Sony A1 vs A7C II
The Sony A1 and the Sony Alpha A7C II are two digital cameras that were announced, respectively, in January 2021 and August 2023. Both the A1 and the A7C II are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The A1 has a resolution of 49.8 megapixels, whereas the A7C II provides 32.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony A1 and the Sony Alpha A7C II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Sony A1 and the Sony A7C II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The A7C II can be obtained in two different colors (black, silver), while the A1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C II is notably smaller (30 percent) than the Sony A1. Moreover, the A7C II is markedly lighter (30 percent) than the A1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Sony FE Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A1 | 129 mm | 97 mm | 81 mm | 737 g | 530 | Y | Jan 2021 | US$ 6 499 | amazon.com | |
2. | Sony A7C II | 124 mm | 71 mm | 63 mm | 514 g | 540 | Y | Aug 2023 | US$ 2 199 | amazon.com | |
3. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | US$ 1 999 | ebay.com | |
4. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | US$ 1 999 | amazon.com | |
5. | Sony A7 IV | 131 mm | 96 mm | 80 mm | 659 g | 580 | Y | Oct 2021 | US$ 2 499 | amazon.com | |
6. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | US$ 1 799 | amazon.com | |
7. | Sony A7R | 127 mm | 94 mm | 48 mm | 465 g | 340 | Y | Oct 2013 | US$ 2 299 | ebay.com | |
8. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | US$ 3 199 | ebay.com | |
9. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | US$ 3 199 | ebay.com | |
10. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | US$ 3 199 | amazon.com | |
11. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | US$ 3 499 | ebay.com | |
12. | Sony A7R IVA | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Apr 2021 | US$ 3 499 | amazon.com | |
13. | Sony A7R V | 131 mm | 97 mm | 82 mm | 723 g | 530 | Y | Oct 2022 | US$ 3 899 | amazon.com | |
14. | Sony A7S III | 127 mm | 97 mm | 81 mm | 699 g | 600 | Y | Jul 2020 | US$ 3 499 | amazon.com | |
15. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | US$ 3 199 | ebay.com | |
16. | Sony ZV-E1 | 121 mm | 72 mm | 54 mm | 483 g | 570 | Y | Mar 2023 | US$ 2 199 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7C II was launched at a markedly lower price (by 66 percent) than the A1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of chip-set technology, the A1 uses a more advanced image processing engine (Dual BIONZ XR) than the A7C II (BIONZ XR), with benefits for noise reduction, color accuracy, and processing speed.
With 49.8MP, the A1 offers a higher resolution than the A7C II (32.7MP), but the A1 has smaller individual pixels (pixel pitch of 4.16μm versus 5.12μm for the A7C II). Moreover, the A7C II is a much more recent model (by 2 years and 7 months) than the A1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A1 for good quality output (200 dots per inch) amounts to 43.2 x 28.8 inches or 109.7 x 73.2 cm, for very good quality (250 dpi) 34.6 x 23 inches or 87.8 x 58.5 cm, and for excellent quality (300 dpi) 28.8 x 19.2 inches or 73.2 x 48.8 cm. The corresponding values for the Sony A7C II are 35 x 23.4 inches or 89 x 59.3 cm for good quality, 28 x 18.7 inches or 71.2 x 47.5 cm for very good quality, and 23.4 x 15.6 inches or 59.3 x 39.6 cm for excellent quality prints.
Unlike the A7C II, the A1 has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Sony A1 has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A7C II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the A1 is build around a Stacked BSI-CMOS sensor, while the A7C II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A1 | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.9 | 14.5 | 3163 | 98 | |
2. | Sony A7C II | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3237 | 96 | |
3. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
4. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
5. | Sony A7 IV | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3379 | 97 | |
6. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
7. | Sony A7R | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.6 | 14.1 | 2746 | 95 | |
8. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
9. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
10. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
11. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
12. | Sony A7R IVA | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
13. | Sony A7R V | Full Frame | 60.2 | 9504 | 6336 | 8k/24p | 26.5 | 14.8 | 3187 | 100 | |
14. | Sony A7S III | Full Frame | 12.0 | 4240 | 2832 | 4K/120p | 23.7 | 13.9 | 2520 | 86 | |
15. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
16. | Sony ZV-E1 | Full Frame | 12.0 | 4240 | 2832 | 4K/60p | 25.4 | 14.6 | 3181 | 96 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A1 provides a higher video resolution than the A7C II. It can shoot video footage at 8k/30p, while the A7C II is limited to 4K/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the A1 offers a substantially higher resolution than the one in the A7C II (9437k vs 2360k dots). The table below summarizes some of the other core capabilities of the Sony A1 and Sony A7C II in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A1 | 9437 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
2. | Sony A7C II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
3. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
4. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
5. | Sony A7 IV | 3686 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
6. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
7. | Sony A7R | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 4.0/s | n | n | |
8. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
9. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
10. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
11. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
12. | Sony A7R IVA | 5760 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
13. | Sony A7R V | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
14. | Sony A7S III | 9440 | n | 3.0 / 1440 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
16. | Sony ZV-E1 | none | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A1 and the Sony A7C II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A1 writes its imaging data to CFexpress (type A) or SDXC cards, while the A7C II uses SDXC or Memory Stick PRO Duo cards. The A1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7C II only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony A1 and Sony Alpha A7C II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
2. | Sony A7C II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
4. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
5. | Sony A7 IV | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
6. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
7. | Sony A7R | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
8. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
9. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
10. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
11. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
12. | Sony A7R IVA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
13. | Sony A7R V | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
14. | Sony A7S III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
15. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
16. | Sony ZV-E1 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y |
Studio photographers will appreciate that the Sony A1 (unlike the A7C II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the A1 and the A7C II are recent models that are part of the current product line-up. The A7C II replaced the earlier Sony A7C, while the A1 does not have a direct predecessor. Further information on the features and operation of the A1 and A7C II can be found, respectively, in the Sony A1 Manual (free pdf) or the online Sony A7C II Manual.
Review summary
So what conclusions can be drawn? Is the Sony A1 better than the Sony A7C II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Sony A1:
- More detail: Offers more megapixels (49.8 vs 32.7MP) with a 23% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better jpgs: Has a more modern image processing engine (Dual BIONZ XR vs BIONZ XR).
- Better video: Provides higher definition movie capture (8k/30p vs 4K/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (9437k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.7x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1037k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in January 2021).
Reasons to prefer the Sony Alpha A7C II:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (124x71mm vs 129x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 223g or 30 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (66 percent cheaper at launch).
- More modern: Reflects 2 years and 7 months of technical progress since the A1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A1 is the clear winner of the match-up (12 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A1 and the Sony A7C II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A1 or the A7C II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A1 | 5/5 | o | 4.5/5 | 93/100 | 4.5/5 | 5/5 | Jan 2021 | US$ 6 499 | amazon.com | |
2. | Sony A7C II | 4/5 | .. | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2023 | US$ 2 199 | amazon.com | |
3. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | US$ 1 999 | ebay.com | |
4. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | US$ 1 999 | amazon.com | |
5. | Sony A7 IV | 5/5 | + + | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2021 | US$ 2 499 | amazon.com | |
6. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | US$ 1 799 | amazon.com | |
7. | Sony A7R | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | Oct 2013 | US$ 2 299 | ebay.com | |
8. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | US$ 3 199 | ebay.com | |
9. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | US$ 3 199 | ebay.com | |
10. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | US$ 3 199 | amazon.com | |
11. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | US$ 3 499 | ebay.com | |
12. | Sony A7R IVA | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Apr 2021 | US$ 3 499 | amazon.com | |
13. | Sony A7R V | 5/5 | + + | 4.5/5 | 92/100 | .. | .. | Oct 2022 | US$ 3 899 | amazon.com | |
14. | Sony A7S III | 4.5/5 | + + | 5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2020 | US$ 3 499 | amazon.com | |
15. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | US$ 3 199 | ebay.com | |
16. | Sony ZV-E1 | .. | + | 4/5 | .. | .. | 4.5/5 | Mar 2023 | US$ 2 199 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
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Specifications: Sony A1 vs Sony A7C II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A1 | Sony A7C II |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Sony E mount lenses | Sony E mount lenses |
Launch Date | January 2021 | August 2023 |
Launch Price | USD 6,499 | USD 2,199 |
Sensor Specs | Sony A1 | Sony A7C II |
Sensor Technology | Stacked BSI-CMOS | BSI-CMOS |
Sensor Format | Full Frame Sensor | Full Frame Sensor |
Sensor Size | 35.9 x 24.0 mm | 35.9 x 23.9 mm |
Sensor Area | 861.6 mm2 | 858.01 mm2 |
Sensor Diagonal | 43.2 mm | 43.1 mm |
Crop Factor | 1.0x | 1.0x |
Sensor Resolution | 49.8 Megapixels | 32.7 Megapixels |
Image Resolution | 8640 x 5760 pixels | 7008 x 4672 pixels |
Pixel Pitch | 4.16 μm | 5.12 μm |
Pixel Density | 5.78 MP/cm2 | 3.82 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 8k/30p Video | 4K/60p Video |
ISO Setting | 100 - 32,000 ISO | 100 - 51,200 ISO |
ISO Boost | 50 - 102,400 ISO | 50 - 204,800 ISO |
Image Processor | Dual BIONZ XR | BIONZ XR |
DXO Sensor Quality (score) | 98 | .. |
DXO Color Depth (bits) | 25.9 | .. |
DXO Dynamic Range (EV) | 14.5 | .. |
DXO Low Light (ISO) | 3163 | .. |
Screen Specs | Sony A1 | Sony A7C II |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.9x | 0.7x |
Viewfinder Resolution | 9437k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1440k dots | 1037k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Sony A1 | Sony A7C II |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 10 shutter flaps/s |
Shutter Life Expectancy | 500 000 actuations | 200 000 actuations |
Electronic Shutter | up to 1/32000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CFexA or SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | UHS-II | UHS-II |
Connectivity Specs | Sony A1 | Sony A7C II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.2 | USB 3.2 |
HDMI Port | full HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Sony A1 | Sony A7C II |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Sony NP-FZ100 | Sony NP-FZ100 |
Battery Life (CIPA) | 530 shots per charge | 540 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
129 x 97 x 81 mm (5.1 x 3.8 x 3.2 in) |
124 x 71 x 63 mm (4.9 x 2.8 x 2.5 in) |
Camera Weight | 737 g (26.0 oz) | 514 g (18.1 oz) |
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