Olympus E-500 vs PEN-F
The Olympus Evolt E-500 and the Olympus PEN-F are two digital cameras that were officially introduced, respectively, in September 2005 and January 2016. The E-500 is a DSLR, while the PEN-F is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-500 has a resolution of 8 megapixels, whereas the PEN-F provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Evolt E-500 and the Olympus PEN-F? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-500 and the Olympus PEN-F are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The PEN-F can be obtained in two different colors (black, silver), while the E-500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is notably smaller (27 percent) than the Olympus E-500. Moreover, the PEN-F is markedly lighter (11 percent) than the E-500. In this context, it is worth noting that neither the E-500 nor the PEN-F are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-500) and the Micro Four Thirds Lens Catalog (PEN-F). Mirrorless cameras, such as the PEN-F, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|2.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|3.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649|
|4.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|5.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|6.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|7.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|8.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|9.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|10.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|11.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|12.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|13.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|14.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|15.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699|
|16.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|17.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-500 was launched at a markedly lower price (by 50 percent) than the PEN-F, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the PEN-F uses a more advanced image processing engine (TruePic VII) than the E-500 (TruePic), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the PEN-F offers a higher resolution of 20.2 megapixels, compared with 8 MP of the E-500. This megapixels advantage translates into a 59 percent gain in linear resolution. On the other hand, these sensor specs imply that the PEN-F has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 5.30μm for the E-500). However, it should be noted that the PEN-F is much more recent (by 10 years and 4 months) than the E-500, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus PEN-F implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the PEN-F for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
Unlike the E-500, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus Evolt E-500 has a native sensitivity range from ISO 100 to ISO 400, which can be extended to ISO 100-1600. The corresponding ISO settings for the Olympus PEN-F are ISO 80 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|2.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|3.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1120||74|
|4.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|5.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|6.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|7.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|8.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|9.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|10.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|11.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|12.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|13.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|14.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|15.||Olympus E-400||Four Thirds||10.0||3648||2736||none||21.0||10.6||127||53|
|16.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|17.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The PEN-F indeed provides for movie recording, while the E-500 does not. The highest resolution format that the PEN-F can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the PEN-F has an electronic viewfinder (2360k dots), while the E-500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the PEN-F offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the PEN-F has a higher magnification (0.62x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-500, the Olympus PEN-F, and comparable cameras.
|1.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5||Y||n|
|2.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|3.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|4.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|5.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|6.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|7.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|8.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|9.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|10.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|11.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|12.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|13.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|14.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0||Y||n|
|15.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|16.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5||Y||n|
|17.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The E-500 has one, while the PEN-F does not. While the built-in flash of the E-500 is not very powerful, it can at times be useful as a fill-in light.The PEN-F has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the PEN-F is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus PEN-F has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-500 writes its imaging data to Compact Flash or xD Picture cards, while the PEN-F uses SDXC cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the PEN-F only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Evolt E-500 and Olympus PEN-F and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the PEN-F offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-500 does not provide wifi capability.
Both the E-500 and the PEN-F have been discontinued, but can regularly be found used on eBay. The E-500 was replaced by the Olympus E-510, while the PEN-F does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So how do things add up? Is the Olympus E-500 better than the Olympus PEN-F or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Olympus Evolt E-500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (750 versus 330) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2005).
Reasons to prefer the Olympus PEN-F:
- More detail: Has more megapixels (20.2 vs 8MP), which boosts linear resolution by 59%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better jpgs: Has a more modern image processing engine (TruePic VII vs TruePic).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.62x vs 0.45x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 215k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (125x72mm vs 130x95mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 52g or 11 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 10 years and 4 months of technical progress since the E-500 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the PEN-F is the clear winner of the contest (23 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-500 and the Olympus PEN-F place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-500 and the PEN-F in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599|
|2.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|3.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649|
|4.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|5.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|6.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|7.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|8.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499|
|9.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|10.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|11.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|12.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|13.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|14.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|15.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699|
|16.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|17.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Olympus E-500 vs Olympus PEN-F
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-500||Olympus PEN-F|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2005||January 2016|
|Launch Price||USD 599||USD 1,199|
|Sensor Specs||Olympus E-500||Olympus PEN-F|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||8 Megapixels||20.2 Megapixels|
|Image Resolution||3264 x 2448 pixels||5184 x 3888 pixels|
|Pixel Pitch||5.30 μm||3.34 μm|
|Pixel Density||3.55 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 400 ISO||80 - 25,600 ISO|
|ISO Boost||100 - 1,600 ISO||no Enhancement|
|Image Processor||TruePic||TruePic VII|
|DXO Sensor Quality (score)||..||74|
|DXO Color Depth (bits)||..||23.1|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||894|
|Screen Specs||Olympus E-500||Olympus PEN-F|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||215k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-500||Olympus PEN-F|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||2.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-500||Olympus PEN-F|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus E-500||Olympus PEN-F|
|Battery Life (CIPA)||750 shots per charge||330 shots per charge|
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
125 x 72 x 37 mm
(4.9 x 2.8 x 1.5 in)
|Camera Weight||479 g (16.9 oz)||427 g (15.1 oz)|
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