Panasonic FZ300 vs Sony RX1

The Panasonic Lumix DMC-FZ300 (called Panasonic FZ330 in some regions) and the Sony Cyber-shot DSC-RX1 are two digital cameras that were revealed to the public, respectively, in July 2015 and September 2012. Both the FZ300 and the RX1 are fixed lens compact cameras that are based on a 1/2.3-inch (FZ300) and a full frame (RX1) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ300		Sony RX1
Fixed lens compact camera		Fixed lens compact camera
25-600mm f/2.8		35mm f/2.0
12 MP – 1/2.3" sensor		24 MP – Full Frame sensor
4K/30p Video		1080/60p Video
ISO 100-6,400		ISO 100-25,600 (50 - 102,400)
Electronic viewfinder (1440k dots)		Viewfinder optional
3.0" LCD – 1040k dots		3.0" LCD – 1229k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
12 shutter flaps per second		5 shutter flaps per second
Weathersealed body		not weather sealed
380 shots per battery charge		270 shots per battery charge
132 x 92 x 117 mm, 691 g		113 x 65 x 70 mm, 482 g

Check FZ300 price at
amazon.com
Check RX1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ300 and the Sony Cyber-shot DSC-RX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic FZ300 and the Sony RX1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1 is considerably smaller (40 percent) than the Panasonic FZ300. Moreover, the RX1 is markedly lighter (30 percent) than the FZ300. It is worth mentioning in this context that the FZ300 is splash and dust resistant, while the RX1 does not feature any corresponding weather-sealing.

Concerning battery life, the FZ300 gets 380 shots out of its Panasonic DMW-BLC12 battery, while the RX1 can take 270 images on a single charge of its Sony NP-BX1 power pack. The power pack in the RX1 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ300	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	599	amazon.com
2.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	2,799	ebay.com
3.		Canon G3 X	123 mm	77 mm	105 mm	733 g	300	Y	Jun 2015	999	ebay.com
4.		Canon SX1	128 mm	88 mm	88 mm	615 g	..	n	Sep 2008	599	ebay.com
5.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
6.		Fujifilm X30	119 mm	72 mm	60 mm	423 g	470	n	Aug 2014	599	ebay.com
7.		Kodak AZ901	139 mm	104 mm	119 mm	777 g	400	n	Jan 2016	499	amazon.com
8.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	799	ebay.com
9.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	499	ebay.com
10.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
11.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
12.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
13.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
14.		Sony HX400V	130 mm	93 mm	103 mm	660 g	300	n	Feb 2014	499	ebay.com
15.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
16.		Sony RX1R	113 mm	65 mm	70 mm	482 g	270	n	Jun 2013	2,799	ebay.com
17.		Sony RX1R II	113 mm	65 mm	72 mm	507 g	220	n	Oct 2015	3,299	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ300 was launched at a markedly lower price (by 79 percent) than the RX1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic FZ300 features a 1/2.3-inch sensor and the Sony RX1 a full frame sensor. The sensor area in the RX1 is 2943 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the FZ300 has a native 4:3 aspect ratio, while the one in the RX1 offers a 3:2 aspect.

With 24MP, the RX1 offers a higher resolution than the FZ300 (12MP), but the RX1 nevertheless has larger individual pixels (pixel pitch of 5.96μm versus 1.53μm for the FZ300) due to its larger sensor. However, the FZ300 is a much more recent model (by 2 years and 10 months) than the RX1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony RX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ300 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-FZ300 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the FZ300 is build around a BSI-CMOS sensor, while the RX1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX1 offers substantially better image quality than the FZ300 (overall score 55 points higher). The advantage is based on 5.8 bits higher color depth, 3.3 EV in additional dynamic range, and 4.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ300	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
2.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93
3.		Canon G3 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	521	63
4.		Canon SX1	1/2.3	10.0	3648	2736	1080/30p	19.0	10.3	144	35
5.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
6.		Fujifilm X30	2/3	12.0	4000	3000	1080/60p	20.4	11.2	-312	49
7.		Kodak AZ901	1/2.3	20.2	5184	3888	1080/30p	20.3	11.7	806	48
8.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
9.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
10.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
11.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
12.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
13.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
14.		Sony HX400V	1/2.3	20.2	5184	3888	1080/60p	20.1	11.4	629	45
15.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
16.		Sony RX1R	Full Frame	24.0	6000	4000	1080/60p	25.0	13.6	2537	91
17.		Sony RX1R II	Full Frame	42.2	7952	5304	1080/60p	25.8	13.9	3204	97
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ300 provides a higher video resolution than the RX1. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ300 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX1 relies on live view and the rear LCD for framing. That said, the RX1 can be equipped with an optional viewfinder – the FDA-EV1MK. The adjacent table lists some of the other core features of the Panasonic FZ300 and Sony RX1 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ300	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
2.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
3.		Canon G3 X	optional	n	3.2 / 1620	tilting	Y	1/2000s	5.9/s	Y	Y
4.		Canon SX1	202	n	2.8 / 230	swivel	n	1/3200s	4.0/s	Y	Y
5.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
6.		Fujifilm X30	2360	n	3.0 / 920	tilting	n	1/4000s	12.0/s	Y	Y
7.		Kodak AZ901	202	n	3.0 / 920	swivel	n	1/2000s	5.0/s	Y	Y
8.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
9.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
10.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
11.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
12.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
13.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
14.		Sony HX400V	210	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	Y
15.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
16.		Sony RX1R	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
17.		Sony RX1R II	2360	n	3.0 / 1229	tilting	n	1/4000s	5.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ300 has a touchscreen, while the RX1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The FZ300 is equipped with a zoom lens, while the RX1 comes with a built-in prime. The FZ300 has a 25-600mm f/2.8-2.8 optic and the RX1 offers a 35mm f/2.0 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Sony. The RX1 offers the faster maximum aperture.

The FZ300 writes its imaging data to SDXC cards, while the RX1 uses SDXC or Memory Stick PRO Duo cards. The FZ300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the RX1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ300 and Sony Cyber-shot DSC-RX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
2.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Canon G3 X	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
4.		Canon SX1	Y	stereo / mono	-	-	YES	2.0	-	-	-
5.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
6.		Fujifilm X30	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Kodak AZ901	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
9.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
13.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Sony HX400V	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Sony RX1R	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony RX1R II	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-

It is notable that the FZ300 offers wifi support, while the RX1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the RX1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the RX1 was succeeded by the Sony RX1R. Further information on the features and operation of the FZ300 and RX1 can be found, respectively, in the Panasonic FZ300 Manual (free pdf) or the online Sony RX1 Manual.

Review summary

So what conclusions can be drawn? Is the Panasonic FZ300 better than the Sony RX1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DMC-FZ300:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
• Longer lasting: Can take more shots (380 versus 270) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
• More modern: Reflects 2 years and 10 months of technical progress since the RX1 launch.

Arguments in favor of the Sony Cyber-shot DSC-RX1:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores substantially higher (55 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (5.8 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (3.3 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (4.7 stops ISO advantage).
• More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
• Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
• More compact: Is smaller (113x65mm vs 132x92mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 209g or 30 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• More heavily discounted: Has been around for much longer (launched in September 2012).

If the count of individual advantages (bullet points above) is taken as a guide, the FZ300 is the clear winner of the match-up (17 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ300 and the Sony RX1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the FZ300 or the RX1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ300	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	599	amazon.com
2.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	2,799	ebay.com
3.		Canon G3 X	3.5/5	+	..	..	4.5/5	4/5	Jun 2015	999	ebay.com
4.		Canon SX1	..	+ +	..	+	..	3.5/5	Sep 2008	599	ebay.com
5.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
6.		Fujifilm X30	4/5	..	..	76/100	4.5/5	4.5/5	Aug 2014	599	ebay.com
7.		Kodak AZ901	..	..	..	..	3.5/5	3/5	Jan 2016	499	amazon.com
8.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	799	ebay.com
9.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	499	ebay.com
10.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
11.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
12.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
13.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
14.		Sony HX400V	4/5	+ +	..	..	4/5	4/5	Feb 2014	499	ebay.com
15.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
16.		Sony RX1R	5/5	..	..	..	4/5	4.5/5	Jun 2013	2,799	ebay.com
17.		Sony RX1R II	5/5	..	..	82/100	..	4.5/5	Oct 2015	3,299	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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