Panasonic FZ2000 vs Sony A3000
The Panasonic Lumix DMC-FZ2000 (called Panasonic FZ2500 in some regions) and the Sony Alpha A3000 are two digital cameras that were revealed to the public, respectively, in September 2016 and August 2013. The FZ2000 is a fixed lens compact, while the A3000 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (FZ2000) and an APS-C (A3000) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic FZ2000||Sony A3000|
|Fixed lens compact camera||Mirrorless system camera|
|24-480mm f/2.8-4.5||Sony E mount lenses|
|20 MP, 1" Sensor||19.8 MP, APS-C Sensor|
|4K/30p Video||1080/60i Video|
|ISO 125-12800 (80-25600)||ISO 100-16000|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (202k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 230k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|12 shutter flaps per second||2.5 shutter flaps per second|
|350 shots per battery charge||470 shots per battery charge|
|138 x 102 x 135 mm, 915 g||128 x 91 x 85 mm, 411 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ2000 and the Sony Alpha A3000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic FZ2000 and the Sony A3000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A3000 is notably smaller (17 percent) than the Panasonic FZ2000. In this context, it is worth noting that neither the FZ2000 nor the A3000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2000 has a lens built in, whereas the A3000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A3000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the FZ2000 gets 350 shots out of its DMW-BLC12 battery, while the A3000 can take 470 images on a single charge of its NP-FW50 power pack. The power pack in the A3000 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic FZ2000»||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2000|
|Sony A3000«||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||Sony A3000|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Kodak AZ901« »||5.5 in||4.1 in||4.7 in||27.4 oz||400||n||Jan 2016||499||Kodak AZ901|
|Leica V-LUX Typ 114« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Sep 2014||1,349||Leica V-LUX Typ 114|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic TZ90|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||Panasonic FZ1000|
|Sony A6400« »||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899||Sony A6400|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||Sony RX10 II|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||Sony RX100 IV|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||Sony A6000|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||Sony RX1R|
|Sony NEX-6« »||4.7 in||2.6 in||1.7 in||12.2 oz||360||n||Sep 2012||999||Sony NEX-6|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ2000 features an one-inch sensor and the Sony A3000 an APS-C sensor. The sensor area in the A3000 is 208 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Panasonic FZ2000 offers a higher resolution of 20 megapixels, compared with 19.8 MP of the Sony A3000. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.25μm for the A3000). However, it should be noted that the FZ2000 is much more recent (by 3 years) than the A3000, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Panasonic Lumix DMC-FZ2000 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A3000 are ISO 100 to ISO 16000 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic FZ2000||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ2000|
|Sony A3000||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Fujifilm X100F||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X100F|
|Kodak AZ901||1/2.3||20.2||5184||3888||1080/30p||..||..||..||..||Kodak AZ901|
|Leica V-LUX Typ 114||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica V-LUX Typ 114|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ1000 II|
|Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..||Panasonic LX100 II|
|Panasonic TZ90||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony A6400||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony NEX-6||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony NEX-7||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ2000 provides a higher video resolution than the A3000. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ2000 offers a substantially higher resolution than the one in the A3000 (2360k vs 202k dots). The adjacent table lists some of the other core features of the Panasonic FZ2000 and Sony A3000 along with similar information for a selection of comparators.
|Panasonic FZ2000||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2000|
|Sony A3000||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Fujifilm X100F||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Kodak AZ901||202||n||3.0||920||swivel||n||1/2000s||5.0||Y||Y||Kodak AZ901|
|Leica V-LUX Typ 114||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX Typ 114|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic TZ90||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony A6400||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony RX1R||optional||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1R|
|Sony NEX-6||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony NEX-7||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2000 has a touchscreen, while the A3000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ2000 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A3000 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The FZ2000 writes its imaging data to SDXC cards, while the A3000 uses SDXC or Memory Stick PRO Duo cards. The FZ2000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the A3000 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ2000 and Sony Alpha A3000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic FZ2000||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2000|
|Sony A3000||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Fujifilm X100F||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Kodak AZ901||-||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak AZ901|
|Leica V-LUX Typ 114||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Leica V-LUX Typ 114|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic TZ90||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony A6400||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony RX1R||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony NEX-6||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony NEX-7||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
It is notable that the FZ2000 has a microphone port, which is missing on the A3000. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The FZ2000 is a recent model that features in the current product line-up of Panasonic. In contrast, the A3000 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the A3000 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Which of the two cameras – the Panasonic FZ2000 or the Sony A3000 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-FZ2000:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 202k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.47x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A3000 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years of technical progress since the A3000 launch.
Arguments in favor of the Sony Alpha A3000:
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (128x91mm vs 138x102mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (470 versus 350) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the FZ2000 is the clear winner of the match-up (17 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ2000 and the Sony A3000 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the FZ2000 and the A3000 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark IV vs Sony A3000
- Canon 7D II vs Panasonic FZ2000
- Canon G3 X vs Sony A3000
- Nikon D800E vs Panasonic FZ2000
- Olympus E-M5 II vs Panasonic FZ2000
- Olympus E-PL3 vs Sony A3000
- Olympus TG-6 vs Sony A3000
- Panasonic FZ2000 vs Sony NEX-6
- Panasonic GH1 vs Sony A3000
- Panasonic S1H vs Sony A3000
- Pentax K-1 II vs Sony A3000
- Sony A3000 vs Sony NEX-5T
Specifications: Panasonic FZ2000 vs Sony A3000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ2000||Sony A3000|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-480mm f/2.8-4.5||Sony E mount lenses|
|Launch Date||September 2016||August 2013|
|Launch Price||USD 1199||USD 329|
|Sensor Specs||Panasonic FZ2000||Sony A3000|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.2 x 15.4 mm|
|Sensor Area||116.16 mm2||357.28 mm2|
|Sensor Diagonal||15.9 mm||27.8 mm|
|Sensor Resolution||20 Megapixels||19.8 Megapixels|
|Image Resolution||5472 x 3648 pixels||5456 x 3632 pixels|
|Pixel Pitch||2.41 μm||4.25 μm|
|Pixel Density||17.18 MP/cm2||5.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||125-12800 ISO||100-16000 ISO|
|ISO Boost||80-25600 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||78|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||12.8|
|DXO Low Light (ISO)||..||1068|
|Screen Specs||Panasonic FZ2000||Sony A3000|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||230k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic FZ2000||Sony A3000|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||12 shutter flaps/s||2.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic FZ2000||Sony A3000|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic FZ2000||Sony A3000|
|Battery Life (CIPA)||350 shots per charge||470 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
128 x 91 x 85 mm
(5.0 x 3.6 x 3.3 in)
|Camera Weight||915 g (32.3 oz)||411 g (14.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.