Panasonic LX7 vs Sony A7C

The Panasonic Lumix DMC-LX7 and the Sony Alpha A7C are two digital cameras that were announced, respectively, in July 2012 and September 2020. The LX7 is a fixed lens compact, while the A7C is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (LX7) and a full frame (A7C) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic LX7		Sony A7C
Fixed lens compact camera		Mirrorless system camera
24-90mm f/1.4-2.3		Sony E mount lenses
10 MP – 1/1.7" sensor		24 MP – Full Frame sensor
1080/60p Video		4K/30p Video
ISO 80-6,400 (80 - 12,800)		ISO 100-51,200 (50 - 204,800)
Viewfinder optional		Electronic viewfinder (2360k dots)
3.0" LCD – 920k dots		3.0" LCD – 922k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
11 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
330 shots per battery charge		740 shots per battery charge
111 x 68 x 46 mm, 298 g		124 x 71 x 60 mm, 509 g

Check LX7 offers at
ebay.com
Check A7C price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX7 and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic LX7 and the Sony A7C. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the A7C is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is notably larger (17 percent) than the Panasonic LX7. It is noteworthy in this context that the A7C is splash and dust-proof, while the LX7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the A7C is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7C and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the LX7 gets 330 shots out of its Panasonic DMW-BCJ13 battery, while the A7C can take 740 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7C can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330		Jul 2012	US$ 499	ebay.com
2.		Sony A7C	124 mm	71 mm	60 mm	509 g	740		Sep 2020	US$ 1 799	amazon.com
3.		Canon G15	107 mm	76 mm	40 mm	352 g	350		Sep 2012	US$ 499	ebay.com
4.		Canon G16	109 mm	76 mm	40 mm	356 g	360		Aug 2013	US$ 549	ebay.com
5.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270		Sep 2011	US$ 599	ebay.com
6.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270		Jan 2013	US$ 599	ebay.com
7.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440		Sep 2016	US$ 1 999	ebay.com
8.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540		Jul 2012	US$ 599	ebay.com
9.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270		May 2011	US$ 599	ebay.com
10.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300		Jun 2011	US$ 549	ebay.com
11.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360		Apr 2012	US$ 499	ebay.com
12.		Panasonic LF1	103 mm	62 mm	28 mm	192 g	250		Apr 2013	US$ 499	ebay.com
13.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400		Jul 2010	US$ 499	ebay.com
14.		Sony A7	127 mm	94 mm	48 mm	474 g	340		Oct 2013	US$ 1 699	ebay.com
15.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350		Nov 2014	US$ 1 999	ebay.com
16.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540		Aug 2023	US$ 2 199	amazon.com
17.		Sony A9	127 mm	96 mm	63 mm	673 g	650		Apr 2017	US$ 4 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial
		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
		Camera Model

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX7 was launched at a lower price than the A7C, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic LX7 features a 1/1.7-inch sensor and the Sony A7C a full frame sensor. The sensor area in the A7C is 1917 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.65 and 1.0. The sensor in the LX7 has a native 4:3 aspect ratio, while the one in the A7C offers a 3:2 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 24MP, the A7C offers a higher resolution than the LX7 (10MP), but the A7C nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the A7C is a much more recent model (by 8 years and 2 months) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A7C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The A7C has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-LX7 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the LX7 is build around a CMOS sensor, while the A7C uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7C offers substantially better image quality than the LX7 (overall score 45 points higher). The advantage is based on 4.3 bits higher color depth, 3 EV in additional dynamic range, and 4.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
2.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
3.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
4.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
5.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
6.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
7.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
8.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
9.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
10.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
11.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
12.		Panasonic LF1	1/1.7	12.0	4000	3000	1080/60i	20.8	11.6	211	52
13.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
14.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
15.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
16.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
17.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
Note: DXO values in italics represent estimates based on sensor size and age.
		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
		Camera Model

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7C provides a better video resolution than the LX7. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7C has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Panasonic LX7 and Sony A7C along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic LX7	optional		3.0 / 920	fixed		1/4000s	11.0/s
2.		Sony A7C	2360		3.0 / 922	swivel		1/4000s	10.0/s
3.		Canon G15	optical		3.0 / 922	fixed		1/4000s	2.1/s
4.		Canon G16	optical		3.0 / 922	fixed		1/4000s	2.2/s
5.		Fujifilm X10	optical		2.8 / 460	fixed		1/4000s	10.0/s
6.		Fujifilm X20	optical		2.8 / 460	fixed		1/4000s	12.0/s
7.		Olympus E-M1 II	2360		3.0 / 1037	swivel		1/8000s	18.0/s
8.		Panasonic FZ200	1312		3.0 / 460	swivel		1/4000s	12.0/s
9.		Panasonic G3	1440		3.0 / 460	swivel		1/4000s	4.0/s
10.		Panasonic GF3			3.0 / 460	fixed		1/4000s	3.2/s
11.		Panasonic GF5			3.0 / 920	fixed		1/4000s	4.0/s
12.		Panasonic LF1	200		3.0 / 920	fixed		1/4000s	10.0/s
13.		Panasonic LX5	optional		3.0 / 460	fixed		1/4000s	2.5/s
14.		Sony A7	2400		3.0 / 1230	tilting		1/8000s	5.0/s
15.		Sony A7 II	2400		3.0 / 1230	tilting		1/8000s	5.0/s
16.		Sony A7C II	2360		3.0 / 1037	swivel		1/4000s	10.0/s
17.		Sony A9	3686		3.0 / 1440	tilting		1/8000s	20.0/s
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
		Camera Model

One difference between the cameras concerns the presence of an on-board flash. The LX7 has one, while the A7C does not. While the built-in flash of the LX7 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7C is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic LX7 and the Sony A7C both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The LX7 writes its imaging data to SDXC cards, while the A7C uses SDXC or Memory Stick PRO Duo cards. The A7C supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX7 and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic LX7		stereo / mono			mini	2.0
2.		Sony A7C		stereo / mono			micro	3.2
3.		Canon G15		stereo / mono			mini	2.0
4.		Canon G16		stereo / mono			mini	2.0
5.		Fujifilm X10		stereo / mono			mini	2.0
6.		Fujifilm X20		stereo / mono			micro	2.0
7.		Olympus E-M1 II		stereo / mono			micro	3.0
8.		Panasonic FZ200		stereo / mono			mini	2.0
9.		Panasonic G3		stereo / mono			mini	2.0
10.		Panasonic GF3		stereo / mono			mini	2.0
11.		Panasonic GF5		stereo / mono			mini	2.0
12.		Panasonic LF1		stereo / mono			mini	2.0
13.		Panasonic LX5		mono / mono			mini	2.0
14.		Sony A7		stereo / mono			micro	2.0
15.		Sony A7 II		stereo / mono			micro	2.0
16.		Sony A7C II		stereo / mono			micro	3.2
17.		Sony A9		stereo / mono			micro	2.0
		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
		Camera Model

It is notable that the A7C offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the LX7 does not provide wifi capability.

The A7C is a recent model that features in the current product line-up of Sony. In contrast, the LX7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the LX7 was succeeded by the Panasonic LX10. Further information on the features and operation of the LX7 and A7C can be found, respectively, in the Panasonic LX7 Manual (free pdf) or the online Sony A7C Manual.

Review summary

So how do things add up? Which of the two cameras – the Panasonic LX7 or the Sony A7C – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Panasonic Lumix DMC-LX7:

• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Ready to shoot: Has a lens built-in, whereas the A7C requires a separate lens.
• More compact: Is smaller (111x68mm vs 124x71mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7C).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in July 2012).

Advantages of the Sony Alpha A7C:

• More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 58%.
• Better image quality: Scores substantially higher (45 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (4.3 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (3 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (4.5 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (740 versus 330) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More modern: Reflects 8 years and 2 months of technical progress since the LX7 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A7C is the clear winner of the contest (24 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic LX7 and the Sony A7C place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the LX7 and the A7C in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
2.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	US$ 1 799	amazon.com
3.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	US$ 499	ebay.com
4.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	US$ 549	ebay.com
5.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	US$ 599	ebay.com
6.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	US$ 599	ebay.com
7.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	US$ 1 999	ebay.com
8.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
9.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
10.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
11.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
12.		Panasonic LF1	3/5	+	..	..	4/5	4.5/5	Apr 2013	US$ 499	ebay.com
13.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	US$ 499	ebay.com
14.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	US$ 1 699	ebay.com
15.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
16.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	US$ 2 199	amazon.com
17.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	US$ 4 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
		Camera   Model

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check LX7 offers at
ebay.com
Check A7C price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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• Canon 7D II
• Canon 10D
• Canon 20D
• Canon 30D
• Canon 40D
• Canon 50D
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• Canon 70D
• Canon 77D
• Canon 80D
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• Canon D30
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• Canon G1 X
• Canon G1 X Mark II
• Canon G1 X Mark III
• Canon G3 X
• Canon G5 X
• Canon G5 X Mark II
• Canon G7 X
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• Canon G7 X Mark III
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• Canon G12
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• Canon M
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• Canon M10
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• Canon M100
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• Canon R5
• Canon R5 Mark II
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• Canon R6
• Canon R6 Mark II
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• Canon R10
• Canon R50
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• Contax N Digital
• Epson R-D1
• Fujifilm GFX 50R
• Fujifilm GFX 50S
• Fujifilm GFX 50S II
• Fujifilm GFX 100
• Fujifilm GFX 100 II
• Fujifilm GFX 100RF
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• Fujifilm GFX 100S II
• Fujifilm X-A1
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• Fujifilm X10
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• Fujifilm X100V
• Fujifilm X100VI
• Fujifilm XF10
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• Fujifilm XP120
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• Fujifilm XP140
• Hasselblad X1D
• Hasselblad X1D II
• Hasselblad X2D 100C
• Kodak AZ901
• Kodak S-1
• Leica C-LUX
• Leica CL
• Leica D-LUX Typ 109
• Leica D-LUX 5
• Leica D-LUX 6
• Leica D-LUX 7
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• Leica Digilux 3
• Leica M Typ 240
• Leica M-E Typ 240
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• Leica V-LUX Typ 114
• Leica V-LUX 5
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• Leica X Typ 113
• Leica X-U Typ 113
• Leitz Ur-Leica
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• Nikon Coolpix A
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• Nikon D40X
• Nikon D50
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• Nikon D70s
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• Nikon D5000
• Nikon D5100
• Nikon D5200
• Nikon D5300
• Nikon D5500
• Nikon D5600
• Nikon D7000
• Nikon D7100
• Nikon D7200
• Nikon D7500
• Nikon Df
• Nikon L840
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• Nikon P950
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• Nikon P7800
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• Nikon Z30
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• Nikon Zf
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• Olympus E-1
• Olympus E-3
• Olympus E-5
• Olympus E-30
• Olympus E-300
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• Olympus E-400
• Olympus E-410
• Olympus E-420
• Olympus E-450
• Olympus E-500
• Olympus E-510
• Olympus E-520
• Olympus E-600
• Olympus E-620
• Olympus E-M1
• Olympus E-M1 II
• Olympus E-M1 III
• Olympus E-M1X
• Olympus E-M5
• Olympus E-M5 II
• Olympus E-M5 III
• Olympus E-M10
• Olympus E-M10 II
• Olympus E-M10 III
• Olympus E-M10 IV
• Olympus E-P1
• Olympus E-P2
• Olympus E-P3
• Olympus E-P5
• Olympus E-P7
• Olympus E-PL1
• Olympus E-PL2
• Olympus E-PL3
• Olympus E-PL5
• Olympus E-PL6
• Olympus E-PL7
• Olympus E-PL8
• Olympus E-PL9
• Olympus E-PL10
• Olympus E-PM1
• Olympus E-PM2
• Olympus PEN-F
• Olympus Stylus 1
• Olympus Stylus 1s
• Olympus TG-4
• Olympus TG-5
• Olympus TG-6
• Olympus XZ-1
• Olympus XZ-2
• OM System OM-1
• OM System OM-1 II
• OM System OM-3
• OM System OM-5
• OM System OM-5 II
• OM System TG-7
• Panasonic FZ80
• Panasonic FZ80D
• Panasonic FZ100
• Panasonic FZ150
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• Panasonic FZ300
• Panasonic FZ1000
• Panasonic FZ1000 II
• Panasonic FZ2500
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• Panasonic G3
• Panasonic G5
• Panasonic G6
• Panasonic G7
• Panasonic G9
• Panasonic G9 II
• Panasonic G10
• Panasonic G85
• Panasonic G97
• Panasonic G95
• Panasonic G100
• Panasonic GF1
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• Panasonic GF3
• Panasonic GF5
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• Panasonic GH1
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• Panasonic GH4
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• Panasonic GH5 II
• Panasonic GH5s
• Panasonic GH6
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• Panasonic GM1
• Panasonic GM5
• Panasonic GX1
• Panasonic GX7
• Panasonic GX8
• Panasonic GX9
• Panasonic GX85
• Panasonic GX850
• Panasonic L1
• Panasonic L10
• Panasonic LF1
• Panasonic LX5
• Panasonic LX7
• Panasonic LX10
• Panasonic LX100
• Panasonic LX100 II
• Panasonic S1
• Panasonic S1 II
• Panasonic S1H
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• Panasonic S1R II
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• Panasonic S5 II
• Panasonic S9
• Panasonic TS7
• Panasonic ZS70
• Panasonic ZS80
• Panasonic ZS100
• Panasonic ZS200
• Pentax 645D
• Pentax 645Z
• Pentax K-1
• Pentax K-1 II
• Pentax K-3
• Pentax K-3 II
• Pentax K-3 III
• Pentax K-5
• Pentax K-5 II
• Pentax K-30
• Pentax K-50
• Pentax K-70
• Pentax K-500
• Pentax KP
• Pentax K-S1
• Pentax K-S2
• Pentax MX-1
• Pentax Q
• Pentax WG-8
• Pentax WG-90
• Pentax WG-1000
• Ricoh GR
• Ricoh GR II
• Ricoh GR III
• Ricoh GR IIIx
• Ricoh WG-6
• Ricoh WG-60
• Samsung NX1
• Samsung NX30
• Samsung NX500
• Sigma fp
• Sigma fp L
• Sony A1
• Sony A1 II
• Sony A7
• Sony A7 II
• Sony A7 III
• Sony A7 IV
• Sony A7C
• Sony A7C II
• Sony A7C R
• Sony A7R
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• Sony A7R IIIA
• Sony A7R IV
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• Sony A7R V
• Sony A7S
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• Sony A9
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• Sony A9 III
• Sony A58
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• Sony A99 II
• Sony A850
• Sony A900
• Sony A3000
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• Sony A5100
• Sony A6000
• Sony A6100
• Sony A6300
• Sony A6400
• Sony A6500
• Sony A6600
• Sony A6700
• Sony H200
• Sony H300
• Sony H400
• Sony HX80
• Sony HX90V
• Sony HX95
• Sony HX99
• Sony HX350
• Sony HX400V
• Sony NEX-3
• Sony NEX-3N
• Sony NEX-5
• Sony NEX-5N
• Sony NEX-5R
• Sony NEX-5T
• Sony NEX-6
• Sony NEX-7
• Sony NEX-C3
• Sony NEX-F3
• Sony RX0
• Sony RX0 II
• Sony RX1
• Sony RX1R
• Sony RX1R II
• Sony RX1R III
• Sony RX10
• Sony RX10 II
• Sony RX10 III
• Sony RX10 IV
• Sony RX100
• Sony RX100 II
• Sony RX100 III
• Sony RX100 IV
• Sony RX100 V
• Sony RX100 VI
• Sony RX100 VII
• Sony WX800
• Sony ZV-1
• Sony ZV-1 II
• Sony ZV-1F
• Sony ZV-E1
• Sony ZV-E10
• Sony ZV-E10 II
• YI M1
• Zeiss ZX1

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