Sony A7 III vs Canon 20D
The Sony Alpha A7 III and the Canon EOS 20D are two enthusiast cameras that were announced, respectively, in February 2018 and August 2004. The A7 III is a mirrorless interchangeable lens camera, while the 20D is a DSLR. The cameras are based on a full frame (A7 III) and an APS-C (20D) sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 8.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A7 III||Canon 20D|
|Mirrorless system camera||Digital single lens reflex|
|Sony E mount lenses||Canon EF mount lenses|
|24 MP, Full Frame Sensor||8.2 MP, APS-C Sensor|
|4K/30p Video||no Video|
|ISO 100-51200 (50-204800)||ISO 100-1600 (100-3200)|
|Electronic viewfinder (2359k dots)||Optical viewfinder|
|3.0" LCD, 922k dots||1.8" LCD, 118k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Not weather sealed|
|610 shots per battery charge||700 shots per battery charge|
|127 x 96 x 74 mm, 650 g||144 x 106 x 72 mm, 770 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7 III and the Canon EOS 20D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Sony A7 III vs Canon 20D
An illustration of the physical size and weight of the Sony A7 III and the Canon 20D is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 20D is notably larger (25 percent) than the Sony A7 III. Moreover, the 20D is markedly heavier (18 percent) than the A7 III. It is worth mentioning in this context that the A7 III is splash and dust resistant, while the 20D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7 III) and the Canon EF Lens Catalog (20D). Mirrorless cameras, such as the Sony A7 III, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the A7 III gets 610 shots out of its NP-FZ100 battery, while the 20D can take 700 images on a single charge of its BP-511A power pack. The power pack in the A7 III can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony A7 III»||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Canon 20D«||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||-||Canon XT|
|Canon 10D« »||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||-||Canon 10D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 20D was launched at a somewhat lower price (by 25 percent) than the A7 III, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Sony A7 III vs Canon 20D
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7 III features a full frame sensor and the Canon 20D an APS-C sensor. The sensor area in the 20D is 60 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 III offers a higher resolution than the 20D (8.2MP), but the A7 III has smaller individual pixels (pixel pitch of 5.94μm versus 6.42μm for the 20D). However, the A7 III is a much more recent model (by 13 years and 6 months) than the 20D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 III for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon 20D are 17.5 x 11.7 inch or 44.5 x 29.7 cm for good quality, 14 x 9.3 inch or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inch or 29.7 x 19.8 cm for excellent quality prints.
The A7 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A7 III has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Canon EOS 20D are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A7 III provides substantially higher image quality than the 20D, with an overall score that is 34 points higher. This advantage is based on 3.1 bits higher color depth, 3.7 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A7 III»||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Canon 20D«||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 40D« »||APS-C||10.1||3888||2592||-||22.1||11.3||703||64||Canon 40D|
|Canon 30D« »||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Canon XT« »||APS-C||8.0||3456||2304||-||21.8||10.8||637||60||Canon XT|
|Canon 10D« »||APS-C||6.3||3072||2048||-||21.1||10.9||571||57||Canon 10D|
|Canon Rebel« »||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
Many modern cameras are not only capable of taking still images, but can also record movies. The A7 III indeed provides movie recording capabilities, while the 20D does not. The highest resolution format that the A7 III can use is 4K/30p.
Feature comparison: Sony A7 III vs Canon 20D
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 III has an electronic viewfinder (2359k dots), while the 20D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 III offers a wider field of view (100%) than the one in the 20D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 III has a higher magnification (0.78x vs 0.56x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Sony A7 III, the Canon 20D, and comparable cameras.
|Sony A7 III»||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Canon 20D«||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 40D« »||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon XT« »||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Canon 10D« »||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
|Canon Rebel« »||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A850« »||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
One feature that differentiates the A7 III and the 20D is in-body image stabilization (IBIS). The A7 III reduces the risk of handshake-induced blur with all attached lenses, while the 20D has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A7 III writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the 20D uses Compact Flash cards. The A7 III features dual card slots, which can be very useful in case a memory card fails. In contrast, the 20D only has one slot.
Connectivity comparison: Sony A7 III vs Canon 20D
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 III and Canon EOS 20D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A7 III»||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Canon 20D«||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 40D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 40D|
|Canon 30D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Canon XT« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XT|
|Canon 10D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 10D|
|Canon Rebel« »||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
It is notable that the A7 III offers wifi support, while the 20D does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Canon 20D (unlike the A7 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7 III is a recent model that features in the current product line-up of Sony. In contrast, the 20D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 20D was succeeded by the Canon 30D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony and Canon websites.
Review summary: Sony A7 III vs Canon 20D
So how do things add up? Is the Sony A7 III better than the Canon 20D or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha A7 III:
- More detail: Offers more megapixels (24 vs 8.2MP) with a 71% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (34 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.4 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.56x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 118k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (127x96mm vs 144x106mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 120g or 16 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 13 years and 6 months of technical progress since the 20D launch.
Arguments in favor of the Canon EOS 20D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Longer lasting: Gets more shots (700 versus 610) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2004).
If the number of relative strengths (bullet points above) is taken as a guide, the A7 III is the clear winner of the match-up (29 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A7 III and the Canon 20D place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the A7 III and the 20D in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony A7 III vs Canon 20D
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A7 III»||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Canon 20D«||-||+ +||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 40D« »||+ +||+ +||4.5/5||o||4.5/5||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||+ +||+ +||o||o||-||Feb 2006||1,399||-||Canon 30D|
|Canon XT« »||80/100||+ +||o||o||-||Feb 2005||899||-||Canon XT|
|Canon 10D« »||-||+ +||-||o||-||Feb 2003||1,999||-||Canon 10D|
|Canon Rebel« »||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Nikon Z6« »||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 10D vs Canon 20D
- Canon 1Ds Mark II vs Sony A7 III
- Canon G1 X Mark II vs Sony A7 III
- Canon T3i vs Sony A7 III
- Fujifilm X-T2 vs Sony A7 III
- Leica M10-P vs Sony A7 III
- Leica M9 vs Sony A7 III
- Nikon D700 vs Sony A7 III
- Panasonic G10 vs Sony A7 III
- Panasonic GX8 vs Sony A7 III
- Sony A5000 vs Sony A7 III
- Sony A7 III vs Sony RX10 II
Specifications: Sony A7 III vs Canon 20D
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A7 III||Canon 20D|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Sony E mount lenses||Canon EF mount lenses|
|Launch Date||February 2018||August 2004|
|Launch Price||USD 1999||USD 1499|
|Sensor Specs||Sony A7 III||Canon 20D|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.6 x 23.8 mm||22.5 x 15.0 mm|
|Sensor Area||847.28 mm2||337.5 mm2|
|Sensor Diagonal||42.8 mm||27 mm|
|Sensor Resolution||24 Megapixels||8.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||3504 x 2336 pixels|
|Pixel Pitch||5.94 μm||6.42 μm|
|Pixel Density||2.83 MP/cm2||2.43 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||100-51200 ISO||100-1600 ISO|
|ISO Boost||50-204800 ISO||100-3200 ISO|
|Image Processor||BIONZ X||DIGIC 2|
|DXO Sensor Quality (score)||96||62|
|DXO Color Depth (bits)||25.0||21.9|
|DXO Dynamic Range (EV)||14.7||11.0|
|DXO Low Light (ISO)||3730||721|
|Screen Specs||Sony A7 III||Canon 20D|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||1.8 inch|
|LCD Resolution||922k dots||118k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Sony A7 III||Canon 20D|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||50 000 actuations|
|Electronic Shutter||YES||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||CF cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Sony A7 III||Canon 20D|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.1||USB 1.1|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Sony A7 III||Canon 20D|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||NP-FZ100 power pack||BP-511A power pack|
|Battery Life (CIPA)||610 shots per charge||700 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
144 x 106 x 72 mm
(5.7 x 4.2 x 2.8 in)
|Camera Weight||650 g (22.9 oz)||770 g (27.2 oz)|
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