Canon SX60 vs Panasonic FZ300
The Canon PowerShot SX60 HS and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were officially introduced, respectively, in September 2014 and July 2015. Both the SX60 and the FZ300 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Canon has a resolution of 14.2 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX60||Panasonic FZ300|
|Fixed lens compact camera||Fixed lens compact camera|
|21-1365mm f/3.4-6.5||25-600mm f/2.8|
|14.2 MP, 1/2.3" Sensor||12 MP, 1/2.3" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-3200 (100-6400)||ISO 100-6400|
|Electronic viewfinder (922k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1040k dots|
|Swivel screen (not touch-sensitive)||Swivel touchscreen|
|6.4 shutter flaps per second||12 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|340 shots per battery charge||380 shots per battery charge|
|128 x 93 x 114 mm, 650 g||132 x 92 x 117 mm, 691 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX60 HS and the Panasonic Lumix DMC-FZ300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX60 and the Panasonic FZ300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is somewhat larger (2 percent) than the Canon SX60. Moreover, the FZ300 is markedly heavier (6 percent) than the SX60. It is noteworthy in this context that the FZ300 is splash and dust-proof, while the SX60 does not feature any corresponding weather-sealing.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SX60»||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Panasonic FZ300«||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ300|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||Canon G15|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||Canon SX50|
|Nikon P900« »||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599||Nikon P900|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic FZ100« »||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499||Panasonic FZ100|
|Sony HX400V« »||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX60 was somewhat cheaper (by 8 percent) than the FZ300 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the SX60 offers a higher resolution of 14.2 megapixels, compared with 12 MP of the FZ300. This megapixels advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the SX60 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.40μm versus 1.53μm for the FZ300). Moreover, it should be noted that the FZ300 is a somewhat more recent model (by 9 months) than the SX60, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Canon SX60 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX60 for good quality output (200 dots per inch) amounts to 23 x 15.4 inch or 58.5 x 39 cm, for very good quality (250 dpi) 18.4 x 12.3 inch or 46.8 x 31.2 cm, and for excellent quality (300 dpi) 15.4 x 10.2 inch or 39 x 26 cm. The corresponding values for the Panasonic FZ300 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot SX60 HS has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Panasonic FZ300||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ300|
|Canon SX70||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX70|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX50||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Nikon P900||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Nikon P900|
|Panasonic FZ200||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic FZ100||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Panasonic FZ100|
|Sony HX400V||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Sony HX400V|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ300 provides a better video resolution than the SX60. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the FZ300 offers a substantially higher resolution than the one in the SX60 (1440k vs 922k dots). The table below summarizes some of the other core capabilities of the Canon SX60 and Panasonic FZ300 in connection with corresponding information for a sample of similar cameras.
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Panasonic FZ300||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ300|
|Canon SX70||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX50||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Nikon P900||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Panasonic FZ200||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic FZ100||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Sony HX400V||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ300 has a touchscreen, while the SX60 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the SX60 and the FZ300 have zoom lenses built in. The SX60 has a 21-1365mm f/3.4-6.5 optic and the FZ300 offers a 25-600mm f/2.8-2.8 (focal lengths in full frame equivalent terms). Hence, the Canon provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Panasonic. The FZ300 offers the faster maximum aperture.
Concerning the storage of imaging data, both the SX60 and the FZ300 write their files to SDXC cards. The FZ300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX60 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX60 HS and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Panasonic FZ300||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ300|
|Canon SX70||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX50||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Nikon P900||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Panasonic FZ200||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic FZ100||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Sony HX400V||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the SX60 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX60 was succeeded by the Canon SX70. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is the Canon SX60 better than the Panasonic FZ300 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot SX60 HS:
- More detail: Offers more megapixels (14.2 vs 12MP) with a 11% higher linear resolution.
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in September 2014).
Advantages of the Panasonic Lumix DMC-FZ300:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 922k dots).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 6.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.4).
- Longer lasting: Gets more shots (380 versus 340) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (9 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ300 is the clear winner of the contest (13 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX60 and the Panasonic FZ300 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SX60 or the FZ300 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G9 X Mark II vs Panasonic FZ300
- Canon SX60 vs Canon T7
- Canon SX60 vs Fujifilm X-A3
- Canon SX60 vs Olympus E-PL8
- Canon SX60 vs Panasonic TZ100
- Leica M10-P vs Panasonic FZ300
- Leica X1 vs Panasonic FZ300
- Nikon 1 V2 vs Panasonic FZ300
- Nikon D3 vs Panasonic FZ300
- Nikon P1000 vs Panasonic FZ300
- Nikon P900 vs Panasonic FZ300
- Nikon W300 vs Panasonic FZ300
Specifications: Canon SX60 vs Panasonic FZ300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX60||Panasonic FZ300|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||21-1365mm f/3.4-6.5||25-600mm f/2.8|
|Launch Date||September 2014||July 2015|
|Launch Price||USD 549||USD 599|
|Sensor Specs||Canon SX60||Panasonic FZ300|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||14.2 Megapixels||12 Megapixels|
|Image Resolution||4608 x 3072 pixels||4000 x 3000 pixels|
|Pixel Pitch||1.40 μm||1.53 μm|
|Pixel Density||50.42 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-3200 ISO||100-6400 ISO|
|ISO Boost||100-6400 ISO||no Enhancement|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||39||38|
|DXO Color Depth (bits)||19.2||19.3|
|DXO Dynamic Range (EV)||10.8||11.0|
|DXO Low Light (ISO)||127||97|
|Screen Specs||Canon SX60||Panasonic FZ300|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||922k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX60||Panasonic FZ300|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||6.4 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX60||Panasonic FZ300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX60||Panasonic FZ300|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||340 shots per charge||380 shots per charge|
128 x 93 x 114 mm
(5.0 x 3.7 x 4.5 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||650 g (22.9 oz)||691 g (24.4 oz)|
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