Olympus E-500 vs Panasonic L1
The Olympus Evolt E-500 and the Panasonic Lumix DMC-L1 are two digital cameras that were revealed to the public, respectively, in September 2005 and February 2006. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 8 megapixels, whereas the Panasonic provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-500||Panasonic L1|
|Digital single lens reflex||Digital single lens reflex|
|Four Thirds lenses||Four Thirds lenses|
|8 MP, Four Thirds Sensor||7.4 MP, Four Thirds Sensor|
|no Video||no Video|
|ISO 100-400 (100 - 1,600)||ISO 100-1,600|
|Optical viewfinder||Optical viewfinder|
|2.5 LCD, 215k dots||2.5 LCD, 207k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|2.5 shutter flaps per second||3 shutter flaps per second|
|750 shots per battery charge||750 shots per battery charge|
|130 x 95 x 66 mm, 479 g||146 x 87 x 64 mm, 606 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Evolt E-500 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-500 and the Panasonic L1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is somewhat larger (3 percent) than the Olympus E-500. Moreover, the L1 is markedly heavier (27 percent) than the E-500. In this context, it is worth noting that neither the E-500 nor the L1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|Canon 350D||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499|
|Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699|
|Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-500 was launched at a markedly lower price (by 40 percent) than the L1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the E-500 offers a slightly higher resolution of 8 megapixels, compared with 7.4 MP of the L1. This megapixels advantage translates into a 4 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-500 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.30μm versus 5.51μm for the L1). Moreover, it should be noted that the L1 is a somewhat more recent model (by 5 months) than the E-500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels.
The Olympus Evolt E-500 has a native sensitivity range from ISO 100 to ISO 400, which can be extended to ISO 100-1600. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Olympus E-400||Four Thirds||10.0||3648||2736||none||..||..||..||..|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
Apart from body and sensor, cameras can and do differ across a variety of features. The E-500 and the L1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (95%), but the viewfinder of the L1 has a higher magnification than the one of the E-500 (0.47x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-500, the Panasonic L1, and comparable cameras.
|Leica Digilux 3||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n|
The E-500 writes its imaging data to Compact Flash or xD Picture cards, while the L1 uses SDHC cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Evolt E-500 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica Digilux 3||Y||stereo||mono||-||-||-||2.0||-||-||-|
Both the E-500 and the L1 have been discontinued, but can regularly be found used on eBay. The E-500 was replaced by the Olympus E-510, while the L1 was followed by the Panasonic L10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Olympus E-500 and the Panasonic L1? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Olympus Evolt E-500:
- Less heavy: Is lighter (by 127g or 21 percent) and hence easier to carry around.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2005).
Arguments in favor of the Panasonic Lumix DMC-L1:
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.47x vs 0.45x).
- Faster burst: Shoots at higher frequency (3 vs 2.5 flaps/sec) to capture the decisive moment.
- More modern: Was introduced somewhat (5 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the E-500 comes out slightly ahead of the L1 (4 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-500 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-500 or the L1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-500||76/100||+ +||..||..||..||Sep 2005||599|
|Panasonic L1||85/100||+||..||o||3.5/5||Feb 2006||999|
|Canon 350D||80/100||+ +||o||o||..||Feb 2005||899|
|Leica Digilux 3||..||..||..||..||..||Sep 2006||1,499|
|Olympus E-450||..||..||4/5||..||4/5||Mar 2009||499|
|Olympus E-420||85/100||+ +||4/5||o||4.5/5||Mar 2008||599|
|Olympus E-520||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699|
|Olympus E-410||86/100||+ +||4/5||o||4.5/5||Mar 2007||699|
|Olympus E-510||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799|
|Olympus E-330||..||+||o||3.5/5||..||Jan 2006||999|
|Olympus E-400||85/100||..||4/5||..||4/5||Sep 2006||699|
|Olympus E-300||..||+||o||o||4.5/5||Sep 2004||799|
|Panasonic L10||85/100||+||3.5/5||o||4/5||Aug 2007||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 50D vs Panasonic L1
- Canon 5DS vs Olympus E-500
- Canon 700D vs Panasonic L1
- Canon G1 X vs Panasonic L1
- Canon XT vs Olympus E-500
- Fujifilm GFX 100 vs Panasonic L1
- Fujifilm X-A7 vs Olympus E-500
- Leica D-LUX 6 vs Panasonic L1
- Leica V-LUX 2 vs Olympus E-500
- Nikon D100 vs Olympus E-500
- Olympus E-500 vs Sony A6500
- Panasonic L1 vs Sony RX100 III
Specifications: Olympus E-500 vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-500||Panasonic L1|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Four Thirds lenses||Four Thirds lenses|
|Launch Date||September 2005||February 2006|
|Launch Price||USD 599||USD 999|
|Sensor Specs||Olympus E-500||Panasonic L1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||8 Megapixels||7.4 Megapixels|
|Image Resolution||3264 x 2448 pixels||3136 x 2352 pixels|
|Pixel Pitch||5.30 μm||5.51 μm|
|Pixel Density||3.55 MP/cm2||3.28 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100 - 400 ISO||100 - 1,600 ISO|
|ISO Boost||100 - 1,600 ISO||no Enhancement|
|Screen Specs||Olympus E-500||Panasonic L1|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||95%|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||2.5inch|
|LCD Resolution||215k dots||207k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Olympus E-500||Panasonic L1|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF or XD cards||SDHC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-500||Panasonic L1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-500||Panasonic L1|
|Battery Life (CIPA)||750 shots per charge||750 shots per charge|
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
|Camera Weight||479 g (16.9 oz)||606 g (21.4 oz)|
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