Nikon D50 vs Panasonic LX7
The Nikon D50 and the Panasonic Lumix DMC-LX7 are two digital cameras that were revealed to the public, respectively, in April 2005 and July 2012. The D50 is a DSLR, while the LX7 is a fixed lens compact. The cameras are based on an APS-C (D50) and a 1/1.7-inch (LX7) sensor. The Nikon has a resolution of 6 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D50 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon D50 and the Panasonic LX7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The LX7 can be obtained in two different colors (black, white), while the D50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is considerably smaller (44 percent) than the Nikon D50. In this context, it is worth noting that neither the D50 nor the LX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the D50 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D50 and their specifications in the Nikon Lens Catalog.
Concerning battery life, the D50 gets 400 shots out of its Nikon EN-EL3 battery, while the LX7 can take 330 images on a single charge of its Panasonic DMW-BCJ13 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | 133 mm | 102 mm | 76 mm | 620 g | 400 | n | Apr 2005 | 749 | ebay.com | |
2. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
3. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
4. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
5. | Nikon D5200 | 129 mm | 98 mm | 78 mm | 555 g | 500 | n | Nov 2012 | 749 | ebay.com | |
6. | Nikon D5100 | 128 mm | 97 mm | 79 mm | 560 g | 660 | n | Apr 2011 | 749 | ebay.com | |
7. | Nikon D3000 | 126 mm | 97 mm | 64 mm | 536 g | 500 | n | Jul 2009 | 599 | ebay.com | |
8. | Nikon D5000 | 127 mm | 104 mm | 80 mm | 590 g | 510 | n | Apr 2009 | 749 | ebay.com | |
9. | Nikon D60 | 126 mm | 94 mm | 64 mm | 522 g | 500 | n | Jan 2008 | 629 | ebay.com | |
10. | Nikon D40X | 124 mm | 94 mm | 64 mm | 522 g | 520 | n | Mar 2007 | 729 | ebay.com | |
11. | Nikon D40 | 124 mm | 94 mm | 64 mm | 522 g | 470 | n | Nov 2006 | 499 | ebay.com | |
12. | Nikon D80 | 132 mm | 103 mm | 77 mm | 668 g | 600 | n | Aug 2006 | 999 | ebay.com | |
13. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | 899 | ebay.com | |
14. | Nikon D70 | 140 mm | 111 mm | 78 mm | 679 g | 400 | n | Jan 2004 | 999 | ebay.com | |
15. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
16. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
17. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX7 was launched at a lower price than the D50, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D50 features an APS-C sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 89 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.65. The sensor in the D50 has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the LX7 offers a higher resolution of 10 megapixels, compared with 6 MP of the D50. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.05μm versus 7.85μm for the D50). However, it should be noted that the LX7 is much more recent (by 7 years and 2 months) than the D50, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic LX7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX7 for good quality output (200 dots per inch) amounts to 18.2 x 13.7 inches or 46.3 x 34.7 cm, for very good quality (250 dpi) 14.6 x 10.9 inches or 37.1 x 27.8 cm, and for excellent quality (300 dpi) 12.2 x 9.1 inches or 30.9 x 23.2 cm. The corresponding values for the Nikon D50 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Nikon D50 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
In terms of underlying technology, the D50 is build around a CCD sensor, while the LX7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D50 has a notably higher overall DXO score than the LX7 (overall score 5 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.2 bits higher color depth, 0.9 EV of lower dynamic range, and 1.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | APS-C | 6.0 | 3008 | 2000 | none | 20.9 | 10.8 | 560 | 55 | |
2. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
3. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
4. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
5. | Nikon D5200 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.2 | 13.9 | 1284 | 84 | |
6. | Nikon D5100 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.5 | 13.6 | 1183 | 80 | |
7. | Nikon D3000 | APS-C | 10.0 | 3872 | 2592 | none | 22.3 | 11.1 | 563 | 62 | |
8. | Nikon D5000 | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.7 | 12.5 | 868 | 72 | |
9. | Nikon D60 | APS-C | 10.0 | 3872 | 2592 | none | 22.5 | 11.4 | 562 | 65 | |
10. | Nikon D40X | APS-C | 10.0 | 3872 | 2592 | none | 22.4 | 11.4 | 516 | 63 | |
11. | Nikon D40 | APS-C | 6.0 | 3008 | 2000 | none | 21.0 | 11.0 | 561 | 56 | |
12. | Nikon D80 | APS-C | 10.0 | 3872 | 2592 | none | 22.1 | 11.2 | 524 | 61 | |
13. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
14. | Nikon D70 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
15. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
16. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
17. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 |
Many modern cameras cannot only take still pictures, but also record videos. The LX7 indeed provides for movie recording, while the D50 does not. The highest resolution format that the LX7 can use is 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D50 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The table below summarizes some of the other core capabilities of the Nikon D50 and Panasonic LX7 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | optical | n | 2.0 / 130 | fixed | n | 1/4000s | 2.5/s | Y | n | |
2. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
3. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
4. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
5. | Nikon D5200 | optical | n | 3.0 / 921 | swivel | n | 1/4000s | 5.0/s | Y | n | |
6. | Nikon D5100 | optical | n | 3.0 / 921 | swivel | n | 1/4000s | 4.0/s | Y | n | |
7. | Nikon D3000 | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
8. | Nikon D5000 | optical | n | 2.7 / 230 | full-flex | n | 1/4000s | 4.0/s | Y | n | |
9. | Nikon D60 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
10. | Nikon D40X | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Nikon D40 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
12. | Nikon D80 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
13. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
14. | Nikon D70 | optical | n | 1.8 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
15. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
16. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
17. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D50 writes its imaging data to SD cards, while the LX7 uses SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D50 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Nikon D5200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
6. | Nikon D5100 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
7. | Nikon D3000 | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Nikon D5000 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
9. | Nikon D60 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Nikon D40X | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D40 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Nikon D80 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Nikon D70 | Y | - / - | - | - | - | 1.0 | - | - | - | |
15. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - |
Both the D50 and the LX7 have been discontinued, but can regularly be found used on ebay. The D50 was replaced by the Nikon D40, while the LX7 was followed by the Panasonic LX10. Further information on the features and operation of the D50 and LX7 can be found, respectively, in the Nikon D50 Manual (free pdf) or the online Panasonic LX7 Manual.
Review summary
So how do things add up? Is the Nikon D50 better than the Panasonic LX7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Nikon D50:
- Better image quality: Scores markedly higher (5 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (1.9 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (400 versus 330) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in April 2005).
Arguments in favor of the Panasonic Lumix DMC-LX7:
- More detail: Has more megapixels (10 vs 6MP), which boosts linear resolution by 26%.
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 130k dots).
- Faster burst: Shoots at higher frequency (11 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the D50 requires a separate lens.
- More compact: Is smaller (111x68mm vs 133x102mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D50).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 7 years and 2 months of technical progress since the D50 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the LX7 is the clear winner of the contest (14 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D50 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D50 or the LX7 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D50 | .. | 78/100 | .. | + + | 4/5 | 4.5/5 | Apr 2005 | 749 | ebay.com | |
2. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
3. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
4. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
5. | Nikon D5200 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Nov 2012 | 749 | ebay.com | |
6. | Nikon D5100 | 5/5 | + + | .. | 76/100 | 4.5/5 | 4.5/5 | Apr 2011 | 749 | ebay.com | |
7. | Nikon D3000 | .. | + | .. | 72/100 | 4/5 | 4.5/5 | Jul 2009 | 599 | ebay.com | |
8. | Nikon D5000 | .. | + + | .. | 75/100 | 4/5 | 4.5/5 | Apr 2009 | 749 | ebay.com | |
9. | Nikon D60 | .. | 80/100 | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 629 | ebay.com | |
10. | Nikon D40X | .. | 79/100 | .. | + + | 4/5 | 4/5 | Mar 2007 | 729 | ebay.com | |
11. | Nikon D40 | .. | 81/100 | .. | + + | o | 4.5/5 | Nov 2006 | 499 | ebay.com | |
12. | Nikon D80 | .. | + | .. | + + | o | 4.5/5 | Aug 2006 | 999 | ebay.com | |
13. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | 899 | ebay.com | |
14. | Nikon D70 | .. | .. | .. | + + | .. | .. | Jan 2004 | 999 | ebay.com | |
15. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
16. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
17. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 400D vs Panasonic LX7
- Canon 80D vs Panasonic LX7
- Leica V-LUX Typ 114 vs Nikon D50
- Leica X Vario vs Nikon D50
- Nikon D50 vs Olympus E-M10 IV
- Nikon D50 vs Panasonic LX10
- Nikon D50 vs Ricoh WG-6
- Nikon D50 vs Sony A9 II
- Nikon D7100 vs Panasonic LX7
- Panasonic LX7 vs Pentax Q
- Panasonic LX7 vs Sony RX100 III
- Panasonic LX7 vs Sony RX1R
Specifications: Nikon D50 vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D50 | Panasonic LX7 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Nikon F mount lenses | 24-90mm f/1.4-2.3 |
Launch Date | April 2005 | July 2012 |
Launch Price | USD 749 | USD 499 |
Sensor Specs | Nikon D50 | Panasonic LX7 |
Sensor Technology | CCD | CMOS |
Sensor Format | APS-C Sensor | 1/1.7" Sensor |
Sensor Size | 23.7 x 15.6 mm | 7.44 x 5.58 mm |
Sensor Area | 369.72 mm2 | 41.5152 mm2 |
Sensor Diagonal | 28.4 mm | 9.3 mm |
Crop Factor | 1.5x | 4.65x |
Sensor Resolution | 6 Megapixels | 10 Megapixels |
Image Resolution | 3008 x 2000 pixels | 3648 x 2736 pixels |
Pixel Pitch | 7.85 μm | 2.05 μm |
Pixel Density | 1.63 MP/cm2 | 24.04 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 200 - 1,600 ISO | 80 - 6,400 ISO |
ISO Boost | no Enhancement | 80 - 12,800 ISO |
DXO Sensor Quality (score) | 55 | 50 |
DXO Color Depth (bits) | 20.9 | 20.7 |
DXO Dynamic Range (EV) | 10.8 | 11.7 |
DXO Low Light (ISO) | 560 | 147 |
Screen Specs | Nikon D50 | Panasonic LX7 |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.50x | |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.0inch |
LCD Resolution | 130k dots | 920k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Nikon D50 | Panasonic LX7 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 2.5 shutter flaps/s | 11 shutter flaps/s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SD cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | no |
Connectivity Specs | Nikon D50 | Panasonic LX7 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Nikon D50 | Panasonic LX7 |
Battery Type | Nikon EN-EL3 | Panasonic DMW-BCJ13 |
Battery Life (CIPA) | 400 shots per charge | 330 shots per charge |
Body Dimensions |
133 x 102 x 76 mm (5.2 x 4.0 x 3.0 in) |
111 x 68 x 46 mm (4.4 x 2.7 x 1.8 in) |
Camera Weight | 620 g (21.9 oz) | 298 g (10.5 oz) |
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