Canon 10D vs Sony A68
The Canon EOS 10D and the Sony Alpha SLT-A68 are two digital cameras that were revealed to the public, respectively, in February 2003 and November 2015. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 6.3 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 10D||Sony A68|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|6.3 MP, APS-C Sensor||24 MP, APS-C Sensor|
|no Video||1080/60i Video|
|ISO 100-3200||ISO 100-25600|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|1.8" LCD, 118k dots||2.7" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3 shutter flaps per second||8 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|500 shots per battery charge||540 shots per battery charge|
|150 x 107 x 75 mm, 850 g||143 x 104 x 81 mm, 610 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 10D and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 10D and the Sony A68 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is notably smaller (7 percent) than the Canon 10D. Moreover, the A68 is markedly lighter (28 percent) than the 10D. In this context, it is worth noting that neither the 10D nor the A68 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 10D»||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||-||Canon 10D|
|Sony A68«||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699||-||Sony A68|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon T5|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon T4i|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Canon D60« »||5.9 in||4.2 in||3.0 in||30.2 oz||620||n||Feb 2002||2,999||-||Canon D60|
|Nikon D100« »||5.7 in||4.6 in||3.2 in||27.5 oz||370||n||Feb 2002||1,999||-||Nikon D100|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic ZS100|
|Sony A77 II« »||5.6 in||4.1 in||3.2 in||22.8 oz||480||Y||May 2014||1,199||Sony A77 II|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony A58« »||5.1 in||3.7 in||3.1 in||17.4 oz||690||n||Feb 2013||599||-||Sony A58|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A68 was launched at a markedly lower price (by 65 percent) than the 10D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A68 is 7 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (10D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A68 offers a higher resolution than the 10D (6.3MP), but the A68 has smaller individual pixels (pixel pitch of 3.91μm versus 7.38μm for the 10D). Yet, the A68 is a much more recent model (by 12 years and 8 months) than the 10D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon 10D are 15.4 x 10.2 inch or 39 x 26 cm for good quality, 12.3 x 8.2 inch or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inch or 26 x 17.3 cm for excellent quality prints.
The Canon EOS 10D has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A68 offers substantially better image quality than the 10D (overall score 22 points higher). The advantage is based on 3 bits higher color depth, 2.6 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 10D»||APS-C||6.3||3072||2048||-||21.1||10.9||571||57||Canon 10D|
|Sony A68«||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Canon T5« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T4i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 40D« »||APS-C||10.1||3888||2592||-||22.1||11.3||703||64||Canon 40D|
|Canon 30D« »||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Canon Rebel« »||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Canon D60« »||APS-C||6.3||3072||2048||-||-||-||-||-||Canon D60|
|Nikon D100« »||APS-C||6.0||3008||2000||-||-||-||-||-||Nikon D100|
|Panasonic ZS100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic ZS100|
|Sony A77 II« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Sony A77 II|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A58« »||APS-C||19.8||5456||3632||1080/60i||23.3||12.5||753||74||Sony A58|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras cannot only take still pictures, but also record videos. The A68 indeed provides for movie recording, while the 10D does not. The highest resolution format that the A68 can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A68 has an electronic viewfinder (1440k dots), while the 10D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A68 offers a wider field of view (100%) than the one in the 10D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A68 has a higher magnification (0.57x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 10D, the Sony A68, and comparable cameras.
|Canon 10D»||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
|Sony A68«||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Canon T5« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T4i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 40D« »||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Canon Rebel« »||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Canon D60« »||optical||Y||1.8||114||fixed||n||1/4000s||3.0||Y||n||Canon D60|
|Nikon D100« »||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Nikon D100|
|Panasonic ZS100« »||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS100|
|Sony A77 II« »||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A58« »||1440||n||2.7||460||tilting||n||1/4000s||5.0||Y||Y||Sony A58|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that differentiates the A68 and the 10D is in-body image stabilization (IBIS). The A68 reduces the risk of handshake-induced blur with all attached lenses, while the 10D has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The 10D writes its imaging data to Compact Flash cards, while the A68 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 10D and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 10D»||Y||-||-||-||-||-||1.1||-||-||-||Canon 10D|
|Sony A68«||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Canon T5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T4i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 40D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 40D|
|Canon 30D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Canon Rebel« »||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Canon D60« »||Y||-||-||-||-||-||1.1||-||-||-||Canon D60|
|Nikon D100« »||Y||-||-||-||-||-||1.1||-||-||-||Nikon D100|
|Panasonic ZS100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS100|
|Sony A77 II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A58« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A58|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
Studio photographers will appreciate that the Canon 10D (unlike the A68) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 10D and the A68 have been discontinued, but can regularly be found used on eBay. The 10D was replaced by the Canon 20D, while the A68 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is the Canon 10D better than the Sony A68 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 10D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2003).
Arguments in favor of the Sony Alpha SLT-A68:
- More detail: Has more megapixels (24 vs 6.3MP), which boosts linear resolution by 95%.
- Better image quality: Scores substantially higher (22 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.6 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.57x vs 0.55x).
- Larger screen: Has a bigger rear LCD (2.7" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 118k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 240g or 28 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
- More modern: Reflects 12 years and 8 months of technical progress since the 10D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A68 is the clear winner of the contest (17 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 10D and the Sony A68 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 10D and the A68 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 10D»||-||+ +||-||o||-||Feb 2003||1,999||-||Canon 10D|
|Sony A68«||-||-||4/5||-||4/5||Nov 2015||699||-||Sony A68|
|Canon T5« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T4i« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Canon 7D« »||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Canon 40D« »||+ +||+ +||4.5/5||o||4.5/5||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||+ +||+ +||o||o||-||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||-||+ +||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Canon Rebel« »||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Canon D60« »||-||+ +||o||-||-||Feb 2002||2,999||-||Canon D60|
|Nikon D100« »||-||+ +||o||o||-||Feb 2002||1,999||-||Nikon D100|
|Panasonic ZS100« »||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic ZS100|
|Sony A77 II« »||-||80/100||4.5/5||4/5||5/5||May 2014||1,199||Sony A77 II|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A58« »||-||-||4.5/5||4.5/5||4.5/5||Feb 2013||599||-||Sony A58|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 10D vs Sony A68
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 10D||Sony A68|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||February 2003||November 2015|
|Launch Price||USD 1999||USD 699|
|Sensor Specs||Canon 10D||Sony A68|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.7 x 15.1 mm||23.5 x 15.6 mm|
|Sensor Area||342.77 mm2||366.6 mm2|
|Sensor Diagonal||27.3 mm||28.2 mm|
|Sensor Resolution||6.3 Megapixels||24 Megapixels|
|Image Resolution||3072 x 2048 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.38 μm||3.91 μm|
|Pixel Density||1.84 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-3200 ISO||100-25600 ISO|
|Image Processor||DIGIC||BIONZ X|
|DXO Sensor Quality (score)||57||79|
|DXO Color Depth (bits)||21.1||24.1|
|DXO Dynamic Range (EV)||10.9||13.5|
|DXO Low Light (ISO)||571||701|
|Screen Specs||Canon 10D||Sony A68|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||1.8 inch||2.7 inch|
|LCD Resolution||118k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 10D||Sony A68|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||3 shutter flaps/s||8 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 10D||Sony A68|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 10D||Sony A68|
|Battery Life (CIPA)||500 shots per charge||540 shots per charge|
150 x 107 x 75 mm
(5.9 x 4.2 x 3.0 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||850 g (30.0 oz)||610 g (21.5 oz)|
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