Olympus E-500 vs Stylus 1
The Olympus Evolt E-500 and the Olympus Stylus 1 are two digital cameras that were revealed to the public, respectively, in September 2005 and October 2013. The E-500 is a DSLR, while the Stylus 1 is a fixed lens compact. The cameras are based on a Four Thirds (E-500) and a 1/1.7-inch (Stylus 1) sensor. The E-500 has a resolution of 8 megapixels, whereas the Stylus 1 provides 11.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Evolt E-500 and the Olympus Stylus 1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-500 and the Olympus Stylus 1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus Stylus 1 is notably smaller (18 percent) than the Olympus E-500. In this context, it is worth noting that neither the E-500 nor the Stylus 1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the Stylus 1 has a lens built in, whereas the E-500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-500 and their specifications in the Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||ebay.com|
|2.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699||ebay.com|
|3.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||ebay.com|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||ebay.com|
|5.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549||ebay.com|
|6.||Olympus Stylus 1s||116 mm||87 mm||57 mm||402 g||450||n||Apr 2015||699||ebay.com|
|7.||Olympus XZ-2||113 mm||65 mm||48 mm||346 g||340||n||Sep 2012||599||ebay.com|
|8.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499||ebay.com|
|9.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|10.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599||ebay.com|
|11.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||ebay.com|
|12.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||ebay.com|
|13.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||ebay.com|
|14.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||ebay.com|
|15.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699||ebay.com|
|16.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||ebay.com|
|17.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-500 features a Four Thirds sensor and the Olympus Stylus 1 a 1/1.7-inch sensor. The sensor area in the Stylus 1 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.5. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the Stylus 1 uses a more advanced image processing engine (TruePic VI) than the E-500 (TruePic), with benefits for noise reduction, color accuracy, and processing speed.
Despite having a smaller sensor, the Stylus 1 offers a higher resolution of 11.8 megapixels, compared with 8 MP of the E-500. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.91μm versus 5.30μm for the E-500). However, it should be noted that the Stylus 1 is much more recent (by 8 years and 1 month) than the E-500, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the Stylus 1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus Stylus 1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Stylus 1 for good quality output (200 dots per inch) amounts to 19.8 x 14.9 inches or 50.4 x 37.8 cm, for very good quality (250 dpi) 15.9 x 11.9 inches or 40.3 x 30.2 cm, and for excellent quality (300 dpi) 13.2 x 9.9 inches or 33.6 x 25.2 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
The Olympus Evolt E-500 has a native sensitivity range from ISO 100 to ISO 400, which can be extended to ISO 100-1600. The corresponding ISO settings for the Olympus Stylus 1 are ISO 100 to ISO 12800 (no boost).
In terms of underlying technology, the E-500 is build around a CCD sensor, while the Stylus 1 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|2.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
|3.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|6.||Olympus Stylus 1s||1/1.7||11.8||3968||2976||1080/30p||20.2||11.3||-111||47|
|8.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|9.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|10.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|11.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|12.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|13.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|14.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|15.||Olympus E-400||Four Thirds||10.0||3648||2736||none||21.0||10.6||127||53|
|16.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|17.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The Stylus 1 indeed provides for movie recording, while the E-500 does not. The highest resolution format that the Stylus 1 can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Stylus 1 has an electronic viewfinder (1440k dots), while the E-500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the Stylus 1 offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the Stylus 1 has a higher magnification (0.58x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-500 and Olympus Stylus 1 in connection with corresponding information for a sample of similar cameras.
|1.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5/s||Y||n|
|2.||Olympus Stylus 1||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0/s||Y||Y|
|3.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2/s||Y||Y|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|5.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0/s||Y||Y|
|6.||Olympus Stylus 1s||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0/s||Y||Y|
|7.||Olympus XZ-2||optional||n||3.0 / 920||tilting||Y||1/2000s||5.0/s||Y||Y|
|8.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|9.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|10.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|11.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|12.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||Y|
|14.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|15.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|16.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|17.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The Stylus 1 has a touchscreen, while the E-500 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Olympus Stylus 1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-500 writes its imaging data to Compact Flash or xD Picture cards, while the Stylus 1 uses SDXC cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Stylus 1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Evolt E-500 and Olympus Stylus 1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus Stylus 1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|6.||Olympus Stylus 1s||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus XZ-2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the Stylus 1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-500 does not provide wifi capability.
Both the E-500 and the Stylus 1 have been discontinued, but can regularly be found used on ebay. The E-500 was replaced by the Olympus E-510, while the Stylus 1 was followed by the Olympus Stylus 1s. Further information on the features and operation of the E-500 and Stylus 1 can be found, respectively, in the Olympus E-500 Manual (free pdf) or the online Olympus Stylus 1 Manual.
So how do things add up? Is the Olympus E-500 better than the Olympus Stylus 1 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus Evolt E-500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 410) on a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in September 2005).
Reasons to prefer the Olympus Stylus 1:
- More detail: Has more megapixels (11.8 vs 8MP), which boosts linear resolution by 22%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better jpgs: Has a more modern image processing engine (TruePic VI vs TruePic).
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.58x vs 0.45x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (7 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the E-500 requires a separate lens.
- More compact: Is smaller (116x87mm vs 130x95mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-500).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 8 years and 1 month of technical progress since the E-500 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the Stylus 1 is the clear winner of the contest (19 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-500 and the Olympus Stylus 1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-500 or the Stylus 1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599||ebay.com|
|2.||Olympus Stylus 1||..||+ +||..||..||4.5/5||4.5/5||Oct 2013||699||ebay.com|
|3.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799||ebay.com|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549||ebay.com|
|5.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549||ebay.com|
|6.||Olympus Stylus 1s||..||..||..||..||..||..||Apr 2015||699||ebay.com|
|7.||Olympus XZ-2||4/5||+||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|8.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499||ebay.com|
|9.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|10.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599||ebay.com|
|11.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699||ebay.com|
|12.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699||ebay.com|
|13.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799||ebay.com|
|14.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999||ebay.com|
|15.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699||ebay.com|
|16.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799||ebay.com|
|17.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 80D vs Olympus E-500
- Canon G5 X vs Olympus E-500
- Canon G9 X Mark II vs Olympus E-500
- Leica SL2 vs Olympus Stylus 1
- Nikon D40 vs Olympus Stylus 1
- Olympus E-500 vs Olympus E-510
- Olympus E-500 vs Olympus E-M5 II
- Olympus E-500 vs Sony A7R III
- Olympus Stylus 1 vs Panasonic G100
- Olympus Stylus 1 vs Ricoh GR II
- Olympus Stylus 1 vs Ricoh WG-60
- Olympus Stylus 1 vs Sony RX10
Specifications: Olympus E-500 vs Olympus Stylus 1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-500||Olympus Stylus 1|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Four Thirds lenses||28-300mm f/2.8|
|Launch Date||September 2005||October 2013|
|Launch Price||USD 599||USD 699|
|Sensor Specs||Olympus E-500||Olympus Stylus 1|
|Sensor Format||Four Thirds Sensor||1/1.7" Sensor|
|Sensor Size||17.3 x 13.0 mm||7.6 x 5.7 mm|
|Sensor Area||224.9 mm2||43.32 mm2|
|Sensor Diagonal||21.6 mm||9.5 mm|
|Sensor Resolution||8 Megapixels||11.8 Megapixels|
|Image Resolution||3264 x 2448 pixels||3968 x 2976 pixels|
|Pixel Pitch||5.30 μm||1.91 μm|
|Pixel Density||3.55 MP/cm2||27.26 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/30p Video|
|ISO Setting||100 - 400 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 1,600 ISO||no Enhancement|
|Image Processor||TruePic||TruePic VI|
|DXO Sensor Quality (score)||..||51|
|DXO Color Depth (bits)||..||20.7|
|DXO Dynamic Range (EV)||..||11.6|
|DXO Low Light (ISO)||..||179|
|Screen Specs||Olympus E-500||Olympus Stylus 1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||215k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-500||Olympus Stylus 1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||2.5 shutter flaps/s||7 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-500||Olympus Stylus 1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus E-500||Olympus Stylus 1|
|Battery Life (CIPA)||750 shots per charge||410 shots per charge|
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
116 x 87 x 57 mm
(4.6 x 3.4 x 2.2 in)
|Camera Weight||479 g (16.9 oz)||402 g (14.2 oz)|
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