Panasonic FZ1000 II vs Sony A6000
The Panasonic Lumix DC-FZ1000 II and the Sony Alpha A6000 are two digital cameras that were announced, respectively, in February 2019 and February 2014. The FZ1000 II is a fixed lens compact, while the A6000 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (FZ1000 II) and an APS-C (A6000) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-FZ1000 II and the Sony Alpha A6000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic FZ1000 II and the Sony A6000. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The A6000 can be obtained in three different colors (black, silver, white), while the FZ1000 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6000 is considerably smaller (39 percent) than the Panasonic FZ1000 II. In this context, it is worth noting that neither the FZ1000 II nor the A6000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 II has a lens built in, whereas the A6000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the FZ1000 II gets 350 shots out of its DMW-BLC12 battery, while the A6000 can take 360 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||amazon.com|
|2.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||ebay.com|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899||amazon.com|
|4.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749||amazon.com|
|5.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|6.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||amazon.com|
|7.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|8.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799||amazon.com|
|9.||Panasonic FZ2500||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199||amazon.com|
|10.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|11.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799||amazon.com|
|12.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||ebay.com|
|13.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|14.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449||ebay.com|
|15.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||ebay.com|
|16.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||ebay.com|
|17.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic FZ1000 II features an one-inch sensor and the Sony A6000 an APS-C sensor. The sensor area in the A6000 is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6000 offers a higher resolution than the FZ1000 II (20MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the FZ1000 II) due to its larger sensor. However, the FZ1000 II is a much more recent model (by 5 years) than the A6000, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ1000 II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-FZ1000 II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A6000 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
In terms of underlying technology, the FZ1000 II is build around a BSI-CMOS sensor, while the A6000 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||22.1||12.4||546||65|
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|4.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|5.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|7.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|13.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ1000 II provides a higher video resolution than the A6000. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the FZ1000 II offers a substantially higher resolution than the one in the A6000 (2360k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic FZ1000 II and Sony A6000 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|2.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|3.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|4.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|5.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|6.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|7.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|8.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|9.||Panasonic FZ2500||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|10.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|11.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0/s||n||Y|
|12.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|13.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|14.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5/s||Y||n|
|15.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0/s||Y||n|
|16.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|17.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ1000 II has a touchscreen, while the A6000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ1000 II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6000 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ1000 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ1000 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The FZ1000 II writes its imaging data to SDXC cards, while the A6000 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-FZ1000 II and Sony Alpha A6000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|4.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Panasonic FZ2500||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|10.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|11.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|12.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|13.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the FZ1000 II has a microphone port, which is missing on the A6000. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The FZ1000 II is a recent model that features in the current product line-up of Panasonic. In contrast, the A6000 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A6000 was succeeded by the Sony A6300. Further information on the features and operation of the FZ1000 II and A6000 can be found, respectively, in the Panasonic FZ1000 II Manual (free pdf) or the online Sony A6000 Manual.
So what is the bottom line? Is there a clear favorite between the Panasonic FZ1000 II and the Sony A6000? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-FZ1000 II:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A6000 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 5 years of technical progress since the A6000 launch.
Advantages of the Sony Alpha A6000:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (120x67mm vs 136x97mm) and will fit more readily into a bag.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the FZ1000 II is the clear winner of the match-up (13 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic FZ1000 II and the Sony A6000 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the FZ1000 II and the A6000 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899||amazon.com|
|2.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599||ebay.com|
|3.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899||amazon.com|
|4.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749||amazon.com|
|5.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|6.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049||amazon.com|
|7.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|8.||Panasonic ZS200||..||+ +||4.5/5||81/100||4.5/5||4.5/5||Feb 2018||799||amazon.com|
|9.||Panasonic FZ2500||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199||amazon.com|
|10.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|11.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799||amazon.com|
|12.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999||ebay.com|
|13.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|14.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449||ebay.com|
|15.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549||ebay.com|
|16.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329||ebay.com|
|17.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds vs Sony A6000
- Canon 5D Mark II vs Panasonic FZ1000 II
- Canon 5D vs Panasonic FZ1000 II
- Canon Rebel vs Sony A6000
- Fujifilm X-E4 vs Sony A6000
- Fujifilm XP120 vs Panasonic FZ1000 II
- Leica M Typ 262 vs Panasonic FZ1000 II
- Nikon D3400 vs Panasonic FZ1000 II
- Nikon D80 vs Sony A6000
- Nikon Z9 vs Sony A6000
- Olympus E-5 vs Panasonic FZ1000 II
- Panasonic GX850 vs Sony A6000
Specifications: Panasonic FZ1000 II vs Sony A6000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic FZ1000 II||Sony A6000|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-400mm f/2.8-4.0||Sony E mount lenses|
|Launch Date||February 2019||February 2014|
|Launch Price||USD 899||USD 599|
|Sensor Specs||Panasonic FZ1000 II||Sony A6000|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.41 μm||3.91 μm|
|Pixel Density||17.18 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||125 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||80 - 25,600 ISO||100 - 51,200 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||82|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||13.1|
|DXO Low Light (ISO)||..||1347|
|Screen Specs||Panasonic FZ1000 II||Sony A6000|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1240k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic FZ1000 II||Sony A6000|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic FZ1000 II||Sony A6000|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic FZ1000 II||Sony A6000|
|Battery Life (CIPA)||350 shots per charge||360 shots per charge|
|In-Camera Charging||USB charging||USB charging|
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
120 x 67 x 45 mm
(4.7 x 2.6 x 1.8 in)
|Camera Weight||810 g (28.6 oz)||344 g (12.1 oz)|
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