progress since the 10D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GF5 is the clear winner of the contest (12 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 10D and the Panasonic GF5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 10D or the GF5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 10D||..||..||..||+ +||..||..||Feb 2003||1,999||ebay.com|
|2.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499||ebay.com|
|3.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799||ebay.com|
|4.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|5.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|6.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699||ebay.com|
|7.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299||ebay.com|
|8.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399||ebay.com|
|9.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499||ebay.com|
|10.||Canon 300D||..||..||..||+ +||..||..||Aug 2003||899||ebay.com|
|11.||Canon D60||..||..||..||+ +||o||..||Feb 2002||2,999||ebay.com|
|12.||Nikon D100||..||..||..||+ +||o||..||Feb 2002||1,999||ebay.com|
|13.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|14.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|15.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499||ebay.com|
|16.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549||ebay.com|
|17.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 10D vs Canon 1D
- Canon 10D vs Fujifilm X-E1
- Canon 10D vs Leica V-LUX 1
- Canon 10D vs Leica X-U Typ 113
- Canon 10D vs Olympus E-600
- Canon 10D vs Sony NEX-5N
- Canon 1D Mark II vs Panasonic GF5
- Canon T3 vs Panasonic GF5
- Leica TL2 vs Panasonic GF5
- Nikon L840 vs Panasonic GF5
- Panasonic GF5 vs Pentax K-3 II
- Panasonic GF5 vs Sony A5100
Specifications: Canon 10D vs Panasonic GF5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 10D||Panasonic GF5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2003||April 2012|
|Launch Price||USD 1,999||USD 499|
|Sensor Specs||Canon 10D||Panasonic GF5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.7 x 15.1 mm||17.3 x 13.0 mm|
|Sensor Area||342.77 mm2||224.9 mm2|
|Sensor Diagonal||27.3 mm||21.6 mm|
|Sensor Resolution||6.3 Megapixels||12 Megapixels|
|Image Resolution||3072 x 2048 pixels||4000 x 3000 pixels|
|Pixel Pitch||7.38 μm||4.33 μm|
|Pixel Density||1.84 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 3,200 ISO||160 - 6,400 ISO|
|ISO Boost||no Enhancement||160 - 12,800 ISO|
|Image Processor||DIGIC||Venus FHD|
|DXO Sensor Quality (score)||57||50|
|DXO Color Depth (bits)||21.1||20.5|
|DXO Dynamic Range (EV)||10.9||10.0|
|DXO Low Light (ISO)||571||573|
|Screen Specs||Canon 10D||Panasonic GF5|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||3.0inch|
|LCD Resolution||118k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 10D||Panasonic GF5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||4 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|Connectivity Specs||Canon 10D||Panasonic GF5|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 10D||Panasonic GF5|
|Battery Life (CIPA)||500 shots per charge||360 shots per charge|
150 x 107 x 75 mm
(5.9 x 4.2 x 3.0 in)
108 x 67 x 37 mm
(4.3 x 2.6 x 1.5 in)
|Camera Weight||850 g (30.0 oz)||267 g (9.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.