Sony RX100 III vs Nikon D500

The Sony Cyber-shot DSC-RX100 III and the Nikon D500 are two digital cameras that were officially introduced, respectively, in May 2014 and January 2016. The RX100 III is a fixed lens compact, while the D500 is a DSLR. The cameras are based on an one-inch (RX100 III) and an APS-C (D500) sensor. The Sony has a resolution of 20 megapixels, whereas the Nikon provides 20.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony RX100 III		Nikon D500
Fixed lens compact camera		Digital single lens reflex
24-70mm f/1.8-2.8		Nikon F mount lenses
20 MP – 1" sensor		20.7 MP – APS-C sensor
1080/60p Video		4K/30p Video
ISO 100-12,800 (80 - 25,600)		ISO 100-51,200 (50 - 1,640,000)
Electronic viewfinder (1440k dots)		Optical viewfinder
3.0" LCD – 1229k dots		3.2" LCD – 2359k dots
Tilting screen (no touchscreen)		Tilting touchscreen
10 shutter flaps per second		10 shutter flaps per second
not weather sealed		Weathersealed body
320 shots per battery charge		1240 shots per battery charge
102 x 58 x 41 mm, 290 g		147 x 115 x 81 mm, 860 g

Check RX100 III offers at
ebay.com
Check D500 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Cyber-shot DSC-RX100 III and the Nikon D500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Sony RX100 III and the Nikon D500. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is considerably larger (186 percent) than the Sony RX100 III. It is noteworthy in this context that the D500 is splash and dust-proof, while the RX100 III does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 III has a lens built in, whereas the D500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D500 and their specifications in the Nikon Lens Catalog.

Concerning battery life, the RX100 III gets 320 shots out of its Sony NP-BX1 battery, while the D500 can take 1240 images on a single charge of its Nikon EN-EL15 power pack. The power pack in the RX100 III can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	US$ 799	ebay.com
2.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	US$ 1 999	ebay.com
3.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	US$ 799	ebay.com
4.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	US$ 699	ebay.com
5.		Nikon D300S	147 mm	115 mm	81 mm	938 g	950	Y	Jul 2009	US$ 1 799	ebay.com
6.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	US$ 499	ebay.com
7.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	US$ 899	ebay.com
8.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	US$ 1 199	ebay.com
9.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	US$ 1 299	amazon.com
10.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	US$ 899	ebay.com
11.		Sony RX100	102 mm	58 mm	36 mm	240 g	330	n	Jun 2012	US$ 649	ebay.com
12.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	US$ 749	ebay.com
13.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	US$ 999	ebay.com
14.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	US$ 999	ebay.com
15.		Sony RX100 VII	102 mm	58 mm	43 mm	302 g	260	n	Jul 2019	US$ 1 199	amazon.com
16.		Sony ZV-1	105 mm	60 mm	44 mm	294 g	260	n	May 2020	US$ 799	ebay.com
17.		Sony ZV-1 II	106 mm	60 mm	47 mm	292 g	290	n	May 2023	US$ 899	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX100 III was launched at a lower price than the D500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony RX100 III features an one-inch sensor and the Nikon D500 an APS-C sensor. The sensor area in the D500 is 218 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 20.7MP, the D500 offers a higher resolution than the RX100 III (20MP), but the D500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 2.41μm for the RX100 III) due to its larger sensor. Moreover, the D500 is a somewhat more recent model (by 1 year and 7 months) than the RX100 III, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The Sony Cyber-shot DSC-RX100 III has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Nikon D500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-1640000.

In terms of underlying technology, the RX100 III is build around a BSI-CMOS sensor, while the D500 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the D500 offers substantially better image quality than the RX100 III (overall score 16 points higher). The advantage is based on 1.6 bits higher color depth, 1.7 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
2.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
3.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
4.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
5.		Nikon D300S	APS-C	12.2	4288	2848	720/24p	22.5	12.2	787	70
6.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
7.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
8.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
9.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
10.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
11.		Sony RX100	1-inch	20.0	5472	3648	1080/60p	22.6	12.4	390	66
12.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
13.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
14.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
15.		Sony RX100 VII	1-inch	20.0	5472	3648	4K/30p	21.8	12.4	418	63
16.		Sony ZV-1	1-inch	20.0	5472	3648	4K/30p	22.2	12.6	669	66
17.		Sony ZV-1 II	1-inch	20.0	5472	3648	4K/30p	22.3	12.9	965	67
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D500 provides a better video resolution than the RX100 III. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the RX100 III has an electronic viewfinder (1440k dots), while the D500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D500 has a higher magnification than the one of the RX100 III (0.67x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Sony RX100 III and Nikon D500 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
2.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
3.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
4.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
5.		Nikon D300S	optical	Y	3.0 / 920	fixed	n	1/8000s	7.0/s	Y	n
6.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
7.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
8.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
9.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
10.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
11.		Sony RX100	none	n	3.0 / 1229	fixed	n	1/2000s	10.0/s	Y	Y
12.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
13.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
14.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
15.		Sony RX100 VII	2359	n	3.0 / 921	tilting	Y	1/2000s	90.0/s	Y	Y
16.		Sony ZV-1	none	n	3.0 / 922	swivel	Y	1/2000s	24.0/s	n	n
17.		Sony ZV-1 II	none	n	3.0 / 922	swivel	Y	1/2000s	24.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The RX100 III has one, while the D500 does not. While the built-in flash of the RX100 III is not very powerful, it can at times be useful as a fill-in light.

The Nikon D500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The RX100 III writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the D500 uses SDXC or XQD cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 III only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the RX100 III can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Cyber-shot DSC-RX100 III and Nikon D500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
3.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
4.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
5.		Nikon D300S	Y	stereo / mono	Y	-	mini	2.0	-	-	-
6.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
7.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
8.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
9.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
10.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
11.		Sony RX100	-	stereo / mono	-	-	micro	2.0	-	-	-
12.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony RX100 VII	-	stereo / mono	Y	-	micro	2.0	Y	Y	Y
16.		Sony ZV-1	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
17.		Sony ZV-1 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y

It is notable that the D500 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The RX100 III does not feature such a mic input.

Studio photographers will appreciate that the Nikon D500 (unlike the RX100 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the RX100 III and the D500 have been discontinued, but can regularly be found used on ebay. The RX100 III was replaced by the Sony RX100 IV, while the D500 does not have a direct successor. Further information on the features and operation of the RX100 III and D500 can be found, respectively, in the Sony RX100 III Manual (free pdf) or the online Nikon D500 Manual.

Review summary

So how do things add up? Is the Sony RX100 III better than the Nikon D500 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Sony Cyber-shot DSC-RX100 III:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Ready to shoot: Comes with a built-in lens, while the D500 requires a separate lens.
• More compact: Is smaller (102x58mm vs 147x115mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the D500).
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in May 2014).

Advantages of the Nikon D500:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.59x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2359k vs 1229k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Makes it possible to change lenses and thus to use specialty optics.
• Longer lasting: Gets more shots (1240 versus 320) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Was introduced somewhat (1 year and 7 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the D500 is the clear winner of the contest (26 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony RX100 III and the Nikon D500 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the RX100 III and the D500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	US$ 799	ebay.com
2.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	US$ 1 999	ebay.com
3.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	US$ 799	ebay.com
4.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	US$ 699	ebay.com
5.		Nikon D300S	5/5	+ +	..	82/100	4/5	4.5/5	Jul 2009	US$ 1 799	ebay.com
6.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	US$ 499	ebay.com
7.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	US$ 899	ebay.com
8.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	US$ 1 199	ebay.com
9.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	US$ 1 299	amazon.com
10.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	US$ 899	ebay.com
11.		Sony RX100	5/5	+ +	..	78/100	4/5	5/5	Jun 2012	US$ 649	ebay.com
12.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	US$ 749	ebay.com
13.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	US$ 999	ebay.com
14.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	US$ 999	ebay.com
15.		Sony RX100 VII	4.5/5	..	4/5	..	4/5	5/5	Jul 2019	US$ 1 199	amazon.com
16.		Sony ZV-1	4/5	+	4/5	85/100	4/5	4.5/5	May 2020	US$ 799	ebay.com
17.		Sony ZV-1 II	4.5/5	..	3.5/5	83/100	3.5/5	4.5/5	May 2023	US$ 899	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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