Panasonic G10 vs Pentax K-70

The Panasonic Lumix DMC-G10 and the Pentax K-70 are two digital cameras that were revealed to the public, respectively, in March 2010 and June 2016. The G10 is a mirrorless interchangeable lens camera, while the K-70 is a DSLR. The cameras are based on a Four Thirds (G10) and an APS-C (K-70) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Pentax provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G10		Pentax K-70
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Pentax K mount lenses
12 MP – Four Thirds sensor		24 MP – APS-C sensor
720/30p Video		1080/60i Video
ISO 100-6,400		ISO 100-102,400
Electronic viewfinder (202k dots)		Optical viewfinder
3.0" LCD – 460k dots		3.0" LCD – 921k dots
Fixed screen (not touch-sensitive)		Swivel screen (not touch-sensitive)
2.6 shutter flaps per second		6 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
380 shots per battery charge		410 shots per battery charge
124 x 84 x 74 mm, 388 g		126 x 93 x 74 mm, 688 g

Check G10 offers at
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Check K-70 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G10 and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic G10 and the Pentax K-70. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The K-70 can be obtained in two different colors (black, silver), while the G10 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is notably larger (13 percent) than the Panasonic G10. Moreover, the K-70 is substantially heavier (77 percent) than the G10. It is noteworthy in this context that the K-70 is splash and dust-proof, while the G10 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the G10 gets 380 shots out of its Panasonic DMW-BLB13 battery, while the K-70 can take 410 images on a single charge of its Pentax D-LI109 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
2.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	649	ebay.com
3.		Olympus E-PL1	115 mm	72 mm	42 mm	334 g	290	n	Feb 2010	599	ebay.com
4.		Olympus E-PL2	114 mm	72 mm	42 mm	362 g	280	n	Jan 2011	599	ebay.com
5.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
6.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
7.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
8.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	749	ebay.com
9.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
10.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
11.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
12.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
13.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
14.		Pentax K-3 III	135 mm	104 mm	74 mm	820 g	800	Y	Mar 2021	1,999	amazon.com
15.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
16.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	1,099	ebay.com
17.		Pentax K-S2	123 mm	91 mm	73 mm	678 g	410	Y	Feb 2015	749	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G10 was launched at a somewhat lower price (by 23 percent) than the K-70, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G10 features a Four Thirds sensor and the Pentax K-70 an APS-C sensor. The sensor area in the K-70 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the G10 has a native 4:3 aspect ratio, while the one in the K-70 offers a 3:2 aspect.

With 24MP, the K-70 offers a higher resolution than the G10 (12MP), but the K-70 has smaller individual pixels (pixel pitch of 3.91μm versus 4.33μm for the G10). Yet, the K-70 is a much more recent model (by 6 years and 3 months) than the G10, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-70 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G10 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The K-70 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the G10, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-G10 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
2.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
3.		Olympus E-PL1	Four Thirds	12.2	4032	3024	720/30p	21.5	10.1	487	54
4.		Olympus E-PL2	Four Thirds	12.2	4032	3024	720/30p	21.4	10.2	573	55
5.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
6.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
7.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
8.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
9.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
10.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
11.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
12.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
13.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
14.		Pentax K-3 III	APS-C	25.6	6192	4128	4K/30p	24.2	13.7	2083	85
15.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
16.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
17.		Pentax K-S2	APS-C	20.0	5472	3648	1080/30p	23.6	12.9	1514	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the K-70 provides a better video resolution than the G10. It can shoot movie footage at 1080/60i, while the Panasonic is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the G10 has an electronic viewfinder (202k dots), while the K-70 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-70 has a higher magnification than the one of the G10 (0.63x vs 0.52x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic G10 and Pentax K-70 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
2.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
3.		Olympus E-PL1	optional	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	Y
4.		Olympus E-PL2	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	Y
5.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
6.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
7.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
8.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
9.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
10.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
11.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
12.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
13.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
14.		Pentax K-3 III	optical	Y	3.2 / 1620	fixed	Y	1/8000s	12.0/s	n	Y
15.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
16.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
17.		Pentax K-S2	optical	n	3.0 / 921	swivel	n	1/6000s	5.4/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the K-70 and the G10 is in-body image stabilization (IBIS). The K-70 reduces the risk of handshake-induced blur with all attached lenses, while the G10 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The Pentax K-70 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the G10 and the K-70 write their files to SDXC cards. The K-70 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the G10 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G10 and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
2.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Olympus E-PL1	Y	stereo / -	-	-	mini	2.0	-	-	-
4.		Olympus E-PL2	Y	stereo / -	-	-	mini	2.0	-	-	-
5.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
6.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
13.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
14.		Pentax K-3 III	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-
16.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
17.		Pentax K-S2	Y	mono / mono	Y	-	micro	2.0	Y	Y	-

It is notable that the K-70 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G10 does not provide wifi capability.

Both the G10 and the K-70 have been discontinued, but can regularly be found used on ebay. The G10 was replaced by the Panasonic G3, while the K-70 does not have a direct successor. Further information on the features and operation of the G10 and K-70 can be found, respectively, in the Panasonic G10 Manual (free pdf) or the online Pentax K-70 Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic G10 better than the Pentax K-70 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DMC-G10:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More compact: Is smaller (124x84mm vs 126x93mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 300g or 44 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• More affordable: Was introduced into a lower priced segment (23 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in March 2010).

Arguments in favor of the Pentax K-70:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.52x).
• More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (6 vs 2.6 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 6 years and 3 months of technical progress since the G10 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the K-70 is the clear winner of the contest (23 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G10 and the Pentax K-70 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G10 or the K-70 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
2.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	649	ebay.com
3.		Olympus E-PL1	..	86/100	..	69/100	4/5	4.5/5	Feb 2010	599	ebay.com
4.		Olympus E-PL2	3/5	83/100	..	71/100	4.5/5	4.5/5	Jan 2011	599	ebay.com
5.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
6.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
7.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
8.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	749	ebay.com
9.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
10.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
11.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
12.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
13.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
14.		Pentax K-3 III	4/5	..	3/5	..	4.5/5	..	Mar 2021	1,999	amazon.com
15.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
16.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	1,099	ebay.com
17.		Pentax K-S2	4.5/5	..	..	..	5/5	4.5/5	Feb 2015	749	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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