Panasonic L1 vs Sony RX1
The Panasonic Lumix DMC-L1 and the Sony Cyber-shot DSC-RX1 are two digital cameras that were announced, respectively, in February 2006 and September 2012. The L1 is a DSLR, while the RX1 is a fixed lens compact. The cameras are based on a Four Thirds (L1) and a full frame (RX1) sensor. The Panasonic has a resolution of 7.4 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Sony Cyber-shot DSC-RX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic L1 and the Sony RX1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1 is considerably smaller (42 percent) than the Panasonic L1. In this context, it is worth noting that neither the L1 nor the RX1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1 has a lens built in, whereas the L1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the L1 and their specifications in the Four Thirds Lens Catalog.
The power pack in the RX1 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | 146 mm | 87 mm | 64 mm | 606 g | 750 | n | Feb 2006 | 999 | ebay.com | |
2. | Sony RX1 | 113 mm | 65 mm | 70 mm | 482 g | 270 | n | Sep 2012 | 2,799 | ebay.com | |
3. | Canon Rebel | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | 899 | ebay.com | |
4. | Canon XT | 127 mm | 94 mm | 64 mm | 540 g | 400 | n | Feb 2005 | 899 | ebay.com | |
5. | Leica Digilux 3 | 146 mm | 87 mm | 77 mm | 606 g | 750 | n | Sep 2006 | 1,499 | ebay.com | |
6. | Leica V-LUX 1 | 141 mm | 86 mm | 142 mm | 734 g | 360 | n | Sep 2006 | 849 | ebay.com | |
7. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | 899 | ebay.com | |
8. | Nikon D80 | 132 mm | 103 mm | 77 mm | 668 g | 600 | n | Aug 2006 | 999 | ebay.com | |
9. | Nikon D5300 | 125 mm | 98 mm | 76 mm | 480 g | 600 | n | Oct 2013 | 799 | ebay.com | |
10. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | 799 | ebay.com | |
11. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | 999 | ebay.com | |
12. | Olympus E-500 | 130 mm | 95 mm | 66 mm | 479 g | 750 | n | Sep 2005 | 599 | ebay.com | |
13. | Panasonic L10 | 135 mm | 96 mm | 78 mm | 556 g | 450 | n | Aug 2007 | 599 | ebay.com | |
14. | Sony A3000 | 128 mm | 91 mm | 85 mm | 411 g | 470 | n | Aug 2013 | 329 | ebay.com | |
15. | Sony NEX-7 | 120 mm | 67 mm | 43 mm | 400 g | 430 | n | Aug 2011 | 1,349 | ebay.com | |
16. | Sony RX1R | 113 mm | 65 mm | 70 mm | 482 g | 270 | n | Jun 2013 | 2,799 | ebay.com | |
17. | Sony RX1R II | 113 mm | 65 mm | 72 mm | 507 g | 220 | n | Oct 2015 | 3,299 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Sony RX1 a full frame sensor. The sensor area in the RX1 is 279 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the L1 has a native 4:3 aspect ratio, while the one in the RX1 offers a 3:2 aspect.
With 24MP, the RX1 offers a higher resolution than the L1 (7.4MP), but the RX1 nevertheless has larger individual pixels (pixel pitch of 5.96μm versus 5.51μm for the L1) due to its larger sensor. Moreover, the RX1 is a much more recent model (by 6 years and 6 months) than the L1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony RX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 80 | 52 | |
2. | Sony RX1 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.1 | 14.3 | 2534 | 93 | |
3. | Canon Rebel | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
4. | Canon XT | APS-C | 8.0 | 3456 | 2304 | none | 21.8 | 10.8 | 637 | 60 | |
5. | Leica Digilux 3 | Four Thirds | 7.4 | 3136 | 2352 | none | 21.0 | 10.6 | 127 | 53 | |
6. | Leica V-LUX 1 | 1/1.8 | 10.0 | 3648 | 2736 | 480/30p | 18.4 | 9.5 | -727 | 29 | |
7. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
8. | Nikon D80 | APS-C | 10.0 | 3872 | 2592 | none | 22.1 | 11.2 | 524 | 61 | |
9. | Nikon D5300 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.9 | 1338 | 83 | |
10. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
11. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
12. | Olympus E-500 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.7 | 10.3 | 45 | 51 | |
13. | Panasonic L10 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.3 | 10.8 | 429 | 55 | |
14. | Sony A3000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.7 | 12.8 | 1068 | 78 | |
15. | Sony NEX-7 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.4 | 1016 | 81 | |
16. | Sony RX1R | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.0 | 13.6 | 2537 | 91 | |
17. | Sony RX1R II | Full Frame | 42.2 | 7952 | 5304 | 1080/60p | 25.8 | 13.9 | 3204 | 97 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The RX1 indeed provides for movie recording, while the L1 does not. The highest resolution format that the RX1 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the L1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the RX1 relies on live view and the rear LCD for framing. That said, the RX1 can be equipped with an optional viewfinder – the FDA-EV1MK. The table below summarizes some of the other core capabilities of the Panasonic L1 and Sony RX1 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
2. | Sony RX1 | optional | n | 3.0 / 1229 | fixed | n | 1/4000s | 5.0/s | Y | n | |
3. | Canon Rebel | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
4. | Canon XT | optical | n | 1.8 / 115 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Leica Digilux 3 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
6. | Leica V-LUX 1 | 235 | n | 2.0 / 207 | tilting | n | 1/2000s | 2.0/s | Y | Y | |
7. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
8. | Nikon D80 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Nikon D5300 | optical | n | 3.2 / 1037 | swivel | n | 1/4000s | 5.0/s | Y | n | |
10. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
11. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
12. | Olympus E-500 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 2.5/s | Y | n | |
13. | Panasonic L10 | optical | n | 2.5 / 207 | swivel | n | 1/4000s | 3.0/s | Y | n | |
14. | Sony A3000 | 202 | n | 3.0 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
15. | Sony NEX-7 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
16. | Sony RX1R | optional | n | 3.0 / 1229 | fixed | n | 1/4000s | 5.0/s | Y | n | |
17. | Sony RX1R II | 2360 | n | 3.0 / 1229 | tilting | n | 1/4000s | 5.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The L1 writes its imaging data to SDHC cards, while the RX1 uses SDXC or Memory Stick PRO Duo cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Sony Cyber-shot DSC-RX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Sony RX1 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
3. | Canon Rebel | Y | - / - | - | - | - | 1.1 | - | - | - | |
4. | Canon XT | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Leica Digilux 3 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
6. | Leica V-LUX 1 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
7. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Nikon D80 | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Nikon D5300 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
10. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus E-500 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Panasonic L10 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Sony A3000 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony NEX-7 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
16. | Sony RX1R | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Sony RX1R II | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - |
Both the L1 and the RX1 have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the RX1 was followed by the Sony RX1R. Further information on the features and operation of the L1 and RX1 can be found, respectively, in the Panasonic L1 Manual (free pdf) or the online Sony RX1 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Panasonic L1 or the Sony RX1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-L1:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 270) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in February 2006).
Advantages of the Sony Cyber-shot DSC-RX1:
- More detail: Has more megapixels (24 vs 7.4MP), which boosts linear resolution by 84%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 207k dots).
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the L1 requires a separate lens.
- More compact: Is smaller (113x65mm vs 146x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the L1).
- Easier travel charging: Can be conveniently charged via its USB port.
- More modern: Reflects 6 years and 6 months of technical progress since the L1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX1 is the clear winner of the contest (14 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic L1 and the Sony RX1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the L1 or the RX1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | .. | 85/100 | .. | + | .. | 3.5/5 | Feb 2006 | 999 | ebay.com | |
2. | Sony RX1 | 5/5 | .. | .. | 79/100 | 4/5 | 4.5/5 | Sep 2012 | 2,799 | ebay.com | |
3. | Canon Rebel | .. | .. | .. | + + | .. | .. | Aug 2003 | 899 | ebay.com | |
4. | Canon XT | .. | 80/100 | .. | + + | o | .. | Feb 2005 | 899 | ebay.com | |
5. | Leica Digilux 3 | .. | .. | .. | .. | .. | .. | Sep 2006 | 1,499 | ebay.com | |
6. | Leica V-LUX 1 | .. | .. | .. | .. | .. | .. | Sep 2006 | 849 | ebay.com | |
7. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | 899 | ebay.com | |
8. | Nikon D80 | .. | + | .. | + + | o | 4.5/5 | Aug 2006 | 999 | ebay.com | |
9. | Nikon D5300 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Oct 2013 | 799 | ebay.com | |
10. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | 799 | ebay.com | |
11. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | 999 | ebay.com | |
12. | Olympus E-500 | .. | 76/100 | .. | + + | .. | .. | Sep 2005 | 599 | ebay.com | |
13. | Panasonic L10 | .. | 85/100 | .. | + | 3.5/5 | 4/5 | Aug 2007 | 599 | ebay.com | |
14. | Sony A3000 | 3/5 | + | .. | .. | 4/5 | 4/5 | Aug 2013 | 329 | ebay.com | |
15. | Sony NEX-7 | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Aug 2011 | 1,349 | ebay.com | |
16. | Sony RX1R | 5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jun 2013 | 2,799 | ebay.com | |
17. | Sony RX1R II | 5/5 | .. | .. | 82/100 | .. | 4.5/5 | Oct 2015 | 3,299 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Leica TL vs Panasonic L1
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Specifications: Panasonic L1 vs Sony RX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic L1 | Sony RX1 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Four Thirds lenses | 35mm f/2.0 |
Launch Date | February 2006 | September 2012 |
Launch Price | USD 999 | USD 2,799 |
Sensor Specs | Panasonic L1 | Sony RX1 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 35.8 x 23.8 mm |
Sensor Area | 224.9 mm2 | 852.04 mm2 |
Sensor Diagonal | 21.6 mm | 43 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 7.4 Megapixels | 24 Megapixels |
Image Resolution | 3136 x 2352 pixels | 6000 x 4000 pixels |
Pixel Pitch | 5.51 μm | 5.96 μm |
Pixel Density | 3.28 MP/cm2 | 2.82 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 100 - 1,600 ISO | 100 - 25,600 ISO |
ISO Boost | no Enhancement | 50 - 102,400 ISO |
Image Processor | Venus | BIONZ X |
DXO Sensor Quality (score) | .. | 93 |
DXO Color Depth (bits) | .. | 25.1 |
DXO Dynamic Range (EV) | .. | 14.3 |
DXO Low Light (ISO) | .. | 2534 |
Screen Specs | Panasonic L1 | Sony RX1 |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.47x | |
LCD Framing | Live View | Live View |
Rear LCD Size | 2.5inch | 3.0inch |
LCD Resolution | 207k dots | 1229k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Panasonic L1 | Sony RX1 |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 3 shutter flaps/s | 5 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDHC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | no |
Connectivity Specs | Panasonic L1 | Sony RX1 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | no Wifi |
Body Specs | Panasonic L1 | Sony RX1 |
Battery Type | Panasonic CGR-S602 | Sony NP-BX1 |
Battery Life (CIPA) | 750 shots per charge | 270 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
146 x 87 x 64 mm (5.7 x 3.4 x 2.5 in) |
113 x 65 x 70 mm (4.4 x 2.6 x 2.8 in) |
Camera Weight | 606 g (21.4 oz) | 482 g (17.0 oz) |
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