Leica Digilux 3 vs Nikon D500
The Leica Digilux 3 and the Nikon D500 are two digital cameras that were announced, respectively, in September 2006 and January 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (Digilux 3) and an APS-C (D500) sensor. The Leica has a resolution of 7.4 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Leica Digilux 3||Nikon D500|
|Digital single lens reflex||Digital single lens reflex|
|Four Thirds lenses||Nikon F mount lenses|
|7.4 MP, Four Thirds Sensor||20.7 MP, APS-C Sensor|
|no Video||4K/30p Video|
|ISO 100-1600||ISO 100-51200 (50-1640000)|
|Optical viewfinder||Optical viewfinder|
|2.5" LCD, 207k dots||3.2" LCD, 2359k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3 shutter flaps per second||10 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|750 shots per battery charge||1240 shots per battery charge|
|146 x 87 x 77 mm, 606 g||147 x 115 x 81 mm, 860 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica Digilux 3 and the Nikon D500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica Digilux 3 and the Nikon D500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is notably larger (33 percent) than the Leica Digilux 3. Moreover, the D500 is substantially heavier (42 percent) than the Digilux 3. It is noteworthy in this context that the D500 is splash and dust-proof, while the Digilux 3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (Digilux 3) and the Nikon Lens Catalog (D500).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Leica Digilux 3»||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499||Leica Digilux 3|
|Nikon D500«||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||Nikon D500|
|Canon 30D« »||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399||Canon 30D|
|Canon 350D« »||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899||Canon 350D|
|Leica Q Typ 116« »||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249||Leica Q Typ 116|
|Leica M8« »||139 mm||80 mm||37 mm||591 g||..||n||Sep 2006||5,499||Leica M8|
|Leica V-LUX 1« »||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849||Leica V-LUX 1|
|Nikon D7500« »||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D7200« »||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||Nikon D7200|
|Nikon D7100« »||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||Nikon D7100|
|Nikon D610« »||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D300S« »||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799||Nikon D300S|
|Olympus E-330« »||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||Olympus E-330|
|Olympus E-500« »||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||Olympus E-500|
|Olympus E-300« »||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||Olympus E-300|
|Panasonic L10« »||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||Panasonic L10|
|Panasonic L1« »||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999||Panasonic L1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Digilux 3 was launched at a somewhat lower price (by 25 percent) than the D500, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica Digilux 3 features a Four Thirds sensor and the Nikon D500 an APS-C sensor. The sensor area in the D500 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the Digilux 3 has a native 4:3 aspect ratio, while the one in the D500 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 20.7MP, the D500 offers a higher resolution than the Digilux 3 (7.4MP), but the D500 has smaller individual pixels (pixel pitch of 4.22μm versus 5.51μm for the Digilux 3). Yet, the D500 is a much more recent model (by 9 years and 3 months) than the Digilux 3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the D500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D500 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inch or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inch or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inch or 47.1 x 31.4 cm. The corresponding values for the Leica Digilux 3 are 15.7 x 11.8 inch or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inch or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inch or 26.6 x 19.9 cm for excellent quality prints.
The Leica Digilux 3 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Nikon D500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-1640000.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..||Leica Digilux 3|
|Nikon D500||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Canon 30D||APS-C||8.2||3504||2336||none||21.5||10.8||736||59||Canon 30D|
|Canon 350D||APS-C||8.0||3456||2304||none||21.8||10.8||637||60||Canon 350D|
|Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85||Leica Q Typ 116|
|Leica M8||APS-H||10.4||3936||2630||none||21.1||11.3||663||59||Leica M8|
|Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||..||..||..||..||Leica V-LUX 1|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D7100||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D300S||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..||Olympus E-330|
|Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..||Olympus E-500|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..||Olympus E-300|
|Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55||Panasonic L10|
|Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..||Panasonic L1|
Many modern cameras cannot only take still pictures, but also record videos. The D500 indeed provides for movie recording, while the Digilux 3 does not. The highest resolution format that the D500 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The Digilux 3 and the D500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the D500 offers a wider field of view (100%) than the one in the Digilux 3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D500 has a higher magnification (0.67x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Leica Digilux 3 and Nikon D500 in connection with corresponding information for a sample of similar cameras.
|Leica Digilux 3||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Leica Digilux 3|
|Nikon D500||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Canon 30D||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 350D||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon 350D|
|Leica Q Typ 116||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y||Leica Q Typ 116|
|Leica M8||optical||n||2.5||230||fixed||n||1/8000s||2.0||n||n||Leica M8|
|Leica V-LUX 1||235||n||2.0||207||swivel||n||1/2000s||2.0||Y||Y||Leica V-LUX 1|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D7100||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Nikon D610||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D300S||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Olympus E-330||optical||n||2.5||215||tilting||n||1/4000s||3.0||Y||n||Olympus E-330|
|Olympus E-500||optical||n||2.5||215||fixed||n||1/4000s||2.5||Y||n||Olympus E-500|
|Olympus E-300||optical||n||1.8||134||fixed||n||1/4000s||2.5||Y||n||Olympus E-300|
|Panasonic L10||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
|Panasonic L1||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Panasonic L1|
One difference between the cameras concerns the presence of an on-board flash. The Digilux 3 has one, while the D500 does not. While the built-in flash of the Digilux 3 is not very powerful, it can at times be useful as a fill-in light.
The Nikon D500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Digilux 3 writes its imaging data to SDXC cards, while the D500 uses SDHC or XQD cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Digilux 3 only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the Digilux 3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica Digilux 3 and Nikon D500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Leica Digilux 3||Y||stereo||mono||-||-||none||2.0||-||-||-||Leica Digilux 3|
|Nikon D500||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Canon 30D||Y||none||none||-||-||none||2.0||-||-||-||Canon 30D|
|Canon 350D||Y||none||none||-||-||none||2.0||-||-||-||Canon 350D|
|Leica Q Typ 116||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica Q Typ 116|
|Leica M8||Y||none||none||-||-||none||2.0||-||-||-||Leica M8|
|Leica V-LUX 1||Y||mono||mono||-||-||none||2.0||-||-||-||Leica V-LUX 1|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D7100||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Nikon D610||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D300S||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Olympus E-330||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-330|
|Olympus E-500||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-500|
|Olympus E-300||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-300|
|Panasonic L10||Y||none||none||-||-||none||2.0||-||-||-||Panasonic L10|
|Panasonic L1||Y||none||none||-||-||none||2.0||-||-||-||Panasonic L1|
It is notable that the D500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the Digilux 3 does not offer wifi capability.
Studio photographers will appreciate that the Nikon D500 (unlike the Digilux 3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The D500 is a recent model that features in the current product line-up of Nikon. In contrast, the Digilux 3 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the Digilux 3 from Leica. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Nikon websites.
So what conclusions can be drawn? Which of the two cameras – the Leica Digilux 3 or the Nikon D500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica Digilux 3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (146x87mm vs 147x115mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 254g or 30 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2006).
Advantages of the Nikon D500:
- More detail: Has more megapixels (20.7 vs 7.4MP), which boosts linear resolution by 71%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.47x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 207k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (1240 versus 750) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Reflects 9 years and 3 months of technical progress since the Digilux 3 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the D500 is the clear winner of the contest (27 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica Digilux 3 and the Nikon D500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the Digilux 3 or the D500 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5DS vs Nikon D500
- Canon 90D vs Nikon D500
- Leica Digilux 3 vs Nikon D3S
- Leica Digilux 3 vs Nikon D5200
- Leica Digilux 3 vs Olympus E-PL7
- Leica Digilux 3 vs Panasonic GF2
- Leica Digilux 3 vs Panasonic GF6
- Leica Digilux 3 vs Panasonic GH5
- Leica Digilux 3 vs Sony NEX-5T
- Nikon D500 vs Nikon D5200
- Nikon D500 vs Samsung NX1
- Nikon D500 vs Sony RX100 II
Specifications: Leica Digilux 3 vs Nikon D500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica Digilux 3||Nikon D500|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Four Thirds lenses||Nikon F mount lenses|
|Launch Date||September 2006||January 2016|
|Launch Price||USD 1499||USD 1999|
|Sensor Specs||Leica Digilux 3||Nikon D500|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.7 mm|
|Sensor Area||224.9 mm2||368.95 mm2|
|Sensor Diagonal||21.6 mm||28.3 mm|
|Sensor Resolution||7.4 Megapixels||20.7 Megapixels|
|Image Resolution||3136 x 2352 pixels||5568 x 3712 pixels|
|Pixel Pitch||5.51 μm||4.22 μm|
|Pixel Density||3.28 MP/cm2||5.60 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1600 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||50-1640000 ISO|
|DXO Sensor Quality (score)||..||83|
|DXO Color Depth (bits)||..||24.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1324|
|Screen Specs||Leica Digilux 3||Nikon D500|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5 inch||3.2 inch|
|LCD Resolution||207k dots||2359k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Leica Digilux 3||Nikon D500|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Leica Digilux 3||Nikon D500|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Leica Digilux 3||Nikon D500|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||1240 shots per charge|
146 x 87 x 77 mm
(5.7 x 3.4 x 3.0 in)
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
|Camera Weight||606 g (21.4 oz)||860 g (30.3 oz)|
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