Panasonic LX100 II vs Sony ZV-E1

The Panasonic Lumix DC-LX100 II and the Sony ZV-E1 are two digital cameras that were announced, respectively, in August 2018 and March 2023. The LX100 II is a fixed lens compact, while the ZV-E1 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (LX100 II) and a full frame (ZV-E1) sensor. The Panasonic has a resolution of 16.8 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic LX100 II		Sony ZV-E1
Fixed lens compact camera		Mirrorless system camera
24-75mm f/1.7-2.8		Sony E mount lenses
16.8 MP – Four Thirds sensor		12 MP – Full Frame sensor
4K/30p Video		4K/60p Video
ISO 200-25,600		ISO 80-102,400 (40 - 409,600)
Electronic viewfinder (2764k dots)		No viewfinder, LCD framing
3.0" LCD – 1240k dots		3.0" LCD – 1037k dots
Fixed touchscreen		Swivel touchscreen
11 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
300 shots per battery charge		570 shots per battery charge
115 x 66 x 65 mm, 392 g		121 x 72 x 54 mm, 483 g

Check LX100 II offers at
ebay.com
Check ZV-E1 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-LX100 II and the Sony ZV-E1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic LX100 II and the Sony ZV-E1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The ZV-E1 can be obtained in two different colors (black, white), while the LX100 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E1 is notably larger (15 percent) than the Panasonic LX100 II. It is noteworthy in this context that the ZV-E1 is splash and dust-proof, while the LX100 II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 II has a lens built in, whereas the ZV-E1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the ZV-E1 and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the LX100 II gets 300 shots out of its Panasonic DMW-BLG10 battery, while the ZV-E1 can take 570 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	US$ 999	ebay.com
2.		Sony ZV-E1	121 mm	72 mm	54 mm	483 g	570	Y	Mar 2023	US$ 2 199	amazon.com
3.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	US$ 899	ebay.com
4.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	US$ 1 049	ebay.com
5.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	US$ 1 195	ebay.com
6.		Panasonic FZ1000 II	136 mm	97 mm	131 mm	810 g	350	n	Feb 2019	US$ 899	amazon.com
7.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	US$ 899	ebay.com
8.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	US$ 849	ebay.com
9.		Panasonic GX850	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	US$ 549	ebay.com
10.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	US$ 899	ebay.com
11.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
12.		Panasonic ZS80	112 mm	69 mm	42 mm	327 g	380	n	Feb 2019	US$ 449	ebay.com
13.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	US$ 1 999	ebay.com
14.		Sony A7C II	124 mm	71 mm	63 mm	514 g	540	Y	Aug 2023	US$ 2 199	amazon.com
15.		Sony A7C R	124 mm	71 mm	63 mm	520 g	520	Y	Aug 2023	US$ 2 999	amazon.com
16.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	US$ 2 299	ebay.com
17.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	US$ 2 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX100 II was launched at a lower price than the ZV-E1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic LX100 II features a Four Thirds sensor and the Sony ZV-E1 a full frame sensor. The sensor area in the ZV-E1 is 358 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.2 and 1.0. The sensor in the LX100 II has a native 4:3 aspect ratio, while the one in the ZV-E1 offers a 3:2 aspect. The LX100 II has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Despite having a smaller sensor, the Panasonic LX100 II offers a higher resolution of 16.8 megapixels, compared with 12 MP of the Sony ZV-E1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.32μm versus 8.40μm for the ZV-E1). Moreover, it should be noted that the ZV-E1 is much more recent (by 4 years and 7 months) than the LX100 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the LX100 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic LX100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX100 II for good quality output (200 dots per inch) amounts to 23.7 x 17.8 inches or 60.1 x 45.1 cm, for very good quality (250 dpi) 18.9 x 14.2 inches or 48.1 x 36.1 cm, and for excellent quality (300 dpi) 15.8 x 11.8 inches or 40.1 x 30.1 cm. The corresponding values for the Sony ZV-E1 are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.

The ZV-E1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DC-LX100 II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony ZV-E1 are ISO 80 to ISO 102400, with the possibility to increase the ISO range to 40-409600.

In terms of underlying technology, the LX100 II is build around a CMOS sensor, while the ZV-E1 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
2.		Sony ZV-E1	Full Frame	12.0	4240	2832	4K/60p	25.4	14.6	3181	96
3.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
4.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
5.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
6.		Panasonic FZ1000 II	1-inch	20.0	5472	3648	4K/30p	22.1	12.4	546	65
7.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
8.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
9.		Panasonic GX850	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
10.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
11.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
12.		Panasonic ZS80	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
13.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
14.		Sony A7C II	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3237	96
15.		Sony A7C R	Full Frame	60.2	9504	6336	4K/60p	25.4	14.7	3227	96
16.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
17.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the ZV-E1 provides a faster frame rate than the LX100 II. It can shoot movie footage at 4K/60p, while the Panasonic is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the LX100 II has an electronic viewfinder (2764k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-E1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic LX100 II and Sony ZV-E1 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
2.		Sony ZV-E1	none	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
4.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
5.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
6.		Panasonic FZ1000 II	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
7.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
8.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
9.		Panasonic GX850	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
10.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
11.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
12.		Panasonic ZS80	2330	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
13.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
14.		Sony A7C II	2360	n	3.0 / 1037	swivel	Y	1/4000s	10.0/s	n	Y
15.		Sony A7C R	2360	n	3.0 / 1037	swivel	Y	1/4000s	8.0/s	n	Y
16.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
17.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic LX100 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the LX100 II and the ZV-E1 write their files to SDXC cards. The ZV-E1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LX100 II can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-LX100 II and Sony ZV-E1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
2.		Sony ZV-E1	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
4.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
6.		Panasonic FZ1000 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
7.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
9.		Panasonic GX850	-	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic ZS80	-	stereo / mono	-	-	micro	2.0	Y	-	Y
13.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7C II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Sony A7C R	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
16.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the ZV-E1 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX100 II does not feature such a mic input.

The ZV-E1 is a recent model that features in the current product line-up of Sony. In contrast, the LX100 II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the LX100 II from Panasonic. Further information on the features and operation of the LX100 II and ZV-E1 can be found, respectively, in the Panasonic LX100 II Manual (free pdf) or the online Sony ZV-E1 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Panasonic LX100 II and the Sony ZV-E1? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Panasonic Lumix DC-LX100 II:

• More detail: Offers more megapixels (16.8 vs 12MP) with a 16% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1240k vs 1037k dots).
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the ZV-E1 requires a separate lens.
• More compact: Is smaller (115x66mm vs 121x72mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the ZV-E1).
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been available for much longer (launched in August 2018).

Advantages of the Sony ZV-E1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (570 versus 300) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 4 years and 7 months of technical progress since the LX100 II launch.

If the number of relative strengths (bullet points above) is taken as a guide, the ZV-E1 is the clear winner of the contest (18 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic LX100 II and the Sony ZV-E1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the LX100 II or the ZV-E1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	US$ 999	ebay.com
2.		Sony ZV-E1	..	+	4/5	..	..	4.5/5	Mar 2023	US$ 2 199	amazon.com
3.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	US$ 899	ebay.com
4.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	US$ 1 049	ebay.com
5.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	US$ 1 195	ebay.com
6.		Panasonic FZ1000 II	..	..	..	83/100	4.5/5	4.5/5	Feb 2019	US$ 899	amazon.com
7.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	US$ 899	ebay.com
8.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	US$ 849	ebay.com
9.		Panasonic GX850	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	US$ 549	ebay.com
10.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	US$ 899	ebay.com
11.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
12.		Panasonic ZS80	..	+ +	..	..	4.5/5	..	Feb 2019	US$ 449	ebay.com
13.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	US$ 1 999	ebay.com
14.		Sony A7C II	4/5	..	4/5	87/100	4.5/5	4.5/5	Aug 2023	US$ 2 199	amazon.com
15.		Sony A7C R	4/5	..	4/5	88/100	..	4/5	Aug 2023	US$ 2 999	amazon.com
16.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	US$ 2 299	ebay.com
17.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	US$ 2 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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