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Panasonic G9 versus Pentax K-3 II

The Panasonic Lumix DC-G9 and the Pentax K-3 II are two enthusiast cameras that were officially introduced, respectively, in November 2017 and April 2015. The G9 is a mirrorless interchangeable lens camera, while the K-3 II is a DSLR. The cameras are based on a Four Thirds (G9) and an APS-C sensor. The Panasonic has a resolution of 20.2 megapixel, whereas the Pentax provides 24.1 MP.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic G9 and the Pentax K-3 II. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the G9 – represents the basis for the calculations across all the size and weight measures).

Panasonic G9 vs Pentax K-3 II front
G9 versus K-3 II top view
G9 and K-3 II rear side
Body view (G9 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 II is somewhat smaller (1 percent) than the Panasonic G9. However, the K-3 II is markedly heavier (22 percent) than the G9. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the G9 gets 400 shots out of its DMW-BLF19 battery, while the K-3 II can take 720 images on a single charge of its D-LI90 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G9 (⇒ rgt) 137 mm 97 mm 92 mm 658 g 400 YES 2017 1,699 latest check
Pentax K-3 II (⇒ lft) 131 mm 100 mm 77 mm 800 g 720 YES 2015 1,099 latest check
Fujifilm X-H1 (⇒ lft | rgt) 140 mm 97 mm 86 mm 673 g 310 YES 2018 1,899 latest check
Olympus E-M1 II (⇒ lft | rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Panasonic GH5s (⇒ lft | rgt) 139 mm 98 mm 87 mm 660 g 440 YES 2018 2,499 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic G85 (⇒ lft | rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199discont. check
Panasonic GH4 (⇒ lft | rgt) 133 mm 93 mm 84 mm 560 g 500 YES 2014 1,499discont. check
Pentax KP (⇒ lft | rgt) 132 mm 101 mm 76 mm 703 g 390 YES 2017 1,099 latest check
Pentax K-70 (⇒ lft | rgt) 126 mm 93 mm 74 mm 688 g 410 YES 2016 649 latest check
Pentax K-3 (⇒ lft | rgt) 131 mm 100 mm 77 mm 800 g 560 YES 2013 1,299discont. check
Sony A7 III (⇒ lft | rgt) 127 mm 96 mm 74 mm 650 g 610 YES 2018 1,999 latest check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony RX10 II (⇒ lft | rgt) 129 mm 88 mm 102 mm 813 g 400 YES 2015 1,299discont. check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The K-3 II was launched at a markedly lower price (by 35 percent) than the G9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic G9 features a Four Thirds sensor and the Pentax K-3 II an APS-C sensor. The sensor area in the K-3 II is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G9 has a native 4:3 aspect ratio, while the one in the K-3 II offers a 3:2 aspect.

Panasonic G9 and Pentax K-3 II sensor measures
Sensor size

With 24.1MP, the K-3 II offers a higher resolution than the G9 (20.2MP), but the K-3 II nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.34μm for the G9) due to its larger sensor. However, the G9 is a much more recent model (by 2 years and 6 months) than the K-3 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

G9 versus K-3 II MP
Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Panasonic G9 (⇒ rgt) Four Thirds 20.2 5184 3888 4K/60p - - - -
Pentax K-3 II (⇒ lft) APS-C 24.1 6016 4000 1080/60i 23.6 13.6 1106 80
Fujifilm X-H1 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Olympus E-M1 II (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Panasonic GH5s (⇒ lft | rgt) Four Thirds 9.9 3680 2700 4K/60p .. .. .. ..
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic G85 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Panasonic GH4 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 4K/30p 23.2 12.8 791 74
Pentax KP (⇒ lft | rgt) APS-C 24.1 6016 4000 1080/60i - - - -
Pentax K-70 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60i - - - -
Pentax K-3 (⇒ lft | rgt) APS-C 24.1 6016 4000 1080/60i 23.7 13.4 1216 80
Sony A7 III (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 25.0 14.7 3730 96
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony RX10 II (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.0 12.6 531 70
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G9 provides a higher video resolution than the K-3 II. It can shoot video footage at 4K/60p, while the Pentax is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), while the K-3 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Panasonic G9, the Pentax K-3 II, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Panasonic G9 (⇒ rgt) 3680 YES 3.0 1040 swivel YES 8000 20.0 no YES
Pentax K-3 II (⇒ lft) optical YES 3.2 1037 fixed no 8000 8.3 no YES
Fujifilm X-H1 (⇒ lft | rgt) 3690 YES 3.0 1040 full-flex YES 8000 14.0 no YES
Olympus E-M1 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Panasonic GH5s (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no no
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic G85 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Panasonic GH4 (⇒ lft | rgt) 2359 no 3.0 1036 swivel YES 8000 12.0 17 no
Pentax KP (⇒ lft | rgt) optical no 3.0 921 tilting no 6000 7.0 YES YES
Pentax K-70 (⇒ lft | rgt) optical no 3.0 921 swivel no 6000 6.0 YES YES
Pentax K-3 (⇒ lft | rgt) optical YES 3.2 1037 fixed no 8000 8.3 13 YES
Sony A7 III (⇒ lft | rgt) 2359 no 3.0 922 tilting YES 8000 10 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony RX10 II (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 3200 14.0 10.2 YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES

Both the G9 and the K-3 II are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The K-3 II replaced the earlier Pentax K-3, while the G9 followed on from the Panasonic G85.

Summary

So how do things add up? Which of the two cameras – the Panasonic G9 or the Pentax K-3 II – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.


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Reasons to prefer the Panasonic Lumix DC-G9:

  • Better video: Provides higher definition movie capture (4K/60p vs 1080/60i).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster burst: Shoots at higher frequency (20 vs 8.3 flaps/sec) to capture the decisive moment.
  • Less heavy: Is lighter (by 142g or 18 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • More modern: Reflects 2 years and 6 months of technical progress since the K-3 II launch.

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Arguments in favor of the Pentax K-3 II:

  • More detail: Has more megapixels (24.1 vs 20.2MP), which boosts linear resolution by 11%.
  • Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • Longer lasting: Gets more shots (720 versus 400) out of a single battery charge.
  • More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in April 2015).

If the number of relative strengths (bullet points above) is taken as a guide, the G9 comes out slightly ahead of the K-3 II (8 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.

G9 08:07 K-3 II

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the G9 or the K-3 II handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic G9 (⇒ rgt) HiRec 85/100 Silver 5/5 .. 5/5 2017 1,699 latest check
Pentax K-3 II (⇒ lft) - - 5/5 4.5/5 5/5 2015 1,099 latest check
Fujifilm X-H1 (⇒ lft | rgt) Rec 86/100 Silver 4.5/5 .. 4.5/5 2018 1,899 latest check
Olympus E-M1 II (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Panasonic GH5s (⇒ lft | rgt) .. 84/100 Gold 4.5/5 .. 4.5/5 2018 2,499 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic G85 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199discont. check
Panasonic GH4 (⇒ lft | rgt) HiRec 85/100 Gold 5/5 5/5 5/5 2014 1,499discont. check
Pentax KP (⇒ lft | rgt) - 82/100 Silver 5/5 - 4.5/5 2017 1,099 latest check
Pentax K-70 (⇒ lft | rgt) - 79/100 Silver 4.5/5 4/5 4.5/5 2016 649 latest check
Pentax K-3 (⇒ lft | rgt) - 83/100 Gold 5/5 4.5/5 5/5 2013 1,299discont. check
Sony A7 III (⇒ lft | rgt) HiRec 89/100 Gold 5/5 .. 5/5 2018 1,999 latest check
Sony A9 (⇒ lft | rgt) HiRec 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony RX10 II (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 4/5 2015 1,299discont. check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999discont. check

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other comparisons

In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please send me an email, and I will try to add information on that model to the database.

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