Panasonic GH5s vs Sony A58

The Panasonic Lumix DC-GH5s and the Sony Alpha SLT-A58 are two digital cameras that were announced, respectively, in January 2018 and February 2013. The GH5s is a mirrorless interchangeable lens camera, while the A58 is a DSLR. The cameras are based on a Four Thirds (GH5s) and an APS-C (A58) sensor. The Panasonic has a resolution of 9.9 megapixels, whereas the Sony provides 19.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GH5s		Sony A58
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Sony A mount lenses
9.9 MP – Four Thirds sensor		19.8 MP – APS-C sensor
4K/60p Video		1080/60i Video
ISO 160-51,200 (80 - 204,800)		ISO 100-16,000 (100 - 25,600)
Electronic viewfinder (3680k dots)		Electronic viewfinder (1440k dots)
3.2" LCD – 1620k dots		2.7" LCD – 460k dots
Swivel touchscreen		Tilting screen (no touchscreen)
12 shutter flaps per second		5 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		not weather sealed
440 shots per battery charge		690 shots per battery charge
139 x 98 x 87 mm, 660 g		129 x 95 x 78 mm, 492 g

Check GH5s price at
amazon.com
Check A58 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5s and the Sony Alpha SLT-A58? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic GH5s and the Sony A58 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A58 is notably smaller (10 percent) than the Panasonic GH5s. Moreover, the A58 is markedly lighter (25 percent) than the GH5s. It is worth mentioning in this context that the GH5s is splash and dust resistant, while the A58 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GH5s gets 440 shots out of its Panasonic DMW-BLF19 battery, while the A58 can take 690 images on a single charge of its Sony NP-FM500H power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GH5s	139 mm	98 mm	87 mm	660 g	440	Y	Jan 2018	2,499	amazon.com
2.		Sony A58	129 mm	95 mm	78 mm	492 g	690	n	Feb 2013	599	ebay.com
3.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	2,299	ebay.com
4.		Nikon D3200	125 mm	96 mm	77 mm	505 g	540	n	Apr 2012	599	ebay.com
5.		Panasonic FZ300	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	599	amazon.com
6.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
7.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	1,699	ebay.com
8.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
9.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
10.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
11.		Panasonic GH3	133 mm	93 mm	82 mm	550 g	540	Y	Sep 2012	1,299	ebay.com
12.		Panasonic GH4	133 mm	93 mm	84 mm	560 g	500	Y	Feb 2014	1,499	ebay.com
13.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
14.		Sony A68	143 mm	104 mm	81 mm	610 g	540	n	Nov 2015	699	ebay.com
15.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
16.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
17.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A58 was launched at a markedly lower price (by 76 percent) than the GH5s, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GH5s features a Four Thirds sensor and the Sony A58 an APS-C sensor. The sensor area in the A58 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GH5s has a native 4:3 aspect ratio, while the one in the A58 offers a 3:2 aspect.

With 19.8MP, the A58 offers a higher resolution than the GH5s (9.9MP), but the A58 has smaller individual pixels (pixel pitch of 4.31μm versus 4.77μm for the GH5s). Yet, the GH5s is a much more recent model (by 4 years and 10 months) than the A58, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GH5s has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A58 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A58 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Panasonic GH5s are 18.4 x 13.5 inches or 46.7 x 34.3 cm for good quality, 14.7 x 10.8 inches or 37.4 x 27.4 cm for very good quality, and 12.3 x 9 inches or 31.2 x 22.9 cm for excellent quality prints.

The Panasonic Lumix DC-GH5s has a native sensitivity range from ISO 160 to ISO 51200, which can be extended to ISO 80-204800. The corresponding ISO settings for the Sony Alpha SLT-A58 are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GH5s	Four Thirds	9.9	3680	2700	4K/60p	23.1	12.8	1154	74
2.		Sony A58	APS-C	19.8	5456	3632	1080/60i	23.3	12.5	753	74
3.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
4.		Nikon D3200	APS-C	24.1	6016	4000	1080/30p	24.1	13.2	1131	81
5.		Panasonic FZ300	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
6.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
7.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
8.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
9.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
10.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
11.		Panasonic GH3	Four Thirds	15.9	4608	3456	1080/60p	22.7	12.4	812	71
12.		Panasonic GH4	Four Thirds	15.9	4608	3456	4K/30p	23.2	12.8	791	74
13.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
14.		Sony A68	APS-C	24.0	6000	4000	1080/60i	24.1	13.5	701	79
15.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
16.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
17.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH5s provides a higher video resolution than the A58. It can shoot video footage at 4K/60p, while the Sony is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GH5s offers a substantially higher resolution than the one in the A58 (3680k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic GH5s and Sony A58 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GH5s	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	n
2.		Sony A58	1440	n	2.7 / 460	tilting	n	1/4000s	5.0/s	Y	Y
3.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
4.		Nikon D3200	optical	n	3.0 / 921	fixed	n	1/4000s	4.0/s	Y	n
5.		Panasonic FZ300	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
6.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
7.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
8.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
9.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
10.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
11.		Panasonic GH3	1746	n	3.0 / 614	swivel	Y	1/4000s	6.0/s	Y	n
12.		Panasonic GH4	2359	n	3.0 / 1036	swivel	Y	1/8000s	12.0/s	Y	n
13.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
14.		Sony A68	1440	Y	2.7 / 460	tilting	n	1/4000s	8.0/s	Y	Y
15.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
16.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
17.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH5s has a touchscreen, while the A58 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5s is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GH5s has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GH5s writes its imaging data to SDXC cards, while the A58 uses SDXC or Memory Stick PRO Duo cards. The GH5s features dual card slots, which can be very useful in case a memory card fails. In contrast, the A58 only has one slot. The GH5s supports UHS-II cards (on both slots), while the A58 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5s and Sony Alpha SLT-A58 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GH5s	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
2.		Sony A58	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
4.		Nikon D3200	Y	mono / mono	Y	-	mini	2.0	-	-	-
5.		Panasonic FZ300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
6.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
8.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
9.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GH3	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
12.		Panasonic GH4	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
14.		Sony A68	Y	stereo / mono	Y	-	micro	2.0	-	-	-
15.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
16.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the GH5s has a headphone jack, which is not present on the A58 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Panasonic GH5s (unlike the A58) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GH5s is a recent model that features in the current product line-up of Panasonic. In contrast, the A58 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A58 was succeeded by the Sony A68. Further information on the features and operation of the GH5s and A58 can be found, respectively, in the Panasonic GH5s Manual (free pdf) or the online Sony A58 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic GH5s or the Sony A58 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DC-GH5s:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/60p vs 1080/60i).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 1440k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.57x).
• Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 460k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 4 years and 10 months of technical progress since the A58 launch.

Advantages of the Sony Alpha SLT-A58:

• More detail: Has more megapixels (19.8 vs 9.9MP), which boosts linear resolution by 44%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Less heavy: Has a lower weight (by 168g or 25 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (690 versus 440) out of a single battery charge.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (76 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in February 2013).

If the count of individual advantages (bullet points above) is taken as a guide, the GH5s is the clear winner of the match-up (24 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GH5s and the Sony A58 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GH5s or the A58. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GH5s	..	..	4.5/5	84/100	4.5/5	4.5/5	Jan 2018	2,499	amazon.com
2.		Sony A58	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	599	ebay.com
3.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	2,299	ebay.com
4.		Nikon D3200	5/5	+ +	..	73/100	4.5/5	4.5/5	Apr 2012	599	ebay.com
5.		Panasonic FZ300	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	599	amazon.com
6.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
7.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	1,699	ebay.com
8.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
9.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
10.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
11.		Panasonic GH3	5/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	1,299	ebay.com
12.		Panasonic GH4	5/5	+ +	..	85/100	5/5	5/5	Feb 2014	1,499	ebay.com
13.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
14.		Sony A68	3/5	..	..	..	4/5	4/5	Nov 2015	699	ebay.com
15.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
16.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
17.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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