Panasonic G6 vs L10
The Panasonic Lumix DMC-G6 and the Panasonic Lumix DMC- L10 are two digital cameras that were revealed to the public, respectively, in April 2013 and August 2007. The G6 is a mirrorless interchangeable lens camera, while the L10 is a DSLR. Both cameras are equipped with a Four Thirds sensor. The G6 has a resolution of 15.9 megapixels, whereas the L10 provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic G6||Panasonic L10|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Four Thirds lenses|
|15.9 MP, Four Thirds Sensor||10 MP, Four Thirds Sensor|
|1080/60p Video||no Video|
|ISO 160-12800 (160-25600)||ISO 100-1600|
|Electronic viewfinder (1440k dots)||Optical viewfinder|
|3.0" LCD, 1036k dots||2.5" LCD, 207k dots|
|Swivel touchscreen||Swivel screen (not touch-sensitive)|
|7 shutter flaps per second||3 shutter flaps per second|
|340 shots per battery charge||450 shots per battery charge|
|122 x 85 x 71 mm, 390 g||135 x 96 x 78 mm, 556 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G6 and the Panasonic Lumix DMC- L10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic G6 vs L10
The physical size and weight of the Panasonic G6 and the Panasonic L10 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The G6 can be obtained in three different colors (black, silver, white), while the L10 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L10 is notably larger (25 percent) than the Panasonic G6. Moreover, the L10 is substantially heavier (43 percent) than the G6. In this context, it is worth noting that neither the G6 nor the L10 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G6) and the Four Thirds Lens Catalog (L10). Mirrorless cameras, such as the Panasonic G6, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic G6»||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic L10«||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599||-||Panasonic L10|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-420« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||-||Olympus E-410|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-||Panasonic G7|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-||Panasonic GX7|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-||Panasonic G5|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Panasonic L1« »||5.7 in||3.4 in||2.5 in||21.4 oz||750||n||Feb 2006||999||-||Panasonic L1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G6 vs L10
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the G6 offers a higher resolution of 15.9 megapixels, compared with 10 MP of the L10. This megapixels advantage translates into a 26 percent gain in linear resolution. On the other hand, these sensor specs imply that the G6 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.74μm for the L10). In this context, it should be noted, however, that the G6 is much more recent (by 5 years and 7 months) than the L10, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic G6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G6 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Panasonic L10 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC-G6 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 160-25600. The corresponding ISO settings for the Panasonic Lumix DMC- L10 are ISO 100 to ISO 1600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the G6 has a notably higher overall DXO score than the L10 (overall score 6 points higher), which gives it an advantage in terms of imaging quality. 0.7 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic G6»||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic L10«||Four Thirds||10.0||3648||2736||-||21.3||10.8||429||55||Panasonic L10|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-PL5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Olympus E-420« »||Four Thirds||10.0||3648||2736||-||21.5||10.4||527||56||Olympus E-420|
|Olympus E-520« »||Four Thirds||10.0||3648||2736||-||21.4||10.4||548||55||Olympus E-520|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic G5« »||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-||Panasonic G5|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic L1« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Panasonic L1|
Many modern cameras are not only capable of taking still images, but can also record movies. The G6 indeed provides movie recording capabilities, while the L10 does not. The highest resolution format that the G6 can use is 1080/60p.
Feature comparison: Panasonic G6 vs L10
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G6 has an electronic viewfinder (1440k dots), while the L10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G6 offers a wider field of view (100%) than the one in the L10 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G6 has a higher magnification (0.70x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic G6 and Panasonic L10 along with similar information for a selection of comparators.
|Panasonic G6»||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic L10«||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-PL5« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Olympus E-420« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-520« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic G5« »||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic L1« »||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Panasonic L1|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G6 has a touchscreen, while the L10 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G6 writes its imaging data to SDXC cards, while the L10 uses SDHC cards. The G6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L10 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Panasonic G6 vs L10
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G6 and Panasonic Lumix DMC- L10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G6»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic L10«||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L10|
|Olympus E-PL7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-PL5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Olympus E-420« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-420|
|Olympus E-520« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-520|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Panasonic G7« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GX7« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic G5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic GF5« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic L1« »||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L1|
It is notable that the G6 offers wifi support, while the L10 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the G6 and the L10 have been discontinued, but can regularly be found used on eBay. The G6 was replaced by the Panasonic G7, while the L10 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
Review summary: Panasonic G6 vs L10
So how do things add up? Is there a clear favorite between the Panasonic G6 and the Panasonic L10? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-G6:
- More detail: Offers more megapixels (15.9 vs 10MP) with a 26% higher linear resolution.
- Better image quality: Scores markedly higher (6 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1036k vs 207k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x85mm vs 135x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 166g or 30 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 7 months of technical progress since the L10 launch.
Advantages of the Panasonic Lumix DMC- L10:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (450 versus 340) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in August 2007).
If the count of individual advantages (bullet points above) is taken as a guide, the G6 is the clear winner of the match-up (21 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic G6 and the Panasonic L10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G6 or the L10 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic G6 vs L10
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic G6»||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic L10«||85/100||+||3.5/5||o||4/5||Aug 2007||599||-||Panasonic L10|
|Olympus E-PL7« »||+||-||5/5||4.5/5||4/5||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-PL5« »||+ +||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-420« »||85/100||+ +||4/5||o||4.5/5||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||86/100||+ +||4/5||o||4.5/5||Mar 2007||699||-||Olympus E-410|
|Panasonic G7« »||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic GX7« »||+||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Panasonic G5« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic G5|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Panasonic L1« »||85/100||+||-||o||3.5/5||Feb 2006||999||-||Panasonic L1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 30D vs Panasonic L10
- Canon G5 X vs Panasonic L10
- Canon G7 X Mark II vs Panasonic L10
- Olympus E-30 vs Panasonic L10
- Olympus E-400 vs Panasonic L10
- Olympus E-M10 II vs Panasonic G6
- Olympus E-M5 vs Panasonic G6
- Olympus E-PL6 vs Panasonic G6
- Olympus E-PM2 vs Panasonic G6
- Panasonic G6 vs Sony A6300
- Panasonic G6 vs Sony RX10 II
- Panasonic L10 vs Sony RX100 II
Specifications: Panasonic G6 vs Panasonic L10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic G6||Panasonic L10|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Four Thirds lenses|
|Launch Date||April 2013||August 2007|
|Launch Price||USD 599||USD 599|
|Sensor Specs||Panasonic G6||Panasonic L10|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||10 Megapixels|
|Image Resolution||4608 x 3456 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.76 μm||4.74 μm|
|Pixel Density||7.08 MP/cm2||4.44 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||160-12800 ISO||100-1600 ISO|
|ISO Boost||160-25600 ISO||no Enhancement|
|DXO Sensor Quality (score)||61||55|
|DXO Color Depth (bits)||21.3||21.3|
|DXO Dynamic Range (EV)||11.5||10.8|
|DXO Low Light (ISO)||639||429|
|Screen Specs||Panasonic G6||Panasonic L10|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.5 inch|
|LCD Resolution||1036k dots||207k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic G6||Panasonic L10|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||7 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic G6||Panasonic L10|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic G6||Panasonic L10|
|Battery Type||DMW-BLC12 power pack||DMW-BLA13 power pack|
|Battery Life (CIPA)||340 shots per charge||450 shots per charge|
122 x 85 x 71 mm
(4.8 x 3.3 x 2.8 in)
135 x 96 x 78 mm
(5.3 x 3.8 x 3.1 in)
|Camera Weight||390 g (13.8 oz)||556 g (19.6 oz)|
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