Panasonic S1 vs Sony A7S

The Panasonic Lumix DC-S1 and the Sony Alpha A7S are two digital cameras that were revealed to the public, respectively, in February 2019 and April 2014. Both the S1 and the A7S are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Panasonic has a resolution of 24 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic S1		Sony A7S
Mirrorless system camera		Mirrorless system camera
Leica L mount lenses		Sony E mount lenses
24 MP – Full Frame sensor		12 MP – Full Frame sensor
4K/60p Video		1080/60p Video
ISO 100-51,200 (50 - 204,800)		ISO 100-102,400 (50 - 409,600)
Electronic viewfinder (5760k dots)		Electronic viewfinder (2400k dots)
3.2" LCD – 2100k dots		3.0" LCD – 921k dots
Fully flexible touchscreen		Tilting screen (no touchscreen)
9 shutter flaps per second		5 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
400 shots per battery charge		380 shots per battery charge
149 x 110 x 97 mm, 1017 g		127 x 94 x 48 mm, 489 g

Check S1 price at
amazon.com
Check A7S offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-S1 and the Sony Alpha A7S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic S1 and the Sony A7S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S is notably smaller (27 percent) than the Panasonic S1. Moreover, the A7S is substantially lighter (52 percent) than the S1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the S1 gets 400 shots out of its Panasonic DMW-BLJ31 battery, while the A7S can take 380 images on a single charge of its Sony NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	2,499	amazon.com
2.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
3.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
4.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
5.		Leica SL2-S	146 mm	107 mm	83 mm	931 g	510	Y	Dec 2020	4,895	amazon.com
6.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	2,099	ebay.com
7.		Nikon Df	144 mm	110 mm	67 mm	760 g	1400	Y	Nov 2013	2,749	ebay.com
8.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	3,999	amazon.com
9.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
10.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
11.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
12.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
13.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
14.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	3,199	ebay.com
15.		Sony A850	156 mm	117 mm	82 mm	895 g	880	Y	Aug 2009	1,999	ebay.com
16.		Sony A900	156 mm	117 mm	82 mm	895 g	880	Y	Sep 2008	2,999	ebay.com
17.		Sony ZV-E1	121 mm	72 mm	54 mm	483 g	570	Y	Mar 2023	2,199	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7S is 1 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a slightly smaller sensor, the Panasonic S1 offers a higher resolution of 24 megapixels, compared with 12 MP of the Sony A7S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.94μm versus 8.45μm for the A7S). However, it should be noted that the S1 is much more recent (by 4 years and 9 months) than the A7S, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony A7S are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.

Unlike the A7S, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DC-S1 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the S1 has a notably higher overall DXO score than the A7S (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.3 bits higher color depth, 1.3 EV in additional dynamic range, and 0.2 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
2.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
3.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
4.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
5.		Leica SL2-S	Full Frame	24.0	6000	4000	4K/60p	25.2	14.1	3504	95
6.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
7.		Nikon Df	Full Frame	16.2	4928	3280	none	24.6	13.1	3279	89
8.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
9.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
10.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
11.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
12.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
13.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
14.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
15.		Sony A850	Full Frame	24.4	6048	4032	none	23.8	12.2	1415	79
16.		Sony A900	Full Frame	24.4	6048	4032	none	23.7	12.3	1431	79
17.		Sony ZV-E1	Full Frame	12.0	4240	2832	4K/60p	25.4	14.6	3181	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1 provides a higher video resolution than the A7S. It can shoot video footage at 4K/60p, while the Sony is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the S1 offers a substantially higher resolution than the one in the A7S (5760k vs 2400k dots). The table below summarizes some of the other core capabilities of the Panasonic S1 and Sony A7S in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
2.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
3.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
4.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
5.		Leica SL2-S	5760	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	Y
6.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
7.		Nikon Df	optical	Y	3.2 / 921	fixed	n	1/4000s	5.5/s	n	n
8.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
9.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
10.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
11.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
12.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
13.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
14.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
15.		Sony A850	optical	Y	3.0 / 922	fixed	n	1/8000s	3.0/s	n	Y
16.		Sony A900	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	Y
17.		Sony ZV-E1	none	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the S1, but is missing on the A7S is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The S1 writes its imaging data to SDXC or XQD cards, while the A7S uses SDXC or Memory Stick PRO Duo cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S only has one slot. The S1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A7S can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-S1 and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
2.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
5.		Leica SL2-S	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
6.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
7.		Nikon Df	Y	- / -	-	-	mini	2.0	-	-	-
8.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
9.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
10.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
11.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
12.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
15.		Sony A850	Y	- / -	-	-	mini	2.0	-	-	-
16.		Sony A900	Y	- / -	-	-	mini	2.0	-	-	-
17.		Sony ZV-E1	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

Studio photographers will appreciate that the Panasonic S1 (unlike the A7S) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7S has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7S was succeeded by the Sony A7S II. Further information on the features and operation of the S1 and A7S can be found, respectively, in the Panasonic S1 Manual (free pdf) or the online Sony A7S Manual.

Review summary

So how do things add up? Is the Panasonic S1 better than the Sony A7S or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Panasonic Lumix DC-S1:

• More detail: Offers more megapixels (24 vs 12MP) with a 41% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
• Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2400k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.71x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 921k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 4 years and 9 months of technical progress since the A7S launch.

Reasons to prefer the Sony Alpha A7S:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (127x94mm vs 149x110mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 528g or 52 percent) and is thus easier to take along.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been around for much longer (launched in April 2014).

If the number of relative strengths (bullet points above) is taken as a guide, the S1 is the clear winner of the match-up (24 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic S1 and the Sony A7S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S1 or the A7S. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	2,499	amazon.com
2.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
3.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
4.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
5.		Leica SL2-S	4/5	..	4/5	..	4.5/5	4.5/5	Dec 2020	4,895	amazon.com
6.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	2,099	ebay.com
7.		Nikon Df	4/5	..	..	81/100	4/5	4/5	Nov 2013	2,749	ebay.com
8.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	3,999	amazon.com
9.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
10.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
11.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
12.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
13.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
14.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	3,199	ebay.com
15.		Sony A850	3/5	..	..	75/100	..	4.5/5	Aug 2009	1,999	ebay.com
16.		Sony A900	..	+ +	..	+ +	4.5/5	5/5	Sep 2008	2,999	ebay.com
17.		Sony ZV-E1	..	+	4/5	..	..	4.5/5	Mar 2023	2,199	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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