Olympus E-1 vs E-620
The Olympus E-1 and the Olympus E-620 are two digital cameras that were officially introduced, respectively, in June 2003 and February 2009. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a Four Thirds sensor. The E-1 has a resolution of 4.9 megapixels, whereas the E-620 provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Olympus E-620? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-1 and the Olympus E-620. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-620 is notably smaller (17 percent) than the Olympus E-1. Moreover, the E-620 is markedly lighter (29 percent) than the E-1. It is worth mentioning in this context that the E-1 is splash and dust resistant, while the E-620 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699|
|2.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|5.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499|
|6.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|7.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|8.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|9.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699|
|10.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449|
|11.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|12.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|13.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699|
|14.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|15.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|16.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|17.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-620 was launched at a markedly lower price (by 59 percent) than the E-1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the E-620 uses a more advanced image processing engine (TruePic III+) than the E-1 (TruePic), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the E-620 offers a higher resolution of 12.2 megapixels, compared with 4.9 MP of the E-1. This megapixels advantage translates into a 58 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-620 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.29μm versus 6.78μm for the E-1). However, it should be noted that the E-620 is much more recent (by 5 years and 8 months) than the E-1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Olympus E-620 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-620 for good quality output (200 dots per inch) amounts to 20.2 x 15.1 inches or 51.2 x 38.4 cm, for very good quality (250 dpi) 16.1 x 12.1 inches or 41 x 30.7 cm, and for excellent quality (300 dpi) 13.4 x 10.1 inches or 34.1 x 25.6 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.
The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Olympus E-620 are ISO 100 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..|
|2.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|5.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|7.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|9.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|10.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|11.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|12.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|13.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|14.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|15.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|16.||Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|17.||Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
Beyond body and sensor, cameras can and do differ across a range of features. The E-1 and the E-620 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the E-1 offers a wider field of view (100%) than the one in the E-620 (95%), so that a larger proportion of the captured image is visible in the finder. The following table reports on some other key feature differences and similarities of the Olympus E-1, the Olympus E-620, and comparable cameras.
|1.||Olympus E-1||optical||Y||1.8 / 134||fixed||n||1/4000s||3.0||n||n|
|2.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|5.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0||Y||n|
|6.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|7.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
|8.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|9.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0||Y||Y|
|10.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|11.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|12.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|13.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0||Y||Y|
|14.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|15.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|16.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0||Y||n|
|17.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5||Y||n|
One feature that is present on the E-1, but is missing on the E-620 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-620 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-1 does not have a selfie-screen.
Concerning the storage of imaging data, both the E-1 and the E-620 write their files to Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Olympus E-620 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-1||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|5.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|6.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|7.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|8.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|10.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Olympus E-1 (unlike the E-620) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-1 and the E-620 have been discontinued, but can regularly be found used on eBay. The E-1 was replaced by the Olympus E-3, while the E-620 was followed by the Olympus E-600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So what conclusions can be drawn? Which of the two cameras – the Olympus E-1 or the Olympus E-620 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus E-1:
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (750 versus 500) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in June 2003).
Reasons to prefer the Olympus E-620:
- More detail: Has more megapixels (12.2 vs 4.9MP), which boosts linear resolution by 58%.
- Better jpgs: Has a more modern image processing engine (TruePic III+ vs TruePic).
- Larger screen: Has a bigger rear LCD (2.7" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (230k vs 134k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (130x94mm vs 141x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 217g or 29 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More modern: Reflects 5 years and 8 months of technical progress since the E-1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-620 is the clear winner of the contest (13 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-1 and the Olympus E-620 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-1 or the E-620 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-1||..||..||..||+||o||..||Jun 2003||1,699|
|2.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|5.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499|
|6.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|7.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|8.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|9.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699|
|10.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449|
|11.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|12.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|13.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699|
|14.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|15.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|16.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|17.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5DS R vs Olympus E-1
- Canon 750D vs Olympus E-620
- Canon M vs Olympus E-1
- Leica D-LUX 6 vs Olympus E-620
- Leica TL vs Olympus E-620
- Olympus E-1 vs Olympus E-510
- Olympus E-1 vs Olympus E-M5 II
- Olympus E-1 vs Sony HX90V
- Olympus E-1 vs Sony RX10 III
- Olympus E-510 vs Olympus E-620
- Olympus E-620 vs Panasonic G1
- Olympus E-620 vs Sony RX100
Specifications: Olympus E-1 vs Olympus E-620
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-1||Olympus E-620|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Four Thirds lenses||Four Thirds lenses|
|Launch Date||June 2003||February 2009|
|Launch Price||USD 1,699||USD 699|
|Sensor Specs||Olympus E-1||Olympus E-620|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||4.9 Megapixels||12.2 Megapixels|
|Image Resolution||2560 x 1920 pixels||4032 x 3024 pixels|
|Pixel Pitch||6.78 μm||4.29 μm|
|Pixel Density||2.19 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100 - 800 ISO||100 - 3,200 ISO|
|ISO Boost||100 - 3,200 ISO||no Enhancement|
|Image Processor||TruePic||TruePic III+|
|DXO Sensor Quality (score)||..||55|
|DXO Color Depth (bits)||..||21.3|
|DXO Dynamic Range (EV)||..||10.3|
|DXO Low Light (ISO)||..||536|
|Screen Specs||Olympus E-1||Olympus E-620|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||2.7inch|
|LCD Resolution||134k dots||230k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Olympus E-1||Olympus E-620|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||4 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or XD cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Olympus E-1||Olympus E-620|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-1||Olympus E-620|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||750 shots per charge||500 shots per charge|
141 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
130 x 94 x 60 mm
(5.1 x 3.7 x 2.4 in)
|Camera Weight||738 g (26.0 oz)||521 g (18.4 oz)|
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