Panasonic LX15 versus Canon G5 X
The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Canon PowerShot G5 X are two digital cameras that were officially introduced, respectively, in September 2016 and October 2015. Both the LX15 and the G5X are fixed lens compact cameras that are equipped with an one-inch sensor. Both cameras offer a resolution of 20 megapixel.
An illustration of the physical size and weight of the Panasonic LX15 and the Canon G5 X is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the LX15 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G5 X is notably larger (34 percent) than the Panasonic LX15. Moreover, the G5X is markedly heavier (14 percent) than the LX15. In this context, it is worth noting that neither the LX15 nor the G5X are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic LX15 (⇒ rgt)||106 mm||60 mm||42 mm||310 g||260||no||2016||699||latest||check|
|Canon G5 X (⇒ lft)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon M6 (⇒ lft | rgt)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon G1 X Mark II (⇒ lft | rgt)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Panasonic TZ200 (⇒ lft | rgt)||111 mm||65 mm||45 mm||340 g||370||no||2018||799||latest||check|
|Panasonic TZ100 (⇒ lft | rgt)||111 mm||65 mm||44 mm||312 g||300||no||2016||699||discont.||check|
|Panasonic FZ2000 (⇒ lft | rgt)||138 mm||102 mm||135 mm||915 g||350||no||2016||1,199||latest||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX15 was launched at a somewhat lower price (by 13 percent) than the G5X, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an one-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 2.7. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20 megapixel. This similarity in sensor specs implies that both the LX15 and the G5X have the same pixel density, as well as the same pixel size. It should, however, be noted that the LX15 is a somewhat more recent model (by 11 months) than the G5X, and its sensor might have benefitted from technological advances during this time.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic LX15 (⇒ rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Canon G5 X (⇒ lft)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G1 X Mark II (⇒ lft | rgt)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Panasonic TZ200 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic TZ100 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Panasonic FZ2000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX15 provides a higher video resolution than the G5X. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G5X has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic LX15 and Canon G5 X in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Panasonic LX15 (⇒ rgt)||no||no||3.0||1040||tilting||YES||4000||10.0||12.1||YES|
|Canon G5 X (⇒ lft)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G1 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Panasonic TZ200 (⇒ lft | rgt)||2330||no||3.0||1240||fixed||YES||2000||10.0||6.8||YES|
|Panasonic TZ100 (⇒ lft | rgt)||1166||no||3.0||1040||fixed||YES||2000||10.0||YES||YES|
|Panasonic FZ2000 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||12.0||13.2||YES|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
Both the LX15 and the G5X have zoom lenses build in. The LX15 has a 24-72mm f/1.4-2.8 optic and the G5X offers a 24-100mm f/1.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Canon provide the same view at the wide-angle end, but the Canon has more tele-photo reach at the long end. The LX15 offers the faster maximum aperture.
Both the LX15 and the G5X are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The LX15 replaced the earlier Panasonic LX7, while the G5X does not have a direct predecessor.
So what conclusions can be drawn? Which of the two cameras – the Panasonic LX15 or the Canon G5 X – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-LX15:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 5.9 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/1.8).
- More compact: Is smaller (106x60mm vs 112x76mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 43g or 12 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (260 versus 210) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (13 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 11 months after the G5X).
Advantages of the Canon PowerShot G5 X:
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More heavily discounted: Has been on the market for longer (launched in October 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the LX15 is the clear winner of the match-up (9 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the LX15 or the G5X handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic LX15 (⇒ rgt)||HiRec||81/100 Silver||4/5||4.5/5||4.5/5||2016||699||latest||check|
|Canon G5 X (⇒ lft)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G1 X Mark II (⇒ lft | rgt)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Panasonic TZ200 (⇒ lft | rgt)||HiRec||..||4.5/5||..||4.5/5||2018||799||latest||check|
|Panasonic TZ100 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4/5||4.5/5||2016||699||discont.||check|
|Panasonic FZ2000 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to update the database with the necessary infos.
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