Nikon Z7 vs Sony RX100 II
The Nikon Z7 and the Sony Cyber-shot DSC-RX100 II are two digital cameras that were announced, respectively, in August 2018 and June 2013. The Z7 is a mirrorless interchangeable lens camera, while the RX100 II is a fixed lens compact. The cameras are based on a full frame (Z7) and an one-inch (RX100 II) sensor. The Nikon has a resolution of 45.4 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon Z7||Sony RX100 II|
|Mirrorless system camera||Fixed lens compact camera|
|Nikon Z mount lenses||28-100mm f/1.8-4.9|
|45.4 MP, Full Frame Sensor||20 MP, 1" Sensor|
|4K/30p Video||1080/60p Video|
|ISO 64-25600 (32-102400)||ISO 100-12800 (100-25600)|
|Electronic viewfinder (3690k dots)||Viewfinder optional|
|3.2" LCD, 2100k dots||3.0" LCD, 1229k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|9 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Weathersealed body||Not weather sealed|
|330 shots per battery charge||350 shots per battery charge|
|134 x 101 x 67 mm, 675 g||102 x 58 x 38 mm, 281 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z7 and the Sony Cyber-shot DSC-RX100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon Z7 and the Sony RX100 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 II is considerably smaller (56 percent) than the Nikon Z7. It is worth mentioning in this context that the Z7 is splash and dust resistant, while the RX100 II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 II has a lens built in, whereas the Z7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the Z7 gets 330 shots out of its EN-EL15b battery, while the RX100 II can take 350 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon Z7»||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Sony RX100 II«||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||Sony RX100 II|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||Canon G7 X|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299||Nikon D850|
|Panasonic S1R« »||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Sony RX100 VII« »||4.0 in||2.3 in||1.7 in||10.7 oz||260||n||Jul 2019||1,199||Sony RX100 VII|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||Sony RX100 IV|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||Sony RX100 III|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||Sony A99|
|Sony RX100« »||4.0 in||2.3 in||1.4 in||8.5 oz||330||n||Jun 2012||649||Sony RX100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The RX100 II was launched at a lower price than the Z7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon Z7 features a full frame sensor and the Sony RX100 II an one-inch sensor. The sensor area in the RX100 II is 86 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 45.4MP, the Z7 offers a higher resolution than the RX100 II (20MP), but the Z7 nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 2.41μm for the RX100 II) due to its larger sensor. Moreover, the Z7 is a much more recent model (by 5 years and 1 month) than the RX100 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the Z7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon Z7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inch or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inch or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inch or 69.9 x 46.6 cm. The corresponding values for the Sony RX100 II are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The Z7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Z7 has a native sensitivity range from ISO 64 to ISO 25600, which can be extended to ISO 32-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the Z7 provides substantially higher image quality than the RX100 II, with an overall score that is 32 points higher. This advantage is based on 3.8 bits higher color depth, 2.2 EV in additional dynamic range, and 2.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63||Sony RX100 VII|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony RX100||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z7 provides a higher video resolution than the RX100 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the Z7 has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX100 II relies on live view and the rear LCD for framing. That said, the RX100 II can be equipped with an optional viewfinder – the FDA-EV1MK. The table below summarizes some of the other core capabilities of the Nikon Z7 and Sony RX100 II in connection with corresponding information for a sample of similar cameras.
|Nikon Z7||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Nikon Z6||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon D850||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Panasonic S1R||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Sony RX100 VII||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y||Sony RX100 VII|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony A99||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony RX100||none||n||3.0||1229||fixed||n||1/2000s||10.0||Y||Y||Sony RX100|
One feature that is present on the Z7, but is missing on the RX100 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon Z7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z7 writes its imaging data to XQD cards, while the RX100 II uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z7 and Sony Cyber-shot DSC-RX100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon Z7||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Nikon Z6||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon D850||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Panasonic S1R||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Sony RX100 VII||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony RX100 VII|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony A99||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony RX100||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
It is notable that the Z7 has a microphone port, which is missing on the RX100 II. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The Z7 is a recent model that features in the current product line-up of Nikon. In contrast, the RX100 II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX100 II was succeeded by the Sony RX100 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what is the bottom line? Is there a clear favorite between the Nikon Z7 and the Sony RX100 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon Z7:
- More detail: Offers more megapixels (45.4 vs 20MP) with a 51% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (32 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1229k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 5 years and 1 month of technical progress since the RX100 II launch.
Arguments in favor of the Sony Cyber-shot DSC-RX100 II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has an integrated lens, whereas the Z7 necessitates an extra lens.
- More compact: Is smaller (102x58mm vs 134x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the Z7).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in June 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the Z7 is the clear winner of the match-up (22 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z7 and the Sony RX100 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the Z7 and the RX100 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark II vs Sony RX100 II
- Canon M100 vs Sony RX100 II
- Fujifilm X-A3 vs Sony RX100 II
- Fujifilm X100S vs Sony RX100 II
- Hasselblad X1D II vs Nikon Z7
- Leica V-LUX 5 vs Nikon Z7
- Nikon D4S vs Nikon Z7
- Nikon Z7 vs Olympus E-5
- Nikon Z7 vs Panasonic G5
- Nikon Z7 vs Panasonic G90
- Nikon Z7 vs Sony A5100
- Sony HX95 vs Sony RX100 II
Specifications: Nikon Z7 vs Sony RX100 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z7||Sony RX100 II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Nikon Z mount lenses||28-100mm f/1.8-4.9|
|Launch Date||August 2018||June 2013|
|Launch Price||USD 3399||USD 749|
|Sensor Specs||Nikon Z7||Sony RX100 II|
|Sensor Format||Full Frame Sensor||1" Sensor|
|Sensor Size||35.9 x 23.9 mm||13.2 x 8.8 mm|
|Sensor Area||858.01 mm2||116.16 mm2|
|Sensor Diagonal||43.1 mm||15.9 mm|
|Sensor Resolution||45.4 Megapixels||20 Megapixels|
|Image Resolution||8256 x 5504 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.35 μm||2.41 μm|
|Pixel Density||5.30 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||64-25600 ISO||100-12800 ISO|
|ISO Boost||32-102400 ISO||100-25600 ISO|
|Image Processor||EXPEED 6||BIONZ X|
|DXO Sensor Quality (score)||99||67|
|DXO Color Depth (bits)||26.3||22.5|
|DXO Dynamic Range (EV)||14.6||12.4|
|DXO Low Light (ISO)||2668||483|
|Screen Specs||Nikon Z7||Sony RX100 II|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||2100k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon Z7||Sony RX100 II|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/2000/s|
|Continuous Shooting||9 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||XQD cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon Z7||Sony RX100 II|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon Z7||Sony RX100 II|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||330 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
102 x 58 x 38 mm
(4.0 x 2.3 x 1.5 in)
|Camera Weight||675 g (23.8 oz)||281 g (9.9 oz)|
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