Panasonic GH5 vs GX9
The Panasonic Lumix DC-GH5 and the Panasonic Lumix DC-GX9 are two enthusiast cameras that were announced, respectively, in January 2017 and February 2018. Both the GH5 and the GX9 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 20.2 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GH5||Panasonic GX9|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|20.2 MP, Four Thirds Sensor||20.2 MP, Four Thirds Sensor|
|4K/60p Video||4K/30p Video|
|ISO 200-25600||ISO 200-25600|
|Electronic viewfinder (3680k dots)||Electronic viewfinder (2760k dots)|
|3.2" LCD, 1620k dots||3.0" LCD, 1240k dots|
|Swivel touchscreen||Tilting touchscreen|
|12 shutter flaps per second||9 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Not weather sealed|
|410 shots per battery charge||260 shots per battery charge|
|139 x 98 x 87 mm, 725 g||124 x 72 x 47 mm, 407 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5 and the Panasonic Lumix DC-GX9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GH5 and the Panasonic GX9. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The GX9 can be obtained in two different colors (black, silver), while the GH5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX9 is considerably smaller (34 percent) than the Panasonic GH5. Moreover, the GX9 is substantially lighter (44 percent) than the GH5. It is worth mentioning in this context that the GH5 is splash and dust resistant, while the GX9 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GH5 gets 410 shots out of its DMW-BLF19 battery, while the GX9 can take 260 images on a single charge of its DMW-BLG10 power pack. The power pack in the GX9 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic GH5»||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX9«||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||Olympus E-M10 II|
|Panasonic G95« »||5.1 in||3.7 in||3.0 in||18.9 oz||290||Y||Apr 2019||999||Panasonic G95|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G85|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||Panasonic GX8|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||Panasonic GH4|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GX9 was launched at a markedly lower price (by 58 percent) than the GH5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 20.2 megapixels. This similarity in sensor specs implies that both the GH5 and the GX9 have the same pixel density, as well as the same pixel size. It should, however, be noted that the GX9 is a somewhat more recent model (by 1 year and 1 month) than the GH5, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The Panasonic Lumix DC-GH5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The Panasonic Lumix DC-GX9 offers exactly the same ISO settings.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic GX9|
|Fujifilm X-H1||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-H1|
|Nikon D500||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Panasonic G95|
|Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..||Panasonic LX100 II|
|Panasonic ZS200||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic ZS200|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..||Panasonic G9|
|Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH5 provides a higher frame rate than the GX9. It can shoot video footage at 4K/60p, while the GX9 is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GH5 offers a substantially higher resolution than the one in the GX9 (3680k vs 2760k dots). The table below summarizes some of the other core capabilities of the Panasonic GH5 and Panasonic GX9 in connection with corresponding information for a sample of similar cameras.
|Panasonic GH5||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic GX9||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Fujifilm X-H1||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Nikon D500||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Panasonic G95||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G95|
|Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic ZS200||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Panasonic G9||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic G85||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic GH4||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
One difference between the cameras concerns the presence of an on-board flash. The GX9 has one, while the GH5 does not. While the built-in flash of the GX9 is not very powerful, it can at times be useful as a fill-in light.The GH5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX9 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5 and the Panasonic GX9 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GH5 and the GX9 write their files to SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GX9 only has one slot. The GH5 supports UHS-II cards (on both slots), while the GX9 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5 and Panasonic Lumix DC-GX9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GH5||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic GX9||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Fujifilm X-H1||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Nikon D500||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Panasonic G95||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G95|
|Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic ZS200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Panasonic G9||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic G85||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GH4||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
It is notable that the GH5 has a microphone port, which is missing on the GX9. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Panasonic GH5 (unlike the GX9) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GH5 and the GX9 are recent models that are part of the current product line-up. The GH5 replaced the earlier Panasonic GH4, while the GX9 followed on from the Panasonic GX8. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Is there a clear favorite between the Panasonic GH5 and the Panasonic GX9? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DC-GH5:
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2760k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1240k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 9 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (410 versus 260) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in January 2017).
Advantages of the Panasonic Lumix DC-GX9:
- More compact: Is smaller (124x72mm vs 139x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 318g or 44 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 1 month) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GH5 is the clear winner of the match-up (19 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5 and the Panasonic GX9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GH5 or the GX9. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Panasonic GH5
- Canon 1Ds Mark II vs Panasonic GX9
- Canon 7D II vs Panasonic GX9
- Canon G9 X vs Panasonic GX9
- Canon T8i vs Panasonic GH5
- Fujifilm X-E2 vs Panasonic GX9
- Leica X Typ 113 vs Panasonic GX9
- Olympus E-520 vs Panasonic GX9
- Olympus E-PL10 vs Panasonic GH5
- Panasonic GF7 vs Panasonic GX9
- Panasonic GX9 vs Sony A7
- Panasonic GX9 vs Sony HX400V
Specifications: Panasonic GH5 vs Panasonic GX9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH5||Panasonic GX9|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||January 2017||February 2018|
|Launch Price||USD 1999||USD 849|
|Sensor Specs||Panasonic GH5||Panasonic GX9|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||20.2 Megapixels||20.2 Megapixels|
|Image Resolution||5184 x 3888 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.34 μm||3.34 μm|
|Pixel Density||8.96 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||200-25600 ISO||200-25600 ISO|
|ISO Boost||100-25600 ISO||100-25600 ISO|
|Image Processor||Venus 10||Venus|
|DXO Sensor Quality (score)||77||..|
|DXO Color Depth (bits)||23.9||..|
|DXO Dynamic Range (EV)||13.0||..|
|DXO Low Light (ISO)||807||..|
|Screen Specs||Panasonic GH5||Panasonic GX9|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3680k dots||2760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||1240k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic GH5||Panasonic GX9|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||12 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Panasonic GH5||Panasonic GX9|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Panasonic GH5||Panasonic GX9|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||410 shots per charge||260 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
124 x 72 x 47 mm
(4.9 x 2.8 x 1.9 in)
|Camera Weight||725 g (25.6 oz)||407 g (14.4 oz)|
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