Panasonic FZ150 vs Sony A68
The Panasonic Lumix DMC-FZ150 and the Sony Alpha SLT-A68 are two digital cameras that were announced, respectively, in August 2011 and November 2015. The FZ150 is a fixed lens compact, while the A68 is a DSLR. The cameras are based on a 1/2.3-inch (FZ150) and an APS-C (A68) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ150 and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic FZ150 and the Sony A68 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is considerably larger (46 percent) than the Panasonic FZ150. In this context, it is worth noting that neither the FZ150 nor the A68 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ150 has a lens built in, whereas the A68 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the FZ150 gets 410 shots out of its Panasonic DMW-BMB9 battery, while the A68 can take 540 images on a single charge of its Sony NP-FM500H power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
2. | Sony A68 | 143 mm | 104 mm | 81 mm | 610 g | 540 | n | Nov 2015 | 699 | ebay.com | |
3. | Canon SX30 | 123 mm | 92 mm | 108 mm | 601 g | 370 | n | Sep 2010 | 429 | ebay.com | |
4. | Canon SX40 | 123 mm | 92 mm | 108 mm | 600 g | 380 | n | Sep 2011 | 429 | ebay.com | |
5. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
6. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
7. | Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | 949 | ebay.com | |
8. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | 499 | ebay.com | |
9. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
10. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
11. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
12. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
13. | Pentax K-S1 | 121 mm | 93 mm | 70 mm | 558 g | 410 | n | Aug 2014 | 749 | ebay.com | |
14. | Sony A58 | 129 mm | 95 mm | 78 mm | 492 g | 690 | n | Feb 2013 | 599 | ebay.com | |
15. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | 1,399 | ebay.com | |
16. | Sony A77 II | 143 mm | 104 mm | 81 mm | 647 g | 480 | Y | May 2014 | 1,199 | ebay.com | |
17. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ150 was launched at a lower price than the A68, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ150 features a 1/2.3-inch sensor and the Sony A68 an APS-C sensor. The sensor area in the A68 is 1211 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the FZ150 has a native 4:3 aspect ratio, while the one in the A68 offers a 3:2 aspect.
With 24MP, the A68 offers a higher resolution than the FZ150 (12MP), but the A68 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.53μm for the FZ150) due to its larger sensor. Moreover, the A68 is a much more recent model (by 4 years and 2 months) than the FZ150, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ150 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ150 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A68 offers substantially better image quality than the FZ150 (overall score 39 points higher). The advantage is based on 4.7 bits higher color depth, 2.6 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
2. | Sony A68 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.5 | 701 | 79 | |
3. | Canon SX30 | 1/2.3 | 14.0 | 4320 | 3240 | 720/30p | 19.4 | 10.7 | 320 | 39 | |
4. | Canon SX40 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 19.6 | 10.9 | 409 | 41 | |
5. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
6. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
7. | Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.8 | 11.1 | 501 | 43 | |
8. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
9. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
10. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
11. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
12. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
13. | Pentax K-S1 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.5 | 13.0 | 1061 | 78 | |
14. | Sony A58 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.3 | 12.5 | 753 | 74 | |
15. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
16. | Sony A77 II | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.4 | 13.4 | 1013 | 82 | |
17. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ150 provides a higher frame rate than the A68. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A68 offers a substantially higher resolution than the one in the FZ150 (1440k vs 202k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ150, the Sony A68, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
2. | Sony A68 | 1440 | Y | 2.7 / 460 | tilting | n | 1/4000s | 8.0/s | Y | Y | |
3. | Canon SX30 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 0.6/s | Y | Y | |
4. | Canon SX40 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 10.3/s | Y | Y | |
5. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
6. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
7. | Leica V-LUX 4 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
8. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
9. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
10. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
11. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
12. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
13. | Pentax K-S1 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 5.4/s | Y | Y | |
14. | Sony A58 | 1440 | n | 2.7 / 460 | tilting | n | 1/4000s | 5.0/s | Y | Y | |
15. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
16. | Sony A77 II | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
17. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the A68, but is missing on the FZ150 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The FZ150 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A68 does not have a selfie-screen.The FZ150 writes its imaging data to SDXC cards, while the A68 uses SDXC or Memory Stick PRO Duo cards. The A68 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the FZ150 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ150 and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
2. | Sony A68 | Y | stereo / mono | Y | - | micro | 2.0 | - | - | - | |
3. | Canon SX30 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
4. | Canon SX40 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
5. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
7. | Leica V-LUX 4 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
10. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
13. | Pentax K-S1 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
14. | Sony A58 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
15. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
16. | Sony A77 II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
17. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the A68 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The FZ150 does not feature such a mic input.
Both the FZ150 and the A68 have been discontinued, but can regularly be found used on ebay. The FZ150 was replaced by the Panasonic FZ200, while the A68 does not have a direct successor. Further information on the features and operation of the FZ150 and A68 can be found, respectively, in the Panasonic FZ150 Manual (free pdf) or the online Sony A68 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Panasonic FZ150 and the Sony A68? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-FZ150:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a built-in lens, while the A68 requires a separate lens.
- More compact: Is smaller (124x82mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A68).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in August 2011).
Arguments in favor of the Sony Alpha SLT-A68:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (39 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.4 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 202k dots).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (540 versus 410) out of a single battery charge.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 2 months of technical progress since the FZ150 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A68 emerges as the winner of the match-up (14 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ150 and the Sony A68 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the FZ150 and the A68 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
2. | Sony A68 | 3/5 | .. | .. | .. | 4/5 | 4/5 | Nov 2015 | 699 | ebay.com | |
3. | Canon SX30 | 3/5 | + + | .. | .. | 3.5/5 | 4/5 | Sep 2010 | 429 | ebay.com | |
4. | Canon SX40 | .. | + | .. | .. | 4.5/5 | 4/5 | Sep 2011 | 429 | ebay.com | |
5. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
6. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
7. | Leica V-LUX 4 | .. | .. | .. | .. | .. | .. | Sep 2012 | 949 | ebay.com | |
8. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
9. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
10. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
11. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
12. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
13. | Pentax K-S1 | 4/5 | .. | .. | .. | 4.5/5 | 4/5 | Aug 2014 | 749 | ebay.com | |
14. | Sony A58 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 599 | ebay.com | |
15. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | 1,399 | ebay.com | |
16. | Sony A77 II | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | May 2014 | 1,199 | ebay.com | |
17. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 10D vs Sony A68
- Canon 5D Mark IV vs Panasonic FZ150
- Canon 700D vs Panasonic FZ150
- Canon G9 X Mark II vs Panasonic FZ150
- Canon M3 vs Panasonic FZ150
- Canon Rebel vs Sony A68
- Leica D-LUX 6 vs Panasonic FZ150
- Leica X1 vs Sony A68
- Nikon D1 vs Sony A68
- Nikon D40X vs Panasonic FZ150
- Olympus E-M5 II vs Sony A68
- Ricoh GR II vs Sony A68
Specifications: Panasonic FZ150 vs Sony A68
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic FZ150 | Sony A68 |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 25-600mm f/2.8-5.2 | Sony A mount lenses |
Launch Date | August 2011 | November 2015 |
Launch Price | USD 499 | USD 699 |
Sensor Specs | Panasonic FZ150 | Sony A68 |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | APS-C Sensor |
Sensor Size | 6.17 x 4.55 mm | 23.5 x 15.6 mm |
Sensor Area | 28.0735 mm2 | 366.6 mm2 |
Sensor Diagonal | 7.7 mm | 28.2 mm |
Crop Factor | 5.6x | 1.5x |
Sensor Resolution | 12 Megapixels | 24 Megapixels |
Image Resolution | 4000 x 3000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 1.53 μm | 3.91 μm |
Pixel Density | 42.74 MP/cm2 | 6.55 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60i Video |
ISO Setting | 100 - 3,200 ISO | 100 - 25,600 ISO |
ISO Boost | 100 - 6,400 ISO | no Enhancement |
Image Processor | Venus FHD | BIONZ X |
DXO Sensor Quality (score) | 40 | 79 |
DXO Color Depth (bits) | 19.4 | 24.1 |
DXO Dynamic Range (EV) | 10.9 | 13.5 |
DXO Low Light (ISO) | 132 | 701 |
Screen Specs | Panasonic FZ150 | Sony A68 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.57x | |
Viewfinder Resolution | 202k dots | 1440k dots |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 2.7inch |
LCD Resolution | 460k dots | 460k dots |
LCD Attachment | Swivel screen | Tilting screen |
Shooting Specs | Panasonic FZ150 | Sony A68 |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/4000s |
Continuous Shooting | 12 shutter flaps/s | 8 shutter flaps/s |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Panasonic FZ150 | Sony A68 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | no Wifi |
Body Specs | Panasonic FZ150 | Sony A68 |
Battery Type | Panasonic DMW-BMB9 | Sony NP-FM500H |
Battery Life (CIPA) | 410 shots per charge | 540 shots per charge |
Body Dimensions |
124 x 82 x 92 mm (4.9 x 3.2 x 3.6 in) |
143 x 104 x 81 mm (5.6 x 4.1 x 3.2 in) |
Camera Weight | 528 g (18.6 oz) | 610 g (21.5 oz) |
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