Panasonic L10 vs Pentax K-1 II

The Panasonic Lumix DMC- L10 and the Pentax K-1 II are two digital cameras that were officially introduced, respectively, in August 2007 and February 2018. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (L10) and a full frame (K-1 II) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Pentax provides 36.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic L10		Pentax K-1 II
Digital single lens reflex		Digital single lens reflex
Four Thirds lenses		Pentax K mount lenses
10 MP – Four Thirds sensor		36.2 MP – Full Frame sensor
no Video		1080/60i Video
ISO 100-1,600		ISO 100-819,200
Optical viewfinder		Optical viewfinder
2.5" LCD – 207k dots		3.2" LCD – 1037k dots
Swivel screen (not touch-sensitive)		Fully flexible screen (no touchscreen)
3 shutter flaps per second		4.4 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
450 shots per battery charge		670 shots per battery charge
135 x 96 x 78 mm, 556 g		137 x 110 x 86 mm, 1010 g

Check L10 offers at
ebay.com
Check K-1 II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC- L10 and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic L10 and the Pentax K-1 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The K-1 II can be obtained in two different colors (black, silver), while the L10 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is notably larger (16 percent) than the Panasonic L10. Moreover, the K-1 II is substantially heavier (82 percent) than the L10. It is noteworthy in this context that the K-1 II is splash and dust-proof, while the L10 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	EUR 599	ebay.com
2.		Pentax K-1 II	137 mm	110 mm	86 mm	1010 g	670	Y	Feb 2018	EUR 1 999	amazon.com
3.		Nikon D40X	124 mm	94 mm	64 mm	522 g	520	n	Mar 2007	EUR 699	ebay.com
4.		Nikon D60	126 mm	94 mm	64 mm	522 g	500	n	Jan 2008	EUR 499	ebay.com
5.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	EUR 1 499	ebay.com
6.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	EUR 699	ebay.com
7.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	EUR 499	ebay.com
8.		Olympus E-450	130 mm	91 mm	53 mm	440 g	500	n	Mar 2009	EUR 449	ebay.com
9.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	EUR 599	ebay.com
10.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	EUR 599	ebay.com
11.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	EUR 499	ebay.com
12.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	EUR 549	ebay.com
13.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	EUR 1 999	ebay.com
14.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	EUR 999	ebay.com
15.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	EUR 3 699	amazon.com
16.		Pentax K-1	137 mm	110 mm	86 mm	1010 g	760	Y	Feb 2016	EUR 1 999	ebay.com
17.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	EUR 3 599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The L10 was launched at a markedly lower price (by 70 percent) than the K-1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic L10 features a Four Thirds sensor and the Pentax K-1 II a full frame sensor. The sensor area in the K-1 II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the L10 has a native 4:3 aspect ratio, while the one in the K-1 II offers a 3:2 aspect.

With 36.2MP, the K-1 II offers a higher resolution than the L10 (10MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 4.74μm for the L10) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 10 years and 5 months) than the L10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Panasonic L10 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

Unlike the L10, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC- L10 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
2.		Pentax K-1 II	Full Frame	36.2	7360	4912	1080/60i	25.1	14.0	2698	93
3.		Nikon D40X	APS-C	10.0	3872	2592	none	22.4	11.4	516	63
4.		Nikon D60	APS-C	10.0	3872	2592	none	22.5	11.4	562	65
5.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
6.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
7.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
8.		Olympus E-450	Four Thirds	10.0	3648	2736	none	21.5	10.5	512	56
9.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
10.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
11.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
12.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
13.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
14.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
15.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
16.		Pentax K-1	Full Frame	36.2	7360	4912	1080/60i	25.4	14.6	3280	96
17.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The K-1 II indeed provides for movie recording, while the L10 does not. The highest resolution format that the K-1 II can use is 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The L10 and the K-1 II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-1 II offers a wider field of view (100%) than the one in the L10 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the K-1 II has a higher magnification (0.70x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic L10 and Pentax K-1 II along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
2.		Pentax K-1 II	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
3.		Nikon D40X	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
4.		Nikon D60	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
5.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
6.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
7.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
8.		Olympus E-450	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
9.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
10.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
11.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
12.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
13.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
14.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
15.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Pentax K-1	optical	Y	3.2 / 1037	full-flex	n	1/8000s	4.4/s	n	Y
17.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The L10 has one, while the K-1 II does not. While the built-in flash of the L10 is not very powerful, it can at times be useful as a fill-in light.

The Pentax K-1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The L10 writes its imaging data to SDHC cards, while the K-1 II uses SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the L10 only has one slot. The K-1 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L10 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC- L10 and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
2.		Pentax K-1 II	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
3.		Nikon D40X	Y	- / -	-	-	-	2.0	-	-	-
4.		Nikon D60	Y	- / -	-	-	-	2.0	-	-	-
5.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
6.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
7.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
8.		Olympus E-450	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
11.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
12.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
14.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
15.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Pentax K-1	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
17.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y

It is notable that the K-1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the L10 does not provide wifi capability.

Studio photographers will appreciate that the Pentax K-1 II (unlike the L10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the L10 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the L10 from Panasonic. Further information on the features and operation of the L10 and K-1 II can be found, respectively, in the Panasonic L10 Manual (free pdf) or the online Pentax K-1 II Manual.

Review summary

So what is the bottom line? Is the Panasonic L10 better than the Pentax K-1 II or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Panasonic Lumix DMC- L10:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (135x96mm vs 137x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 454g or 45 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in August 2007).

Arguments in favor of the Pentax K-1 II:

• More detail: Has more megapixels (36.2 vs 10MP), which boosts linear resolution by 94%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 1080/60i video.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 207k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (4.4 vs 3 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (670 versus 450) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 10 years and 5 months of technical progress since the L10 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the K-1 II is the clear winner of the contest (25 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic L10 and the Pentax K-1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the L10 or the K-1 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	EUR 599	ebay.com
2.		Pentax K-1 II	..	..	4.5/5	79/100	4.5/5	4.5/5	Feb 2018	EUR 1 999	amazon.com
3.		Nikon D40X	..	79/100	..	+ +	4/5	4/5	Mar 2007	EUR 699	ebay.com
4.		Nikon D60	..	80/100	..	+ +	4/5	4.5/5	Jan 2008	EUR 499	ebay.com
5.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	EUR 1 499	ebay.com
6.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	EUR 699	ebay.com
7.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	EUR 499	ebay.com
8.		Olympus E-450	..	..	..	..	4/5	4/5	Mar 2009	EUR 449	ebay.com
9.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	EUR 599	ebay.com
10.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	EUR 599	ebay.com
11.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	EUR 499	ebay.com
12.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	EUR 549	ebay.com
13.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	EUR 1 999	ebay.com
14.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	EUR 999	ebay.com
15.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	EUR 3 699	amazon.com
16.		Pentax K-1	5/5	..	..	84/100	5/5	5/5	Feb 2016	EUR 1 999	ebay.com
17.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	EUR 3 599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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