Ricoh GR vs Sony NEX-3
The Ricoh GR and the Sony Alpha NEX-3 are two digital cameras that were announced, respectively, in April 2013 and May 2010. The GR is a fixed lens compact, while the NEX-3 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Ricoh has a resolution of 16.1 megapixels, whereas the Sony provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Ricoh GR||Sony NEX-3|
|Fixed lens compact camera||Mirrorless system camera|
|28mm f/2.8||Sony E mount lenses|
|16.1 MP, APS-C Sensor||14 MP, APS-C Sensor|
|1080/30p Video||720/30p Video|
|ISO 100-25600||ISO 200-12800|
|Viewfinder optional||Viewfinder optional|
|3.0" LCD, 1230k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|4 shutter flaps per second||7 shutter flaps per second|
|290 shots per battery charge||330 shots per battery charge|
|117 x 61 x 35 mm, 245 g||117 x 62 x 33 mm, 297 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Ricoh GR and the Sony Alpha NEX-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Ricoh GR and the Sony NEX-3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The NEX-3 can be obtained in three different colors (black, silver, red), while the GR is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-3 is somewhat larger (2 percent) than the Ricoh GR. In this context, it is worth noting that neither the GR nor the NEX-3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the GR has a lens built in, whereas the NEX-3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-3 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the GR gets 290 shots out of its DB65 battery, while the NEX-3 can take 330 images on a single charge of its NP-FW50 power pack. The power pack in the GR can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Ricoh GR»||4.6 in||2.4 in||1.4 in||8.6 oz||290||n||Apr 2013||799||-||Ricoh GR|
|Sony NEX-3«||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Leica X Vario« »||5.2 in||2.9 in||3.7 in||24.0 oz||450||n||Jun 2013||2,850||Leica X Vario|
|Nikon Coolpix A« »||4.4 in||2.5 in||1.6 in||10.5 oz||230||n||Mar 2013||1,099||-||Nikon Coolpix A|
|Panasonic GM5« »||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749||-||Panasonic GM5|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||-||Panasonic GM1|
|Ricoh GR II« »||4.6 in||2.5 in||1.4 in||8.9 oz||320||n||Jun 2015||699||Ricoh GR II|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-||Sony RX100 III|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-5N« »||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-5« »||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||-||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-3 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 16.1MP, the GR offers a higher resolution than the NEX-3 (14MP), but the GR has smaller individual pixels (pixel pitch of 4.79μm versus 5.11μm for the NEX-3). However, the GR is a much more recent model (by 2 years and 11 months) than the NEX-3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GR has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Ricoh GR implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GR for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inch or 62.6 x 41.5 cm, for very good quality (250 dpi) 19.7 x 13.1 inch or 50.1 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inch or 41.7 x 27.6 cm. The corresponding values for the Sony NEX-3 are 23 x 15.3 inch or 58.3 x 38.8 cm for good quality, 18.4 x 12.2 inch or 46.7 x 31 cm for very good quality, and 15.3 x 10.2 inch or 38.9 x 25.9 cm for excellent quality prints.
The Ricoh GR has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Sony Alpha NEX-3 are ISO 200 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the GR has a notably higher overall DXO score than the NEX-3 (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.5 bits higher color depth, 1.5 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Ricoh GR»||APS-C||16.1||4928||3264||1080/30p||23.6||13.5||972||78||Ricoh GR|
|Sony NEX-3«||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Leica X Vario« »||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78||Leica X Vario|
|Nikon Coolpix A« »||APS-C||16.1||4928||3264||1080/30p||23.4||13.8||1164||80||Nikon Coolpix A|
|Panasonic GM5« »||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic GM1« »||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Ricoh GR II« »||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80||Ricoh GR II|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
|Sony NEX-5R« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-5N« »||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-5« »||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GR provides a higher video resolution than the NEX-3. It can shoot video footage at 1080/30p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The GR and the NEX-3 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the GV-1 for the GR and the FDA-SV1 for the NEX-3 – are available as accessories. The table below summarizes some of the other core capabilities of the Ricoh GR and Sony NEX-3 in connection with corresponding information for a sample of similar cameras.
|Ricoh GR»||-||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR|
|Sony NEX-3«||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Leica X Vario« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Vario|
|Nikon Coolpix A« »||-||n||3.0||921||fixed||n||1/2000s||4.0||Y||n||Nikon Coolpix A|
|Panasonic GM5« »||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic GM1« »||-||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Ricoh GR II« »||-||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n||Ricoh GR II|
|Sony A5100« »||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
|Sony NEX-5R« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-5N« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-5« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One difference between the cameras concerns the presence of an on-board flash. The GR has one, while the NEX-3 does not. While the built-in flash of the GR is not very powerful, it can at times be useful as a fill-in light.The NEX-3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GR does not have a selfie-screen.
The Ricoh GR has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GR writes its imaging data to SDXC cards, while the NEX-3 uses SDXC or Memory Stick PRO Duo cards. The GR supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Ricoh GR and Sony Alpha NEX-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Ricoh GR»||Y||mono||mono||-||-||micro||2.0||-||-||-||Ricoh GR|
|Sony NEX-3«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Leica X Vario« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Vario|
|Nikon Coolpix A« »||Y||stereo||mono||-||-||-||2.0||-||-||-||Nikon Coolpix A|
|Panasonic GM5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic GM1« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Ricoh GR II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Ricoh GR II|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
|Sony NEX-5R« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-5N« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
Both the GR and the NEX-3 have been discontinued, but can regularly be found used on eBay. The NEX-3 was replaced by the Sony NEX-3N, while the GR was followed by the Ricoh GR II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Ricoh and Sony websites.
So how do things add up? Is there a clear favorite between the Ricoh GR and the Sony NEX-3? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Ricoh GR:
- More detail: Offers more megapixels (16.1 vs 14MP) with a 7% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.5 EV of extra DR).
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 920k dots).
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the NEX-3 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the NEX-3).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 11 months of technical progress since the NEX-3 launch.
Advantages of the Sony Alpha NEX-3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 4 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (330 versus 290) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in May 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the GR is the clear winner of the match-up (13 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Ricoh GR and the Sony NEX-3 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GR or the NEX-3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Ricoh GR»||-||79/100||4.5/5||4.5/5||4.5/5||Apr 2013||799||-||Ricoh GR|
|Sony NEX-3«||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Leica X Vario« »||-||-||4/5||4/5||4/5||Jun 2013||2,850||Leica X Vario|
|Nikon Coolpix A« »||+||75/100||4/5||4.5/5||4/5||Mar 2013||1,099||-||Nikon Coolpix A|
|Panasonic GM5« »||+||77/100||5/5||5/5||4.5/5||Sep 2014||749||-||Panasonic GM5|
|Panasonic GM1« »||+||78/100||5/5||4.5/5||4.5/5||Oct 2013||749||-||Panasonic GM1|
|Ricoh GR II« »||-||-||4.5/5||4.5/5||4.5/5||Jun 2015||699||Ricoh GR II|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony RX100 III« »||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Sony NEX-5R« »||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-5N« »||+ +||79/100||4.5/5||5/5||4.5/5||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-5« »||+ +||71/100||4.5/5||4/5||4/5||May 2010||699||-||Sony NEX-5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Ricoh GR vs Sony NEX-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Ricoh GR||Sony NEX-3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28mm f/2.8||Sony E mount lenses|
|Launch Date||April 2013||May 2010|
|Launch Price||USD 799||USD 599|
|Sensor Specs||Ricoh GR||Sony NEX-3|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.7 x 15.6 mm||23.4 x 15.6 mm|
|Sensor Area||369.72 mm2||365.04 mm2|
|Sensor Diagonal||28.4 mm||28.1 mm|
|Sensor Resolution||16.1 Megapixels||14 Megapixels|
|Image Resolution||4928 x 3264 pixels||4592 x 3056 pixels|
|Pixel Pitch||4.79 μm||5.11 μm|
|Pixel Density||4.35 MP/cm2||3.84 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||100-25600 ISO||200-12800 ISO|
|DXO Sensor Quality (score)||78||68|
|DXO Color Depth (bits)||23.6||22.1|
|DXO Dynamic Range (EV)||13.5||12.0|
|DXO Low Light (ISO)||972||830|
|Screen Specs||Ricoh GR||Sony NEX-3|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1230k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Ricoh GR||Sony NEX-3|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||7 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Ricoh GR||Sony NEX-3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Ricoh GR||Sony NEX-3|
|Battery Life (CIPA)||290 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
117 x 61 x 35 mm
(4.6 x 2.4 x 1.4 in)
117 x 62 x 33 mm
(4.6 x 2.4 x 1.3 in)
|Camera Weight||245 g (8.6 oz)||297 g (10.5 oz)|
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