Panasonic LX10 vs Sony NEX-3
The Panasonic Lumix DMC-LX10 (called Panasonic LX15 in some regions) and the Sony Alpha NEX-3 are two digital cameras that were announced, respectively, in September 2016 and May 2010. The LX10 is a fixed lens compact, while the NEX-3 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (LX10) and an APS-C (NEX-3) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX10 and the Sony Alpha NEX-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic LX10 and the Sony NEX-3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The LX10 can be obtained in two different colors (black, silver), while the NEX-3 is available in three color-versions (black, silver, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-3 is notably larger (14 percent) than the Panasonic LX10. In this context, it is worth noting that neither the LX10 nor the NEX-3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX10 has a lens built in, whereas the NEX-3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-3 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the LX10 gets 260 shots out of its DMW-BLH7 battery, while the NEX-3 can take 330 images on a single charge of its NP-FW50 power pack. The power pack in the LX10 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699||amazon.com|
|2.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599||ebay.com|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699||ebay.com|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||ebay.com|
|5.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|6.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799||amazon.com|
|7.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|8.||Panasonic ZS100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699||ebay.com|
|9.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||ebay.com|
|10.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|11.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||ebay.com|
|12.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||ebay.com|
|13.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||ebay.com|
|14.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||ebay.com|
|15.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749||ebay.com|
|16.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699||ebay.com|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic LX10 features an one-inch sensor and the Sony NEX-3 an APS-C sensor. The sensor area in the NEX-3 is 215 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX10 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Panasonic LX10 offers a higher resolution of 20 megapixels, compared with 14 MP of the Sony NEX-3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 5.11μm for the NEX-3). However, it should be noted that the LX10 is much more recent (by 6 years and 4 months) than the NEX-3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic LX10 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX10 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Sony NEX-3 are 23 x 15.3 inches or 58.3 x 38.8 cm for good quality, 18.4 x 12.2 inches or 46.7 x 31 cm for very good quality, and 15.3 x 10.2 inches or 38.9 x 25.9 cm for excellent quality prints.
The Panasonic Lumix DMC-LX10 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha NEX-3 are ISO 200 to ISO 12800 (no boost).
In terms of underlying technology, the LX10 is build around a BSI-CMOS sensor, while the NEX-3 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|5.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|10.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|12.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|14.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX10 provides a higher video resolution than the NEX-3. It can shoot video footage at 4K/30p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The LX10 and the NEX-3 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the NEX-3 can be equipped with an optional viewfinder – the FDA-SV1. The following table reports on some other key feature differences and similarities of the Panasonic LX10, the Sony NEX-3, and comparable cameras.
|1.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0/s||Y||Y|
|2.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|3.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|4.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|5.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|6.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|7.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|8.||Panasonic ZS100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|9.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|10.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|11.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0/s||Y||n|
|12.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|13.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|14.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|15.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|16.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The LX10 has one, while the NEX-3 does not. While the built-in flash of the LX10 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX10 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX10 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The LX10 writes its imaging data to SDXC cards, while the NEX-3 uses SDXC or Memory Stick PRO Duo cards. The LX10 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX10 and Sony Alpha NEX-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic ZS100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|14.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|16.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the LX10 offers wifi support, while the NEX-3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The LX10 is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-3 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the NEX-3 was succeeded by the Sony NEX-3N. Further information on the features and operation of the LX10 and NEX-3 can be found, respectively, in the Panasonic LX10 Manual (free pdf) or the online Sony NEX-3 Manual.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic LX10 and the Sony NEX-3? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-LX10:
- More detail: Offers more megapixels (20 vs 14MP) with a 19% higher linear resolution.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the NEX-3 requires a separate lens.
- More compact: Is smaller (106x60mm vs 117x62mm) and thus needs less room in the bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 4 months of technical progress since the NEX-3 launch.
Arguments in favor of the Sony Alpha NEX-3:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (330 versus 260) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in May 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the LX10 is the clear winner of the match-up (16 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX10 and the Sony NEX-3 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LX10 or the NEX-3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LX10||..||+ +||4/5||81/100||4/5||4.5/5||Sep 2016||699||amazon.com|
|2.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599||ebay.com|
|3.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699||ebay.com|
|4.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799||ebay.com|
|5.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|6.||Panasonic ZS200||..||+ +||4.5/5||81/100||4.5/5||4.5/5||Feb 2018||799||amazon.com|
|7.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449||ebay.com|
|8.||Panasonic ZS100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699||ebay.com|
|9.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499||ebay.com|
|10.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|11.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549||ebay.com|
|12.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799||ebay.com|
|13.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499||ebay.com|
|14.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749||ebay.com|
|15.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749||ebay.com|
|16.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699||ebay.com|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 400D vs Sony NEX-3
- Canon 60D vs Panasonic LX10
- Canon 80D vs Sony NEX-3
- Fujifilm X-A3 vs Sony NEX-3
- Leica M Typ 262 vs Sony NEX-3
- Nikon D60 vs Panasonic LX10
- Nikon Z50 vs Panasonic LX10
- Olympus E-30 vs Sony NEX-3
- Olympus E-M1 II vs Panasonic LX10
- Panasonic LX10 vs Sony A7 II
- Panasonic LX10 vs Sony RX10
- Panasonic ZS200 vs Sony NEX-3
Specifications: Panasonic LX10 vs Sony NEX-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX10||Sony NEX-3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-72mm f/1.4-2.8||Sony E mount lenses|
|Launch Date||September 2016||May 2010|
|Launch Price||USD 699||USD 599|
|Sensor Specs||Panasonic LX10||Sony NEX-3|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.4 x 15.6 mm|
|Sensor Area||116.16 mm2||365.04 mm2|
|Sensor Diagonal||15.9 mm||28.1 mm|
|Sensor Resolution||20 Megapixels||14 Megapixels|
|Image Resolution||5472 x 3648 pixels||4592 x 3056 pixels|
|Pixel Pitch||2.41 μm||5.11 μm|
|Pixel Density||17.18 MP/cm2||3.84 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||720/30p Video|
|ISO Setting||125 - 12,800 ISO||200 - 12,800 ISO|
|ISO Boost||80 - 25,600 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||68|
|DXO Color Depth (bits)||..||22.1|
|DXO Dynamic Range (EV)||..||12.0|
|DXO Low Light (ISO)||..||830|
|Screen Specs||Panasonic LX10||Sony NEX-3|
|Viewfinder Type||no viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic LX10||Sony NEX-3|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic LX10||Sony NEX-3|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic LX10||Sony NEX-3|
|Battery Life (CIPA)||260 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
117 x 62 x 33 mm
(4.6 x 2.4 x 1.3 in)
|Camera Weight||310 g (10.9 oz)||297 g (10.5 oz)|
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