YI M1 versus Leica TL2
The YI M1 and the Leica TL2 are two digital cameras that were revealed to the public, respectively, in September 2016 and July 2017. Both the M1 and the TL2 are mirrorless interchangeable lens cameras that are based on a Four Thirds (M1) and an APS-C sensor. The YI has a resolution of 20.2 megapixel, whereas the Leica provides 24.1 MP.
The side-by-side display below illustrates the physical size and weight of the YI M1 and the Leica TL2. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the M1 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica TL2 is notably larger (27 percent) than the YI M1. Moreover, the TL2 is substantially heavier (42 percent) than the M1. In this context, it is worth noting that neither the M1 nor the TL2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|YI M1 (⇒ rgt)||114 mm||64 mm||34 mm||281 g||450||no||2016||349||latest||check|
|Leica TL2 (⇒ lft)||134 mm||69 mm||33 mm||399 g||250||no||2017||1,950||latest||check|
|Canon SX730 (⇒ lft | rgt)||110 mm||64 mm||40 mm||300 g||250||no||2017||399||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon M10 (⇒ lft | rgt)||108 mm||67 mm||35 mm||301 g||255||no||2015||499||discont.||check|
|Fujifilm X100F (⇒ lft | rgt)||127 mm||75 mm||52 mm||469 g||390||no||2017||1,299||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Fujifilm X-A10 (⇒ lft | rgt)||117 mm||67 mm||40 mm||331 g||410||no||2016||399||latest||check|
|Leica CL (⇒ lft | rgt)||131 mm||78 mm||45 mm||403 g||220||no||2017||2,795||latest||check|
|Leica TL (⇒ lft | rgt)||134 mm||69 mm||33 mm||384 g||400||no||2016||1,695||discont.||check|
|Panasonic GX800 (⇒ lft | rgt)||107 mm||65 mm||33 mm||269 g||210||no||2017||549||latest||check|
|Panasonic GF7 (⇒ lft | rgt)||107 mm||65 mm||33 mm||266 g||230||no||2015||499||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M1 was launched at a markedly lower price (by 82 percent) than the TL2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the YI M1 features a Four Thirds sensor and the Leica TL2 an APS-C sensor. The sensor area in the TL2 is 65 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the M1 has a native 4:3 aspect ratio, while the one in the TL2 offers a 3:2 aspect.
With 24.1MP, the TL2 offers a higher resolution than the M1 (20.2MP), but the TL2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the M1) due to its larger sensor. Moreover, the TL2 is a somewhat more recent model (by 9 months) than the M1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the TL2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|YI M1 (⇒ rgt)||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-|
|Leica TL2 (⇒ lft)||APS-C||24.1||6014||4014||4K/30p||..||..||..||..|
|Canon SX730 (⇒ lft | rgt)||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M10 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Fujifilm X100F (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-A10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Leica CL (⇒ lft | rgt)||APS-C||24.1||6014||4014||4K/30p||..||..||..||..|
|Leica TL (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Panasonic GX800 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic GF7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||-||-||-||-|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The M1 and the TL2 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The adjacent table lists some of the other core features of the YI M1 and Leica TL2 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|YI M1 (⇒ rgt)||no||no||3.0||1040||fixed||YES||4000||5.0||no||no|
|Leica TL2 (⇒ lft)||no||no||3.7||1230||fixed||YES||4000||7.0||no||no|
|Canon SX730 (⇒ lft | rgt)||no||no||3.0||922||tilting||no||3200||5.9||4||YES|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon M10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.6||5||no|
|Fujifilm X100F (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||8.0||4.6||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-T20 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-A10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||no||4000||6.0||5||no|
|Leica CL (⇒ lft | rgt)||2360||YES||3.0||1040||fixed||YES||8000||10.0||no||no|
|Leica TL (⇒ lft | rgt)||no||no||3.7||1230||fixed||YES||4000||5.0||YES||no|
|Panasonic GX800 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||500||10.0||4||no|
|Panasonic GF7 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||500||5.8||4||no|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
Both the M1 and the TL2 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The TL2 replaced the earlier Leica TL, while the M1 does not have a direct predecessor.
So what is the bottom line? Is the YI M1 better than the Leica TL2 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the YI M1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (114x64mm vs 134x69mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 118g or 30 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (450 versus 250) on a single battery charge.
- More affordable: Was introduced into a lower priced category (82 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
Advantages of the Leica TL2:
- More detail: Has more megapixels (24.1 vs 20.2MP), which boosts linear resolution by 12%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Larger screen: Has a bigger rear LCD (3.7" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Was introduced somewhat (9 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the TL2 emerges as the winner of the match-up (8 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the M1 or the TL2 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|YI M1 (⇒ rgt)||-||69/100||-||2.5/5||-||2016||349||latest||check|
|Leica TL2 (⇒ lft)||..||..||4/5||..||4/5||2017||1,950||latest||check|
|Canon SX730 (⇒ lft | rgt)||Rec||-||4/5||-||4/5||2017||399||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon M10 (⇒ lft | rgt)||-||-||-||reviewed||4/5||2015||499||discont.||check|
|Fujifilm X100F (⇒ lft | rgt)||Rec||83/100 Gold||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-A10 (⇒ lft | rgt)||-||-||4/5||-||4/5||2016||399||latest||check|
|Leica CL (⇒ lft | rgt)||..||..||..||..||4/5||2017||2,795||latest||check|
|Leica TL (⇒ lft | rgt)||-||-||-||-||4/5||2016||1,695||discont.||check|
|Panasonic GX800 (⇒ lft | rgt)||Rec||76/100||4.5/5||4/5||4.5/5||2017||549||latest||check|
|Panasonic GF7 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2015||499||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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