Panasonic FZ150 vs Ricoh WG-60
The Panasonic Lumix DMC-FZ150 and the Ricoh WG-60 are two digital cameras that were announced, respectively, in August 2011 and October 2018. Both the FZ150 and the WG-60 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Panasonic has a resolution of 12 megapixels, whereas the Ricoh provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ150 and the Ricoh WG-60? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic FZ150 and the Ricoh WG-60 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The WG-60 can be obtained in two different colors (black, red), while the FZ150 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-60 is notably smaller (25 percent) than the Panasonic FZ150. Moreover, the WG-60 is substantially lighter (63 percent) than the FZ150. It is noteworthy in this context that the WG-60 is splash and dust-proof, while the FZ150 does not feature any corresponding weather-sealing. More than that, the WG-60 is water-proof up to 14m and can, thus, be used for underwater photography.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|2.||Ricoh WG-60||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|5.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|6.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429|
|7.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229|
|8.||Fujifilm XP130||110 mm||71 mm||28 mm||207 g||240||n||Jan 2018||229|
|9.||Fujifilm XP120||110 mm||71 mm||28 mm||203 g||210||Y||Jan 2017||229|
|10.||Leica V-LUX 4||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949|
|11.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389|
|12.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|13.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|14.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|15.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|16.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|17.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The WG-60 was launched at a markedly lower price (by 44 percent) than the FZ150, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
While the two cameras under review share the same sensor size, the WG-60 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the FZ150. This megapixels advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the WG-60 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 1.53μm for the FZ150). However, it should be noted that the WG-60 is much more recent (by 7 years and 2 months) than the FZ150, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Ricoh WG-60 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the WG-60 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-FZ150 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Ricoh WG-60 are ISO 125 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|10.||Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||19.8||11.1||501||43|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ150 provides a higher frame rate than the WG-60. It can shoot video footage at 1080/60p, while the Ricoh is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ150 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the WG-60 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic FZ150 and Ricoh WG-60 along with similar information for a selection of comparators.
|1.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|2.||Ricoh WG-60||none||n||2.7 / 230||fixed||n||1/4000s||8.0/s||Y||n|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|4.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|5.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3/s||Y||Y|
|6.||Canon SX30||202||n||2.7 / 230||swivel||n||1/3200s||0.6/s||Y||Y|
|7.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|8.||Fujifilm XP130||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|9.||Fujifilm XP120||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|10.||Leica V-LUX 4||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|11.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0/s||Y||Y|
|12.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|13.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|14.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|15.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|16.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|17.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The Ricoh WG-60 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the FZ150 and the WG-60 have zoom lenses built in. The FZ150 has a 25-600mm f/2.8-5.2 optic and the WG-60 offers a 28-140mm f/3.5-5.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Ricoh. The FZ150 offers the faster maximum aperture.
Concerning the storage of imaging data, both the FZ150 and the WG-60 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ150 and Ricoh WG-60 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|2.||Ricoh WG-60||-||mono / mono||-||-||micro||2.0||-||-||-|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|6.||Canon SX30||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|7.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|8.||Fujifilm XP130||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|9.||Fujifilm XP120||-||mono / mono||-||-||micro||2.0||Y||-||-|
|10.||Leica V-LUX 4||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|12.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|17.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ150 has a hotshoe, while the WG-60 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The WG-60 is a recent model that features in the current product line-up of Ricoh. In contrast, the FZ150 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the FZ150 was succeeded by the Panasonic FZ200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Ricoh websites.
So how do things add up? Is there a clear favorite between the Panasonic FZ150 and the Ricoh WG-60? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-FZ150:
- Better video: Provides higher movie framerates (1080/60p versus 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.5).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (410 versus 300) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in August 2011).
Arguments in favor of the Ricoh WG-60:
- More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (123x62mm vs 124x82mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 335g or 63 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 14m).
- More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
- More modern: Reflects 7 years and 2 months of technical progress since the FZ150 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ150 is the clear winner of the match-up (14 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ150 and the Ricoh WG-60 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the FZ150 and the WG-60 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|2.||Ricoh WG-60||..||..||..||..||..||..||Oct 2018||279|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|5.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429|
|6.||Canon SX30||3/5||+ +||..||..||3.5/5||4/5||Sep 2010||429|
|7.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229|
|8.||Fujifilm XP130||..||o||..||..||3.5/5||4/5||Jan 2018||229|
|9.||Fujifilm XP120||..||o||..||..||3.5/5||4/5||Jan 2017||229|
|10.||Leica V-LUX 4||..||..||..||..||..||..||Sep 2012||949|
|11.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389|
|12.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|13.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|14.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|15.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|16.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|17.||Sony WX800||..||..||..||..||..||..||Oct 2018||399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 450D vs Panasonic FZ150
- Canon G1 X vs Panasonic FZ150
- Contax N Digital vs Panasonic FZ150
- Fujifilm GFX 50R vs Panasonic FZ150
- Leica M Typ 240 vs Ricoh WG-60
- Leica T vs Panasonic FZ150
- Nikon Coolpix A vs Panasonic FZ150
- Nikon L840 vs Ricoh WG-60
- Olympus E-30 vs Ricoh WG-60
- Panasonic GF2 vs Ricoh WG-60
- Panasonic GH4 vs Ricoh WG-60
- Panasonic GX7 vs Ricoh WG-60
Specifications: Panasonic FZ150 vs Ricoh WG-60
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ150||Ricoh WG-60|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-600mm f/2.8-5.2||28-140mm f/3.5-5.5|
|Launch Date||August 2011||October 2018|
|Launch Price||USD 499||USD 279|
|Sensor Specs||Panasonic FZ150||Ricoh WG-60|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||12 Megapixels||15.9 Megapixels|
|Image Resolution||4000 x 3000 pixels||4608 x 3456 pixels|
|Pixel Pitch||1.53 μm||1.33 μm|
|Pixel Density||42.74 MP/cm2||56.73 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 3,200 ISO||125 - 6,400 ISO|
|ISO Boost||100 - 6,400 ISO||no Enhancement|
|DXO Sensor Quality (score)||40||..|
|DXO Color Depth (bits)||19.4||..|
|DXO Dynamic Range (EV)||10.9||..|
|DXO Low Light (ISO)||132||..|
|Screen Specs||Panasonic FZ150||Ricoh WG-60|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||460k dots||230k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic FZ150||Ricoh WG-60|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||12 shutter flaps/s||8 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic FZ150||Ricoh WG-60|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Panasonic FZ150||Ricoh WG-60|
|Environmental Sealing||not weather sealed||Waterproof body (14m)|
|Battery Life (CIPA)||410 shots per charge||300 shots per charge|
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
123 x 62 x 30 mm
(4.8 x 2.4 x 1.2 in)
|Camera Weight||528 g (18.6 oz)||193 g (6.8 oz)|
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