Panasonic GH5s vs Pentax K-70
The Panasonic Lumix DC-GH5s and the Pentax K-70 are two digital cameras that were revealed to the public, respectively, in January 2018 and June 2016. The GH5s is a mirrorless interchangeable lens camera, while the K-70 is a DSLR. The cameras are based on a Four Thirds (GH5s) and an APS-C (K-70) sensor. The Panasonic has a resolution of 9.9 megapixels, whereas the Pentax provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5s and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GH5s and the Pentax K-70 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The K-70 can be obtained in two different colors (black, silver), while the GH5s is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is notably smaller (14 percent) than the Panasonic GH5s. However, the K-70 is slightly heavier (4 percent) than the GH5s. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499|
|2.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649|
|3.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|4.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|5.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|6.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|7.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|8.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|9.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|10.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|11.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|12.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|13.||Pentax K-3 III||135 mm||104 mm||74 mm||820 g||800||Y||Mar 2021||1,999|
|14.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099|
|15.||Pentax K-S2||123 mm||91 mm||73 mm||678 g||410||Y||Feb 2015||749|
|16.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|17.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-70 was launched at a markedly lower price (by 74 percent) than the GH5s, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GH5s features a Four Thirds sensor and the Pentax K-70 an APS-C sensor. The sensor area in the K-70 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GH5s has a native 4:3 aspect ratio, while the one in the K-70 offers a 3:2 aspect.
With 24MP, the K-70 offers a higher resolution than the GH5s (9.9MP), but the K-70 has smaller individual pixels (pixel pitch of 3.91μm versus 4.77μm for the GH5s). It is noteworthy in this context that the GH5s is a somewhat more recent model (by 1 year and 7 months) than the K-70, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax K-70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-70 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH5s are 18.4 x 13.5 inches or 46.7 x 34.3 cm for good quality, 14.7 x 10.8 inches or 37.4 x 27.4 cm for very good quality, and 12.3 x 9 inches or 31.2 x 22.9 cm for excellent quality prints.
The K-70 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the GH5s, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-GH5s has a native sensitivity range from ISO 160 to ISO 51200, which can be extended to ISO 80-204800. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||23.1||12.8||1154||74|
|3.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|4.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|5.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|7.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|8.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|9.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|10.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|11.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|12.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|13.||Pentax K-3 III||APS-C||25.6||6192||4128||4K/30p||24.2||13.7||2083||85|
|16.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH5s provides a higher video resolution than the K-70. It can shoot video footage at 4K/60p, while the Pentax is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH5s has an electronic viewfinder (3680k dots), while the K-70 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GH5s has a higher magnification than the one of the K-70 (0.76x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic GH5s and Pentax K-70 along with similar information for a selection of comparators.
|1.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||n|
|2.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0||Y||Y|
|3.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0||n||n|
|4.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|5.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|6.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|7.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|8.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|9.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0||Y||n|
|10.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|11.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|12.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|13.||Pentax K-3 III||optical||Y||3.2 / 1620||fixed||Y||1/8000s||12.0||n||Y|
|14.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0||Y||Y|
|15.||Pentax K-S2||optical||n||3.0 / 921||swivel||n||1/6000s||5.4||Y||Y|
|16.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||n||Y|
|17.||Pentax K-50||optical||n||3.0 / 921||fixed||n||1/6000s||6.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH5s has a touchscreen, while the K-70 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5s is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5s and the Pentax K-70 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GH5s and the K-70 write their files to SDXC cards. The GH5s features dual card slots, which can be very useful in case a memory card fails. In contrast, the K-70 only has one slot. The GH5s supports UHS-II cards (on both slots), while the K-70 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5s and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|5.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|6.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|7.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|8.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|10.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Pentax K-3 III||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|14.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|15.||Pentax K-S2||Y||mono / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Pentax K-50||Y||mono / mono||-||-||micro||2.0||-||-||-|
It is notable that the GH5s has a headphone jack, which is not present on the K-70 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Panasonic GH5s (unlike the K-70) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GH5s and the K-70 are recent models that are part of the current product line-up. The K-70 replaced the earlier Pentax K-50, while the GH5s does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So what is the bottom line? Which of the two cameras – the Panasonic GH5s or the Pentax K-70 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DC-GH5s:
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60i).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.63x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/6000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 1 year and 7 months after the K-70).
Arguments in favor of the Pentax K-70:
- More detail: Has more megapixels (24 vs 9.9MP), which boosts linear resolution by 58%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (126x93mm vs 139x98mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in June 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the GH5s is the clear winner of the match-up (18 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5s and the Pentax K-70 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GH5s or the K-70. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499|
|2.||Pentax K-70||4.5/5||..||..||79/100||4.5/5||4.5/5||Jun 2016||649|
|3.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|4.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|5.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|6.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|7.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|8.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|9.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|10.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|11.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|12.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|13.||Pentax K-3 III||4/5||..||3/5||..||4.5/5||..||Mar 2021||1,999|
|14.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099|
|15.||Pentax K-S2||4.5/5||..||..||..||5/5||4.5/5||Feb 2015||749|
|16.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|17.||Pentax K-50||5/5||..||..||..||5/5||4.5/5||Jun 2013||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon SX730 vs Panasonic GH5s
- Canon XTi vs Pentax K-70
- Fujifilm GFX 50R vs Panasonic GH5s
- Fujifilm X-E3 vs Panasonic GH5s
- Nikon D3 vs Pentax K-70
- Nikon D7000 vs Pentax K-70
- Nikon D750 vs Panasonic GH5s
- Nikon Z7 vs Pentax K-70
- Olympus E-M5 vs Pentax K-70
- Panasonic G85 vs Pentax K-70
- Panasonic GH5s vs Sony A6400
- Panasonic GH5s vs Sony A9
Specifications: Panasonic GH5s vs Pentax K-70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH5s||Pentax K-70|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Pentax K mount lenses|
|Launch Date||January 2018||June 2016|
|Launch Price||USD 2,499||USD 649|
|Sensor Specs||Panasonic GH5s||Pentax K-70|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||9.9 Megapixels||24 Megapixels|
|Image Resolution||3680 x 2700 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.77 μm||3.91 μm|
|Pixel Density||4.42 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||1080/60i Video|
|ISO Setting||160 - 51,200 ISO||100 - 102,400 ISO|
|ISO Boost||80 - 204,800 ISO||no Enhancement|
|Image Processor||Venus 10||PRIME MII|
|Screen Specs||Panasonic GH5s||Pentax K-70|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||921k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GH5s||Pentax K-70|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/6000s|
|Continuous Shooting||12 shutter flaps/s||6 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||100 000 actuations|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Panasonic GH5s||Pentax K-70|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic GH5s||Pentax K-70|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||410 shots per charge|
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
126 x 93 x 74 mm
(5.0 x 3.7 x 2.9 in)
|Camera Weight||660 g (23.3 oz)||688 g (24.3 oz)|
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