Sony A6000 versus Fujifilm X100F
The Sony Alpha A6000 and the Fujifilm X100F are two enthusiast cameras that were officially introduced, respectively, in February 2014 and January 2017. The A6000 is a mirrorless interchangeable lens camera, while the X100F is a fixed lens compact. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Sony A6000 vs Fujifilm X100F
The side-by-side display below illustrates the physical size and weight of the Sony A6000 and the Fujifilm X100F. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the A6000 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X100F is notably larger (18 percent) than the Sony A6000. In this context, it is worth noting that neither the A6000 nor the X100F are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X100F has a lens build in, whereas the A6000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the A6000 and their specifications in the Sony E-Mount Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Sony A6000 (⇒ rgt)||4.7 in||2.6 in||1.8 in||12.1 oz||360||no||2014||599||discont.||check|
|Fujifilm X100F (⇒ lft)||5.0 in||3.0 in||2.0 in||16.5 oz||390||no||2017||1,299||latest||check|
|Canon G1 X Mark III (⇒ lft | rgt)||4.5 in||3.1 in||2.0 in||14.1 oz||200||YES||2017||1,299||latest||check|
|Fujifilm X-T100 (⇒ lft | rgt)||4.8 in||3.3 in||1.9 in||15.8 oz||430||no||2018||599||latest||check|
|Fujifilm X100 (⇒ lft | rgt)||5.0 in||3.0 in||2.1 in||15.7 oz||300||no||2010||1,199||discont.||check|
|Panasonic FZ2500 (⇒ lft | rgt)||5.4 in||4.0 in||5.3 in||32.3 oz||350||no||2016||1,199||latest||check|
|Sony RX100 VI (⇒ lft | rgt)||4.0 in||2.3 in||1.7 in||10.6 oz||240||no||2018||1,199||latest||check|
|Sony A6300 (⇒ lft | rgt)||4.7 in||2.6 in||1.9 in||14.3 oz||400||YES||2016||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||4.3 in||2.5 in||1.4 in||10.0 oz||400||no||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||4.3 in||2.5 in||1.4 in||9.5 oz||420||no||2014||449||discont.||check|
|Sony A3000 (⇒ lft | rgt)||5.0 in||3.6 in||3.3 in||14.5 oz||470||no||2013||329||discont.||check|
|Sony NEX-3N (⇒ lft | rgt)||4.3 in||2.4 in||1.4 in||9.5 oz||480||no||2013||499||discont.||check|
|Sony NEX-5T (⇒ lft | rgt)||4.4 in||2.3 in||1.5 in||97.9 oz||330||no||2013||699||discont.||check|
|Sony NEX-6 (⇒ lft | rgt)||4.7 in||2.6 in||1.7 in||12.2 oz||360||no||2012||999||discont.||check|
|Sony NEX-F3 (⇒ lft | rgt)||4.6 in||2.6 in||1.7 in||11.1 oz||470||no||2012||599||discont.||check|
|Sony NEX-7 (⇒ lft | rgt)||4.7 in||2.6 in||1.7 in||14.1 oz||430||no||2011||1,349||discont.||check|
|Sony NEX-3 (⇒ lft | rgt)||4.6 in||2.4 in||1.3 in||10.5 oz||330||no||2010||599||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A6000 vs Fujifilm X100F
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X100F has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X100F has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6000), which gives it a potential advantage in terms of light gathering capacity. In addition, the X100F is much more recent (by 2 years and 11 months) than the A6000, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X100F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A6000 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
|Fujifilm X100F (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon G1 X Mark III (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Fujifilm X-T100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/15p||..||..||..||..|
|Fujifilm X100 (⇒ lft | rgt)||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73|
|Panasonic FZ2500 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX100 VI (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony A5100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80|
|Sony A5000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79|
|Sony A3000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78|
|Sony NEX-3N (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74|
|Sony NEX-5T (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78|
|Sony NEX-6 (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78|
|Sony NEX-F3 (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73|
|Sony NEX-7 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81|
|Sony NEX-3 (⇒ lft | rgt)||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Feature comparison: Sony A6000 vs Fujifilm X100F
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X100F offers a substantially higher resolution than the one in the A6000 (2360k vs 1440k dots). The adjacent table lists some of the other core features of the Sony A6000 and Fujifilm X100F along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Sony A6000 (⇒ rgt)||1440||no||3.0||922||tilting||no||4000||11.0||6||no|
|Fujifilm X100F (⇒ lft)||2360||no||3.0||1040||fixed||no||4000||8.0||4.6||no|
|Canon G1 X Mark III (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||9.0||9||YES|
|Fujifilm X-T100 (⇒ lft | rgt)||2360||no||3.0||1040||full-flex||YES||4000||6.0||5||no|
|Fujifilm X100 (⇒ lft | rgt)||1440||no||2.8||460||fixed||no||4000||5.0||9||no|
|Panasonic FZ2500 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||12.0||13.2||YES|
|Sony RX100 VI (⇒ lft | rgt)||2359||no||3.0||1229||tilting||YES||2000||24.0||5.9||YES|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony A5100 (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||6.0||4||no|
|Sony A5000 (⇒ lft | rgt)||no||no||3.0||461||tilting||no||4000||3.5||4||no|
|Sony A3000 (⇒ lft | rgt)||202||no||3.0||230||fixed||no||4000||2.5||6||no|
|Sony NEX-3N (⇒ lft | rgt)||no||no||3.0||460||tilting||no||4000||4.0||4||no|
|Sony NEX-5T (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||10.0||no||no|
|Sony NEX-6 (⇒ lft | rgt)||2359||no||3.0||921||tilting||no||4000||10.0||6||no|
|Sony NEX-F3 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.5||6||no|
|Sony NEX-7 (⇒ lft | rgt)||2359||no||3.0||921||tilting||no||4000||10.0||6||no|
|Sony NEX-3 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||7.0||no||no|
The X100F is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6000 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6000 was succeeded by the Sony A6300.
Review summary: Sony A6000 vs Fujifilm X100F
So how do things add up? Is there a clear favorite between the Sony A6000 and the Fujifilm X100F? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Sony Alpha A6000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (120x67mm vs 127x75mm) and thus needs less room in the bag.
- More heavily discounted: Has been available for much longer (launched in February 2014).
Arguments in favor of the Fujifilm X100F:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Ready to shoot: Has an integrated lens, whereas the A6000 necessitates an extra lens.
- More modern: Reflects 2 years and 11 months of technical progress since the A6000 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A6000 comes out slightly ahead of the X100F (6 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6000 or the X100F. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Sony A6000 (⇒ rgt)||Rec||80/100 Gold||4.5/5||5/5||5/5||2014||599||discont.||check|
|Fujifilm X100F (⇒ lft)||Rec||83/100 Gold||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Canon G1 X Mark III (⇒ lft | rgt)||Rec||79/100||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Fujifilm X-T100 (⇒ lft | rgt)||..||..||..||..||..||2018||599||latest||check|
|Fujifilm X100 (⇒ lft | rgt)||-||75/100 Silver||4/5||4/5||5/5||2010||1,199||discont.||check|
|Panasonic FZ2500 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Sony RX100 VI (⇒ lft | rgt)||..||..||..||..||..||2018||1,199||latest||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||5/5||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||Rec||-||4.5/5||reviewed||4.5/5||2014||449||discont.||check|
|Sony A3000 (⇒ lft | rgt)||Rec||-||4/5||4.5/5||4/5||2013||329||discont.||check|
|Sony NEX-3N (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2013||499||discont.||check|
|Sony NEX-5T (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2013||699||discont.||check|
|Sony NEX-6 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||5/5||4.5/5||2012||999||discont.||check|
|Sony NEX-F3 (⇒ lft | rgt)||-||74/100 Silver||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Sony NEX-7 (⇒ lft | rgt)||HiRec||81/100 Gold||4.5/5||5/5||5/5||2011||1,349||discont.||check|
|Sony NEX-3 (⇒ lft | rgt)||-||70/100 Silver||4.5/5||5/5||4/5||2010||599||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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