Panasonic L10 vs Sony RX100 II
The Panasonic Lumix DMC- L10 and the Sony Cyber-shot DSC-RX100 II are two digital cameras that were officially introduced, respectively, in August 2007 and June 2013. The L10 is a DSLR, while the RX100 II is a fixed lens compact. The cameras are based on a Four Thirds (L10) and an one-inch (RX100 II) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC- L10 and the Sony Cyber-shot DSC-RX100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic L10 and the Sony RX100 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 II is considerably smaller (54 percent) than the Panasonic L10. In this context, it is worth noting that neither the L10 nor the RX100 II are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 II has a lens built in, whereas the L10 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the L10 and their specifications in the Four Thirds Lens Catalog.
The power pack in the RX100 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|2.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|3.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|4.||Nikon D60||126 mm||94 mm||64 mm||522 g||500||n||Jan 2008||629|
|5.||Nikon D40X||124 mm||94 mm||64 mm||522 g||520||n||Mar 2007||729|
|6.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|7.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|8.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|9.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|10.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|11.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|12.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|13.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|14.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799|
|15.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100||102 mm||58 mm||36 mm||240 g||330||n||Jun 2012||649|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic L10 features a Four Thirds sensor and the Sony RX100 II an one-inch sensor. The sensor area in the RX100 II is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the L10 has a native 4:3 aspect ratio, while the one in the RX100 II offers a 3:2 aspect.
Despite having a smaller sensor, the RX100 II offers a higher resolution of 20 megapixels, compared with 10 MP of the L10. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.74μm for the L10). However, it should be noted that the RX100 II is much more recent (by 5 years and 9 months) than the L10, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony RX100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX100 II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic L10 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC- L10 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX100 II offers substantially better image quality than the L10 (overall score 12 points higher). The advantage is based on 1.2 bits higher color depth, 1.6 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|2.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|3.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|6.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|7.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|8.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|9.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|10.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|11.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|12.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|13.||Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|15.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The RX100 II indeed provides for movie recording, while the L10 does not. The highest resolution format that the RX100 II can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the L10 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the RX100 II relies on live view and the rear LCD for framing. That said, the RX100 II can be equipped with an optional viewfinder – the FDA-EV1MK. The table below summarizes some of the other core capabilities of the Panasonic L10 and Sony RX100 II in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0||Y||n|
|2.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|3.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|4.||Nikon D60||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|5.||Nikon D40X||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|6.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|7.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|8.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|9.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|10.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|11.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|12.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|13.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0||Y||n|
|14.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0||n||Y|
|15.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony RX100||none||n||3.0 / 1229||fixed||n||1/2000s||10.0||Y||Y|
The L10 writes its imaging data to SDHC cards, while the RX100 II uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC- L10 and Sony Cyber-shot DSC-RX100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Nikon D60||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Nikon D40X||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the RX100 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the L10 does not provide wifi capability.
Both the L10 and the RX100 II have been discontinued, but can regularly be found used on eBay. The RX100 II was replaced by the Sony RX100 III, while the L10 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what conclusions can be drawn? Is the Panasonic L10 better than the Sony RX100 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC- L10:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (450 versus 350) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Advantages of the Sony Cyber-shot DSC-RX100 II:
- More detail: Has more megapixels (20 vs 10MP), which boosts linear resolution by 44%.
- Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 207k dots).
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the L10 requires a separate lens.
- More compact: Is smaller (102x58mm vs 135x96mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the L10).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 5 years and 9 months of technical progress since the L10 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the RX100 II is the clear winner of the contest (16 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic L10 and the Sony RX100 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the L10 and the RX100 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|2.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749|
|3.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|4.||Nikon D60||..||80/100||..||+ +||4/5||4.5/5||Jan 2008||629|
|5.||Nikon D40X||..||79/100||..||+ +||4/5||4/5||Mar 2007||729|
|6.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|7.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|8.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|9.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|10.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|11.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|12.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|13.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999|
|14.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799|
|15.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100||5/5||+ +||..||78/100||4/5||5/5||Jun 2012||649|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5DS vs Sony RX100 II
- Canon 80D vs Sony RX100 II
- Canon G9 X Mark II vs Sony RX100 II
- Canon M10 vs Sony RX100 II
- Fujifilm X10 vs Panasonic L10
- Hasselblad X1D II vs Panasonic L10
- Olympus E-500 vs Panasonic L10
- Olympus E-620 vs Panasonic L10
- Panasonic GH2 vs Sony RX100 II
- Panasonic L10 vs Samsung NX1
- Panasonic L10 vs Sony RX100 V
- Panasonic TZ90 vs Sony RX100 II
Specifications: Panasonic L10 vs Sony RX100 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic L10||Sony RX100 II|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Four Thirds lenses||28-100mm f/1.8-4.9|
|Launch Date||August 2007||June 2013|
|Launch Price||USD 599||USD 749|
|Sensor Specs||Panasonic L10||Sony RX100 II|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||10 Megapixels||20 Megapixels|
|Image Resolution||3648 x 2736 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.74 μm||2.41 μm|
|Pixel Density||4.44 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||55||67|
|DXO Color Depth (bits)||21.3||22.5|
|DXO Dynamic Range (EV)||10.8||12.4|
|DXO Low Light (ISO)||429||483|
|Screen Specs||Panasonic L10||Sony RX100 II|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||207k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic L10||Sony RX100 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic L10||Sony RX100 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic L10||Sony RX100 II|
|Battery Life (CIPA)||450 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
135 x 96 x 78 mm
(5.3 x 3.8 x 3.1 in)
102 x 58 x 38 mm
(4.0 x 2.3 x 1.5 in)
|Camera Weight||556 g (19.6 oz)||281 g (9.9 oz)|
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