Olympus E-520 vs Pentax KP
The Olympus E-520 and the Pentax KP are two digital cameras that were officially introduced, respectively, in May 2008 and January 2017. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (E-520) and an APS-C (KP) sensor. The Olympus has a resolution of 10 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-520||Pentax KP|
|Digital single lens reflex||Digital single lens reflex|
|Four Thirds lenses||Pentax K mount lenses|
|10 MP, Four Thirds Sensor||24.1 MP, APS-C Sensor|
|no Video||1080/60i Video|
|ISO 100-1,600||ISO 100-819,200|
|Optical viewfinder||Optical viewfinder|
|2.7 LCD, 215k dots||3.0 LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3.5 shutter flaps per second||7 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|750 shots per battery charge||390 shots per battery charge|
|136 x 92 x 68 mm, 535 g||132 x 101 x 76 mm, 703 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-520 and the Pentax KP? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-520 and the Pentax KP are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The KP can be obtained in two different colors (black, silver), while the E-520 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax KP is notably larger (7 percent) than the Olympus E-520. Moreover, the KP is markedly heavier (31 percent) than the E-520. It is noteworthy in this context that the KP is splash and dust-proof, while the E-520 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-520||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699|
|Pentax KP||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099|
|Fujifilm X-H1||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899|
|Olympus E-450||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2009||499|
|Olympus E-600||5.1 in||3.7 in||2.4 in||18.9 oz||500||n||Aug 2009||449|
|Olympus E-620||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699|
|Olympus E-P1||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Jun 2009||799|
|Olympus E-P2||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Nov 2009||799|
|Olympus E-30||5.6 in||4.3 in||3.0 in||24.7 oz||750||n||Nov 2008||1,299|
|Olympus E-420||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599|
|Olympus E-410||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699|
|Olympus E-510||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799|
|Panasonic L10||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599|
|Pentax K-70||5.0 in||3.7 in||2.9 in||24.3 oz||410||Y||Jun 2016||649|
|Pentax K-3 II||5.2 in||3.9 in||3.0 in||28.2 oz||720||Y||Apr 2015||1,099|
|Pentax K-3||5.2 in||3.9 in||3.0 in||28.2 oz||560||Y||Oct 2013||1,299|
|Pentax K-5||5.2 in||3.8 in||2.9 in||26.8 oz||740||Y||Sep 2010||1,099|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-520 was launched at a markedly lower price (by 36 percent) than the KP, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-520 features a Four Thirds sensor and the Pentax KP an APS-C sensor. The sensor area in the KP is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-520 has a native 4:3 aspect ratio, while the one in the KP offers a 3:2 aspect.
With 24.1MP, the KP offers a higher resolution than the E-520 (10MP), but the KP has smaller individual pixels (pixel pitch of 3.90μm versus 4.74μm for the E-520). Yet, the KP is a much more recent model (by 8 years and 8 months) than the E-520, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the KP has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax KP implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the KP for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Olympus E-520 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
Unlike the E-520, the KP has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus E-520 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Pentax KP are ISO 100 to ISO 819200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The KP indeed provides for movie recording, while the E-520 does not. The highest resolution format that the KP can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. The E-520 and the KP are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the KP offers a wider field of view (100%) than the one in the E-520 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the KP has a higher magnification (0.63x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-520 and Pentax KP in connection with corresponding information for a sample of similar cameras.
|Pentax K-3 II||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the KP is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Pentax KP has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-520 writes its imaging data to Compact Flash or xD Picture cards, while the KP uses SDXC cards. The E-520 features dual card slots, which can be very useful in case a memory card fails. In contrast, the KP only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-520 and Pentax KP and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Pentax K-3 II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
It is notable that the KP offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-520 does not provide wifi capability.
The KP is a recent model that features in the current product line-up of Pentax. In contrast, the E-520 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the E-520 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Pentax websites.
So how do things add up? Is there a clear favorite between the Olympus E-520 and the Pentax KP? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus E-520:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Less heavy: Is lighter (by 168g or 24 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (750 versus 390) on a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in May 2008).
Reasons to prefer the Pentax KP:
- More detail: Has more megapixels (24.1 vs 10MP), which boosts linear resolution by 58%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 8 years and 8 months of technical progress since the E-520 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the KP is the clear winner of the contest (20 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-520 and the Pentax KP place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-520 and the KP in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-520||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699|
|Pentax KP||..||82/100||5/5||..||4.5/5||Jan 2017||1,099|
|Fujifilm X-H1||+||86/100||4.5/5||..||4.5/5||Feb 2018||1,899|
|Olympus E-450||..||..||4/5||..||4/5||Mar 2009||499|
|Olympus E-600||..||..||..||..||4.5/5||Aug 2009||449|
|Olympus E-620||88/100||72/100||4.5/5||o||5/5||Feb 2009||699|
|Olympus E-P1||+||66/100||4/5||4/5||4.5/5||Jun 2009||799|
|Olympus E-P2||+||69/100||4/5||4.5/5||4.5/5||Nov 2009||799|
|Olympus E-30||..||71/100||4.5/5||..||4/5||Nov 2008||1,299|
|Olympus E-420||85/100||+ +||4/5||o||4.5/5||Mar 2008||599|
|Olympus E-410||86/100||+ +||4/5||o||4.5/5||Mar 2007||699|
|Olympus E-510||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799|
|Panasonic L10||85/100||+||3.5/5||o||4/5||Aug 2007||599|
|Pentax K-70||..||79/100||4.5/5||4/5||4.5/5||Jun 2016||649|
|Pentax K-3 II||..||..||5/5||4.5/5||5/5||Apr 2015||1,099|
|Pentax K-3||..||83/100||5/5||4.5/5||5/5||Oct 2013||1,299|
|Pentax K-5||..||83/100||5/5||4.5/5||4.5/5||Sep 2010||1,099|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Olympus E-520
- Canon M100 vs Olympus E-520
- Canon R vs Pentax KP
- Canon S120 vs Olympus E-520
- Canon T6s vs Pentax KP
- Leica Digilux 3 vs Pentax KP
- Nikon D3100 vs Olympus E-520
- Nikon D3300 vs Olympus E-520
- Nikon L840 vs Pentax KP
- Nikon Z6 vs Pentax KP
- Olympus E-520 vs Sony HX95
- Panasonic TZ100 vs Pentax KP
Specifications: Olympus E-520 vs Pentax KP
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-520||Pentax KP|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Four Thirds lenses||Pentax K mount lenses|
|Launch Date||May 2008||January 2017|
|Launch Price||USD 699||USD 1,099|
|Sensor Specs||Olympus E-520||Pentax KP|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||10 Megapixels||24.1 Megapixels|
|Image Resolution||3648 x 2736 pixels||6016 x 4000 pixels|
|Pixel Pitch||4.74 μm||3.90 μm|
|Pixel Density||4.44 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||100 - 819,200 ISO|
|Image Processor||TruePic III||PRIME IV|
|DXO Sensor Quality (score)||55||..|
|DXO Color Depth (bits)||21.4||..|
|DXO Dynamic Range (EV)||10.4||..|
|DXO Low Light (ISO)||548||..|
|Screen Specs||Olympus E-520||Pentax KP|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||215k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Olympus E-520||Pentax KP|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/6000s|
|Continuous Shooting||3.5 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/24000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-520||Pentax KP|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||no HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus E-520||Pentax KP|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||390 shots per charge|
136 x 92 x 68 mm
(5.4 x 3.6 x 2.7 in)
132 x 101 x 76 mm
(5.2 x 4.0 x 3.0 in)
|Camera Weight||535 g (18.9 oz)||703 g (24.8 oz)|
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