Sony H200 vs NEX-5
The Sony Cyber-shot DSC-H200 and the Sony Alpha NEX-5 are two digital cameras that were announced, respectively, in January 2013 and May 2010. The H200 is a fixed lens compact, while the NEX-5 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (H200) and an APS-C (NEX-5) sensor. The H200 has a resolution of 15.2 megapixels, whereas the NEX-5 provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony H200||Sony NEX-5|
|Fixed lens compact camera||Mirrorless system camera|
|24-633mm f/3.1-5.9||Sony E mount lenses|
|15.2 MP, 1/2.3" Sensor||14 MP, APS-C Sensor|
|720/30p Video||1080/60i Video|
|ISO 100-3200||ISO 200-12800|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 460k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|0.8 shutter flaps per second||7 shutter flaps per second|
|240 shots per battery charge||330 shots per battery charge|
|123 x 83 x 87 mm, 530 g||111 x 59 x 38 mm, 287 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Cyber-shot DSC-H200 and the Sony Alpha NEX-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Sony H200 and the Sony NEX-5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The NEX-5 can be obtained in two different colors (black, silver), while the H200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5 is considerably smaller (36 percent) than the Sony H200. In this context, it is worth noting that neither the H200 nor the NEX-5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H200 has a lens built in, whereas the NEX-5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-5 and their specifications in the Sony E-Mount Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony H200»||4.8 in||3.3 in||3.4 in||18.7 oz||240||n||Jan 2013||249||Sony H200|
|Sony NEX-5«||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||Sony NEX-5|
|Canon SX520« »||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jul 2014||399||Canon SX520|
|Canon SX600« »||4.1 in||2.4 in||1.0 in||6.6 oz||290||n||Jan 2014||249||Canon SX600|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Nikon B500« »||4.5 in||3.1 in||3.7 in||19.1 oz||600||n||Jan 2016||299||Nikon B500|
|Nikon L840« »||4.4 in||3.1 in||3.8 in||19.0 oz||590||n||Feb 2015||299||Nikon L840|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony H400« »||5.1 in||3.7 in||4.8 in||22.2 oz||300||n||Feb 2014||319||Sony H400|
|Sony H300« »||5.0 in||3.5 in||3.6 in||20.8 oz||350||n||Feb 2014||219||Sony H300|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||Sony NEX-F3|
|Sony NEX-5N« »||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||Sony NEX-5N|
|Sony NEX-C3« »||4.3 in||2.4 in||1.3 in||7.9 oz||400||n||Jun 2011||599||Sony NEX-C3|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||Sony NEX-3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The H200 was launched at a lower price than the NEX-5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony H200 features a 1/2.3-inch sensor and the Sony NEX-5 an APS-C sensor. The sensor area in the NEX-5 is 1204 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the H200 has a native 4:3 aspect ratio, while the one in the NEX-5 offers a 3:2 aspect.
Despite having a smaller sensor, the Sony H200 offers a higher resolution of 15.2 megapixels, compared with 14 MP of the Sony NEX-5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.36μm versus 5.11μm for the NEX-5). However, it should be noted that the H200 is much more recent (by 2 years and 7 months) than the NEX-5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the H200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony H200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the H200 for good quality output (200 dots per inch) amounts to 25.9 x 14.7 inch or 65.8 x 37.2 cm, for very good quality (250 dpi) 20.7 x 11.7 inch or 52.7 x 29.8 cm, and for excellent quality (300 dpi) 17.3 x 9.8 inch or 43.9 x 24.8 cm. The corresponding values for the Sony NEX-5 are 23 x 15.3 inch or 58.3 x 38.8 cm for good quality, 18.4 x 12.2 inch or 46.7 x 31 cm for very good quality, and 15.3 x 10.2 inch or 38.9 x 25.9 cm for excellent quality prints.
The Sony Cyber-shot DSC-H200 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha NEX-5 are ISO 200 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony H200||1/2.3||15.2||5184||2930||720/30p||..||..||..||..||Sony H200|
|Sony NEX-5||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
|Canon SX520||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Canon SX520|
|Canon SX600||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Canon SX600|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Nikon B500||1/2.3||15.9||4608||3456||1080/60i||..||..||..||..||Nikon B500|
|Nikon L840||1/2.3||15.9||4608||3456||1080/60i||..||..||..||..||Nikon L840|
|Sony HX99||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX99|
|Sony HX95||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX95|
|Sony H400||1/2.3||19.9||5152||3864||720/30p||..||..||..||..||Sony H400|
|Sony H300||1/2.3||19.9||5152||3864||720/30p||..||..||..||..||Sony H300|
|Sony NEX-5R||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-5N||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-C3||APS-C||16.0||4912||3264||720/30p||22.7||12.2||1083||73||Sony NEX-C3|
|Sony NEX-3||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the NEX-5 provides a better video resolution than the H200. It can shoot movie footage at 1080/60i, while the H200 is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The H200 and the NEX-5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the NEX-5 can be equipped with an optional viewfinder – the FDA-SV1. The following table reports on some other key feature differences and similarities of the Sony H200, the Sony NEX-5, and comparable cameras.
|Sony H200||none||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
|Sony NEX-5||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
|Canon SX520||none||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX520|
|Canon SX600||none||n||3.0||461||fixed||n||1/2000s||3.9||Y||Y||Canon SX600|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Nikon B500||none||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon B500|
|Nikon L840||none||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon L840|
|Sony HX99||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony H400||210||n||3.0||460||fixed||n||1/2000s||0.7||Y||Y||Sony H400|
|Sony H300||none||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H300|
|Sony NEX-5R||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3||optional||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-5N||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-C3||optional||n||3.0||920||tilting||n||1/4000s||5.5||n||n||Sony NEX-C3|
|Sony NEX-3||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
One difference between the cameras concerns the presence of an on-board flash. The H200 has one, while the NEX-5 does not. While the built-in flash of the H200 is not very powerful, it can at times be useful as a fill-in light.The NEX-5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the H200 does not have a selfie-screen.
Concerning the storage of imaging data, both the H200 and the NEX-5 write their files to SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Cyber-shot DSC-H200 and Sony Alpha NEX-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony H200||-||mono||mono||-||-||none||2.0||-||-||-||Sony H200|
|Sony NEX-5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
|Canon SX520||-||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX520|
|Canon SX600||-||mono||mono||-||-||micro||2.0||Y||Y||-||Canon SX600|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Nikon B500||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B500|
|Nikon L840||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon L840|
|Sony HX99||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony H400||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H400|
|Sony H300||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H300|
|Sony NEX-5R||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-5N||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-C3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-C3|
|Sony NEX-3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
It is notable that the NEX-5 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The H200 does not feature such an accessory-socket.
The H200 is a recent model that features in the current product line-up of Sony. In contrast, the NEX-5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the NEX-5 was succeeded by the Sony NEX-5N. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So how do things add up? Is the Sony H200 better than the Sony NEX-5 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Sony Cyber-shot DSC-H200:
- More detail: Offers more megapixels (15.2 vs 14MP) with a 8% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the NEX-5 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 7 months of technical progress since the NEX-5 launch.
Arguments in favor of the Sony Alpha NEX-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 0.8 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (111x59mm vs 123x83mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (330 versus 240) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in May 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the NEX-5 is the clear winner of the contest (17 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony H200 and the Sony NEX-5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the H200 or the NEX-5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 250D vs Sony H200
- Fujifilm X-E3 vs Sony NEX-5
- Fujifilm X-T10 vs Sony NEX-5
- Leica V-LUX 1 vs Sony H200
- Nikon Df vs Sony NEX-5
- Olympus E-P1 vs Sony NEX-5
- Olympus E-PM1 vs Sony NEX-5
- Panasonic G90 vs Sony NEX-5
- Panasonic GF1 vs Sony H200
- Panasonic GX850 vs Sony H200
- Ricoh GR vs Sony NEX-5
- Sony H200 vs Sony RX10 IV
Specifications: Sony H200 vs Sony NEX-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony H200||Sony NEX-5|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-633mm f/3.1-5.9||Sony E mount lenses|
|Launch Date||January 2013||May 2010|
|Launch Price||USD 249||USD 699|
|Sensor Specs||Sony H200||Sony NEX-5|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.4 x 15.6 mm|
|Sensor Area||28.0735 mm2||365.04 mm2|
|Sensor Diagonal||7.7 mm||28.1 mm|
|Sensor Resolution||15.2 Megapixels||14 Megapixels|
|Image Resolution||5184 x 2930 pixels||4592 x 3056 pixels|
|Pixel Pitch||1.36 μm||5.11 μm|
|Pixel Density||54.10 MP/cm2||3.84 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/60i Video|
|ISO Setting||100-3200 ISO||200-12800 ISO|
|DXO Sensor Quality (score)||..||69|
|DXO Color Depth (bits)||..||22.2|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||796|
|Screen Specs||Sony H200||Sony NEX-5|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||460k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Sony H200||Sony NEX-5|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/1500/s||1/4000/s|
|Continuous Shooting||0.8 shutter flaps/s||7 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Sony H200||Sony NEX-5|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Sony H200||Sony NEX-5|
|Battery Life (CIPA)||240 shots per charge||330 shots per charge|
123 x 83 x 87 mm
(4.8 x 3.3 x 3.4 in)
111 x 59 x 38 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||530 g (18.7 oz)||287 g (10.1 oz)|
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