PW

Panasonic LX15 vs Sony A7 III

The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Sony Alpha A7 III are two digital cameras that were announced, respectively, in September 2016 and February 2018. The LX15 is a fixed lens compact, while the A7 III is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (LX15) and a full frame (A7 III) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic LX15   Sony A7 III
Panasonic LX15 Sony A7 III
Fixed lens compact camera Mirrorless system camera
24-72mm f/1.4-2.8 Sony E mount lenses
20 MP, 1" Sensor 24 MP, Full Frame Sensor
4K/30p Video 4K/30p Video
ISO 125-12800 (80-25600) ISO 100-51200 (50-204800)
No viewfinder, LCD framing Electronic viewfinder (2359k dots)
3.0" LCD, 1040k dots 3.0" LCD, 922k dots
Tilting touchscreen Tilting touchscreen
10 shutter flaps per second 10 shutter flaps per second
In-body stabilizationIn-body stabilization
Not weather sealedWeathersealed body
260 shots per battery charge610 shots per battery charge
106 x 60 x 42 mm, 310 g 127 x 96 x 74 mm, 650 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX15 and the Sony Alpha A7 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Panasonic LX15 vs Sony A7 III

The side-by-side display below illustrates the physical size and weight of the Panasonic LX15 and the Sony A7 III. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The LX15 can be obtained in two different colors (black, silver), while the A7 III is only available in black.

Size Panasonic LX15 vs Sony A7 III
Compare LX15 versus A7 III top
Comparison LX15 or A7 III rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 III is considerably larger (92 percent) than the Panasonic LX15. It is noteworthy in this context that the A7 III is splash and dust-proof, while the LX15 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the A7 III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 III and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the LX15 gets 260 shots out of its DMW-BLH7 battery, while the A7 III can take 610 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic LX15» 4.2 in 2.4 in 1.7 in 10.9 oz 260 n Sep 2016 699 i i Panasonic LX15
 
Sony A7 III« 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
 
Canon G7 X Mark II« » 4.2 in 2.4 in 1.7 in 11.3 oz 265 n Feb 2016 699 i i Canon G7 X Mark II
 
Canon G5 X« » 4.4 in 3.0 in 1.7 in 12.5 oz 210 n Oct 2015 799 i i Canon G5 X
 
Fujifilm X70« » 4.4 in 2.5 in 1.7 in 12.0 oz 330 n Jan 2016 799- i Fujifilm X70
 
Panasonic TZ200« » 4.4 in 2.6 in 1.8 in 12.0 oz 370 n Feb 2018 799 i i Panasonic TZ200
 
Panasonic TZ90« » 4.4 in 2.6 in 1.6 in 11.4 oz 380 n Apr 2017 449- i Panasonic TZ90
 
Panasonic FZ2000« » 5.4 in 4.0 in 5.3 in 32.3 oz 350 n Sep 2016 1,199 i i Panasonic FZ2000
 
Panasonic GX80« » 4.8 in 2.8 in 1.7 in 15.0 oz 290 n Apr 2016 799 i i Panasonic GX80
 
Panasonic TZ100« » 4.4 in 2.6 in 1.7 in 11.0 oz 300 n Jan 2016 699- i Panasonic TZ100
 
Panasonic LX7« » 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Jul 2012 499- i Panasonic LX7
 
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
 
Sony RX100 V« » 4.0 in 2.3 in 1.6 in 10.5 oz 220 n Oct 2016 999 i i Sony RX100 V
 
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 i i Sony A7S II
 
Sony A7 II« » 5.0 in 3.8 in 2.4 in 21.1 oz 350 Y Nov 2014 1,999- i Sony A7 II
 
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX15 was launched at a lower price than the A7 III, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Panasonic LX15 vs Sony A7 III

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic LX15 features an one-inch sensor and the Sony A7 III a full frame sensor. The sensor area in the A7 III is 630 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Panasonic LX15 and Sony A7 III sensor measures

With 24MP, the A7 III offers a higher resolution than the LX15 (20MP), but the A7 III nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.41μm for the LX15) due to its larger sensor. Moreover, the A7 III is a somewhat more recent model (by 1 year and 5 months) than the LX15, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 III for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX15 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.

The A7 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-LX15 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A7 III are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

LX15 versus A7 III MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic LX15» 1-inch 20.0 5472 36484K/30p----Panasonic LX15
 
Sony A7 III« Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
 
Canon G7 X Mark II« » 1-inch 20.0 5472 36481080/60p----Canon G7 X Mark II
 
Canon G5 X« » 1-inch 20.0 5472 36481080/60p----Canon G5 X
 
Fujifilm X70« » APS-C 16.0 4896 32641080/60p----Fujifilm X70
 
Panasonic TZ200« » 1-inch 20.0 5472 36484K/30p----Panasonic TZ200
 
Panasonic TZ90« » 1/2.3 20.2 5184 38884K/30p19.110.610636Panasonic TZ90
 
Panasonic FZ2000« » 1-inch 20.0 5472 36484K/30p----Panasonic FZ2000
 
Panasonic GX80« » Four Thirds 15.8 4592 34484K/30p22.912.666271Panasonic GX80
 
Panasonic TZ100« » 1-inch 20.0 5472 36484K/30p22.812.555970Panasonic TZ100
 
Panasonic LX7« » 1/1.7 10.0 3648 27361080/60p20.711.714750Panasonic LX7
 
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
 
Sony RX100 V« » 1-inch 20.0 5472 36484K/30p22.812.458670Sony RX100 V
 
Sony A7R II« » Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
 
Sony A7S II« » Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II
 
Sony A7 II« » Full Frame 24.0 6000 40001080/60p24.913.6244990Sony A7 II
 
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Panasonic LX15 vs Sony A7 III

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 III has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic LX15 and Sony A7 III in connection with corresponding information for a sample of similar cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic LX15»- n 3.0 1040 tilting Y 1/4000s 10.0 Y Y Panasonic LX15
 
Sony A7 III«2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III
 
Canon G7 X Mark II« »- n 3.0 1040 tilting Y 1/2000s 8.0 Y Y Canon G7 X Mark II
 
Canon G5 X« »2360 n 3.0 1040 swivel Y 1/2000s 5.9 Y Y Canon G5 X
 
Fujifilm X70« »- n 3.0 1040 tilting Y 1/4000s 8.0 Y n Fujifilm X70
 
Panasonic TZ200« »2330 n 3.0 1240 fixed Y 1/2000s 10.0 Y Y Panasonic TZ200
 
Panasonic TZ90« »1166 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y Panasonic TZ90
 
Panasonic FZ2000« »2360 n 3.0 1040 swivel Y 1/4000s 12.0 Y Y Panasonic FZ2000
 
Panasonic GX80« »2765 n 3.0 1040 tilting Y 1/4000s 8.0 Y Y Panasonic GX80
 
Panasonic TZ100« »1166 n 3.0 1040 fixed Y 1/2000s 10.0 Y Y Panasonic TZ100
 
Panasonic LX7« »- n 3.0 920 fixed n 1/4000s 11.0 Y Y Panasonic LX7
 
Sony A9« »3686 n 3.0 1440 tilting Y 1/8000s 20.0 n Y Sony A9
 
Sony RX100 V« »2359 n 3.0 1229 tilting n 1/2000s 24.0 Y Y Sony RX100 V
 
Sony A7R II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7R II
 
Sony A7S II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7S II
 
Sony A7 II« »2400 n 3.0 1230 tilting n 1/8000s 5.0 n Y Sony A7 II
 
Sony A7« »2400 n 3.0 1230 tilting n 1/8000s 5.0 n n Sony A7

One difference between the cameras concerns the presence of an on-board flash. The LX15 has one, while the A7 III does not. While the built-in flash of the LX15 is not very powerful, it can at times be useful as a fill-in light.

The LX15 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 III does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic LX15 and the Sony A7 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The LX15 writes its imaging data to SDXC cards, while the A7 III uses SDXC or Memory Stick PRO Duo cards. The A7 III features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX15 only has one slot. The A7 III supports UHS-II cards (on its first slot), while the LX15 can use UHS-I cards.

 

Connectivity comparison: Panasonic LX15 vs Sony A7 III

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX15 and Sony Alpha A7 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic LX15»-stereomono--micro2.0Y--Panasonic LX15
 
Sony A7 III«YstereomonoYYmicro3.1YYYSony A7 III
 
Canon G7 X Mark II« »-stereomono--micro2.0YY-Canon G7 X Mark II
 
Canon G5 X« »Ystereomono--mini2.0YY-Canon G5 X
 
Fujifilm X70« »YstereomonoY-micro2.0Y--Fujifilm X70
 
Panasonic TZ200« »-stereomono--micro2.0Y--Panasonic TZ200
 
Panasonic TZ90« »-stereomono--micro2.0Y--Panasonic TZ90
 
Panasonic FZ2000« »YstereomonoYYmicro2.0Y--Panasonic FZ2000
 
Panasonic GX80« »Ystereomono--micro2.0Y--Panasonic GX80
 
Panasonic TZ100« »-stereomono--micro2.0Y--Panasonic TZ100
 
Panasonic LX7« »Ystereomono--mini2.0---Panasonic LX7
 
Sony A9« »YstereomonoYYmicro2.0YYYSony A9
 
Sony RX100 V« »-stereomono--micro2.0YY-Sony RX100 V
 
Sony A7R II« »YstereomonoYYmicro2.0YY-Sony A7R II
 
Sony A7S II« »YstereomonoYYmicro2.0YY-Sony A7S II
 
Sony A7 II« »YstereomonoYYmicro2.0YY-Sony A7 II
 
Sony A7« »YstereomonoYYmicro2.0YY-Sony A7

It is notable that the A7 III has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX15 does not feature such a mic input.

Both the LX15 and the A7 III are recent models that are part of the current product line-up. The LX15 replaced the earlier Panasonic LX7, while the A7 III followed on from the Sony A7 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary: Panasonic LX15 vs Sony A7 III

So what is the bottom line? Is there a clear favorite between the Panasonic LX15 and the Sony A7 III? Which camera is better? The listing below highlights the relative strengths of the two models.

ilogo

Reasons to prefer the Panasonic Lumix DMC-LX15:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Ready to shoot: Has a lens built-in, whereas the A7 III requires a separate lens.
  • More compact: Is smaller (106x60mm vs 127x96mm) and thus needs less room in the bag.
  • Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7 III).
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been on the market for longer (launched in September 2016).

ilogo

Advantages of the Sony Alpha A7 III:

  • More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
  • Longer lasting: Gets more shots (610 versus 260) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Was introduced somewhat (1 year and 5 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the A7 III is the clear winner of the contest (21 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

LX15 10:21 A7 III

How about other alternatives? Do the specifications of the Panasonic LX15 and the Sony A7 III place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the LX15 and the A7 III in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews: Panasonic LX15 vs Sony A7 III

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic LX15»+ +81/1004/54.5/54.5/5 Sep 2016 699 i i Panasonic LX15
 
Sony A7 III«+ +89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
 
Canon G7 X Mark II« »+ +81/1004.5/54/54.5/5 Feb 2016 699 i i Canon G7 X Mark II
 
Canon G5 X« »+ +78/1004.5/54/54.5/5 Oct 2015 799 i i Canon G5 X
 
Fujifilm X70« »-76/1004.5/54/54.5/5 Jan 2016 799- i Fujifilm X70
 
Panasonic TZ200« »+ +81/1004.5/5-4.5/5 Feb 2018 799 i i Panasonic TZ200
 
Panasonic TZ90« »+ +-4/5-4/5 Apr 2017 449- i Panasonic TZ90
 
Panasonic FZ2000« »+82/1004.5/54.5/55/5 Sep 2016 1,199 i i Panasonic FZ2000
 
Panasonic GX80« »+ +82/1005/54.5/55/5 Apr 2016 799 i i Panasonic GX80
 
Panasonic TZ100« »+ +82/1004.5/54/54.5/5 Jan 2016 699- i Panasonic TZ100
 
Panasonic LX7« »+ +75/1004/55/54.5/5 Jul 2012 499- i Panasonic LX7
 
Sony A9« »+ +89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
 
Sony RX100 V« »+ +83/1004/55/54.5/5 Oct 2016 999 i i Sony RX100 V
 
Sony A7R II« »+ +90/1005/54.5/55/5 Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« »+-4.5/55/55/5 Sep 2015 2,999 i i Sony A7S II
 
Sony A7 II« »+82/1004.5/55/55/5 Nov 2014 1,999- i Sony A7 II
 
Sony A7« »+ +80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Panasonic LX15:
Check Amazon price
Sony A7 III:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

~

    Specifications: Panasonic LX15 vs Sony A7 III

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic LX15 Sony A7 III
    Camera Type Fixed lens compact camera Mirrorless system camera
    Camera Lens 24-72mm f/1.4-2.8 Sony E mount lenses
    Launch Date September 2016 February 2018
    Launch Price USD 699 USD 1999
    Sensor Specs Panasonic LX15 Sony A7 III
    Sensor Technology BSI-CMOS BSI-CMOS
    Sensor Format 1" Sensor Full Frame Sensor
    Sensor Size 13.2 x 8.8 mm 35.6 x 23.8 mm
    Sensor Area 116.16 mm2 847.28 mm2
    Sensor Diagonal 15.9 mm 42.8 mm
    Crop Factor 2.7x 1.0x
    Sensor Resolution 20 Megapixels 24 Megapixels
    Image Resolution 5472 x 3648 pixels 6000 x 4000 pixels
    Pixel Pitch 2.41 μm 5.94 μm
    Pixel Density 17.18 MP/cm2 2.83 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 4K/30p Video 4K/30p Video
    ISO Setting 125-12800 ISO 100-51200 ISO
    ISO Boost 80-25600 ISO 50-204800 ISO
    Image Processor Venus BIONZ X
    DXO Sensor Quality (score) .. 96
    DXO Color Depth (bits) .. 25.0
    DXO Dynamic Range (EV) .. 14.7
    DXO Low Light (ISO) .. 3730
    Screen Specs Panasonic LX15 Sony A7 III
    Viewfinder Type No viewfinder Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.78x
    Viewfinder Resolution 2359k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 1040k dots 922k dots
    LCD Attachment Tilting screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Panasonic LX15 Sony A7 III
    Autofocus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/8000/s
    Continuous Shooting 10 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterup to 1/16000sYES
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationIn-body stabilizationIn-body stabilization
    Fill Flash Build-in Flash no On-Board Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Dual card slots
    UHS card support UHS-I Single UHS-II
    Connectivity Specs Panasonic LX15 Sony A7 III
    External Flash no Hotshoe Hotshoe
    USB Connector USB 2.0 USB 3.1
    HDMI Port micro HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Bluetooth Support no Bluetooth Bluetooth built-in
    Body Specs Panasonic LX15 Sony A7 III
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BLH7 power pack NP-FZ100 power pack
    Battery Life (CIPA)260 shots per charge610 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 106 x 60 x 42 mm
    (4.2 x 2.4 x 1.7 in)
    127 x 96 x 74 mm
    (5.0 x 3.8 x 2.9 in)
    Camera Weight 310 g (10.9 oz) 650 g (22.9 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

    You are here  »   »