Panasonic G1 vs S1
The Panasonic Lumix DMC-G1 and the Panasonic Lumix DC-S1 are two digital cameras that were officially introduced, respectively, in September 2008 and February 2019. Both the G1 and the S1 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G1) and a full frame (S1) sensor. The G1 has a resolution of 12 megapixels, whereas the S1 provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic G1||Panasonic S1|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Leica L mount lenses|
|12 MP, Four Thirds Sensor||24 MP, Full Frame Sensor|
|no Video||4K/60p Video|
|ISO 100-1600 (100-3200)||ISO 100-51200 (50-204800)|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (5760k dots)|
|3.0" LCD, 460k dots||3.2" LCD, 2100k dots|
|Swivel screen (not touch-sensitive)||Fully flexible touchscreen|
|3 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|410 shots per battery charge||400 shots per battery charge|
|124 x 84 x 45 mm, 360 g||149 x 110 x 97 mm, 1017 g|
Body comparison: Panasonic G1 vs S1
An illustration of the physical size and weight of the Panasonic G1 and the Panasonic S1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is considerably larger (57 percent) than the Panasonic G1. Moreover, the S1 is substantially heavier (183 percent) than the G1. It is noteworthy in this context that the S1 is splash and dust-proof, while the G1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the S1 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic G1»||4.9 in||3.3 in||1.8 in||12.7 oz||410||n||Sep 2008||599||-||Panasonic G1|
|Panasonic S1«||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499||Panasonic S1|
|Nikon Z7« »||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299||Nikon D850|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||-||Olympus E-410|
|Panasonic S1R« »||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic GF5« »||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Panasonic GF2« »||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549||-||Panasonic GF2|
|Panasonic GF1« »||4.7 in||2.8 in||1.4 in||13.6 oz||380||n||Sep 2009||749||-||Panasonic GF1|
|Panasonic GH1« »||4.9 in||3.5 in||1.8 in||13.6 oz||300||n||Mar 2009||1,499||-||Panasonic GH1|
|Panasonic L10« »||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599||-||Panasonic L10|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G1 was launched at a markedly lower price (by 76 percent) than the S1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic G1 vs S1
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic G1 features a Four Thirds sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G1 has a native 4:3 aspect ratio, while the one in the S1 offers a 3:2 aspect.
With 24MP, the S1 offers a higher resolution than the G1 (12MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.33μm for the G1) due to its larger sensor. Moreover, the S1 is a much more recent model (by 10 years and 4 months) than the G1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the G1, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DMC-G1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic G1»||Four Thirds||12.0||4000||3000||-||21.1||10.3||463||53||Panasonic G1|
|Panasonic S1«||Full Frame||24.0||6000||4000||4K/60p||-||-||-||-||Panasonic S1|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||-||-||-||-||Nikon Z7|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||-||-||-||-||Panasonic S1R|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GF5« »||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GF2« »||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Panasonic GF1« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54||Panasonic GF1|
|Panasonic GH1« »||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
|Panasonic L10« »||Four Thirds||10.0||3648||2736||-||21.3||10.8||429||55||Panasonic L10|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The S1 indeed provides for movie recording, while the G1 does not. The highest resolution format that the S1 can use is 4K/60p.
Feature comparison: Panasonic G1 vs S1
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1 offers a substantially higher resolution than the one in the G1 (5760k vs 1440k dots). The adjacent table lists some of the other core features of the Panasonic G1 and Panasonic S1 along with similar information for a selection of comparators.
|Panasonic G1»||1440||n||3.0||460||swivel||n||4001||3.0||Y||n||Panasonic G1|
|Panasonic S1«||5760||Y||3.2||2100||full-flex||Y||8000||9.0||n||Y||Panasonic S1|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||8000||9.0||n||Y||Nikon Z7|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||8000||9.0||n||n||Nikon D850|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||4000||3.0||Y||n||Olympus E-410|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||8000||9.0||n||Y||Panasonic S1R|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||4000||4.2||Y||n||Panasonic GF6|
|Panasonic GF5« »||-||n||3.0||920||fixed||Y||4000||4.0||Y||n||Panasonic GF5|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||4000||3.2||Y||n||Panasonic GF3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||4000||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||4000||2.6||Y||n||Panasonic G2|
|Panasonic GF2« »||-||n||3.0||460||fixed||Y||4000||2.6||Y||n||Panasonic GF2|
|Panasonic GF1« »||-||n||3.0||460||fixed||n||4000||3.0||Y||n||Panasonic GF1|
|Panasonic GH1« »||1440||n||3.0||460||swivel||n||4000||3.0||Y||n||Panasonic GH1|
|Panasonic L10« »||optical||n||2.5||207||swivel||n||4000||3.0||Y||n||Panasonic L10|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||8000||12.0||n||Y||Sony A99 II|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
One difference between the cameras concerns the presence of an on-board flash. The G1 has one, while the S1 does not. While the built-in flash of the G1 is not very powerful, it can at times be useful as a fill-in light.The G1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the S1 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the S1 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The G1 writes its imaging data to SDHC cards, while the S1 uses SDHC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G1 only has one slot.
Connectivity comparison: Panasonic G1 vs S1
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G1 and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic G1»||Y||-||-||-||-||mini||2.0||-||-||-||Panasonic G1|
|Panasonic S1«||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GF5« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GF2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Panasonic GF1« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic GF1|
|Panasonic GH1« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Panasonic GH1|
|Panasonic L10« »||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L10|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
It is notable that the S1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1 does not offer wifi capability.
Studio photographers will appreciate that the Panasonic S1 (unlike the G1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the G1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G1 was succeeded by the Panasonic G2.
Review summary: Panasonic G1 vs S1
So what conclusions can be drawn? Is there a clear favorite between the Panasonic G1 and the Panasonic S1? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-G1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (124x84mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 657g or 65 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (76 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2008).
Arguments in favor of the Panasonic Lumix DC-S1:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: Larger sensor generates images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Broader imaging potential: Can capture not only stills but also 4K/60p video.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 1440k dots).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4001/sec) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 10 years and 4 months of technical progress since the G1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S1 is the clear winner of the contest (24 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G1 or the S1 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic G1 vs S1
This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic G1»||HiRec||70/100||4/5||4.5/5||4.5/5||Sep 2008||599||-||Panasonic G1|
|Panasonic S1«||-||-||-||-||-||Feb 2019||2,499||Panasonic S1|
|Nikon Z7« »||Rec||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Nikon D850« »||HiRec||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Olympus E-410« »||86/100||HiRec||4/5||rev||4.5/5||Mar 2007||699||-||Olympus E-410|
|Panasonic S1R« »||-||-||-||-||-||Feb 2019||3,699||Panasonic S1R|
|Panasonic GF6« »||HiRec||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic GF5« »||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Panasonic GF2« »||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549||-||Panasonic GF2|
|Panasonic GF1« »||85/100||69/100||4.5/5||4.5/5||4.5/5||Sep 2009||749||-||Panasonic GF1|
|Panasonic GH1« »||HiRec||72/100||4.5/5||5/5||4.5/5||Mar 2009||1,499||-||Panasonic GH1|
|Panasonic L10« »||85/100||Rec||3.5/5||rev||4/5||Aug 2007||599||-||Panasonic L10|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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Specifications: Panasonic G1 vs Panasonic S1
|Camera Model||Panasonic G1||Panasonic S1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Leica L mount lenses|
|Launch Date||September 2008||February 2019|
|Launch Price||USD 599||USD 2499|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 13.0 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4000 x 3000 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.33 μm||5.94 μm|
|Pixel Density||5.34 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/60p Video|
|ISO Setting||100-1600 ISO||100-51200 ISO|
|ISO Boost||100-3200 ISO||50-204800 ISO|
|Image Processor||Venus HD||Venus|
|DXO Sensor Quality (score)||53||..|
|DXO Color Depth (bits)||21.1||..|
|DXO Dynamic Range (EV)||10.3||..|
|DXO Low Light (ISO)||463||..|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||460k dots||2100k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/4001s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||9 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||DMW-BLB13 power pack||DMW-BLJ31 power pack|
|Battery Life (CIPA)||410 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
124 x 84 x 45 mm
(4.9 x 3.3 x 1.8 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||360 g (12.7 oz)||1017 g (35.9 oz)|
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