Nikon Z7 vs Olympus E-620

The Nikon Z7 and the Olympus E-620 are two digital cameras that were revealed to the public, respectively, in August 2018 and February 2009. The Z7 is a mirrorless interchangeable lens camera, while the E-620 is a DSLR. The cameras are based on a full frame (Z7) and a Four Thirds (E-620) sensor. The Nikon has a resolution of 45.4 megapixels, whereas the Olympus provides 12.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon Z7		Olympus E-620
Mirrorless system camera		Digital single lens reflex
Nikon Z mount lenses		Four Thirds lenses
45.4 MP – Full Frame sensor		12.2 MP – Four Thirds sensor
4K/30p Video		no Video
ISO 64-25,600 (32 - 102,400)		ISO 100-3,200
Electronic viewfinder (3690k dots)		Optical viewfinder
3.2" LCD – 2100k dots		2.7" LCD – 230k dots
Tilting touchscreen		Swivel screen (not touch-sensitive)
9 shutter flaps per second		4 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		not weather sealed
330 shots per battery charge		500 shots per battery charge
134 x 101 x 67 mm, 675 g		130 x 94 x 60 mm, 521 g

Check Z7 offers at
ebay.com
Check E-620 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z7 and the Olympus E-620? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon Z7 and the Olympus E-620 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-620 is notably smaller (10 percent) than the Nikon Z7. Moreover, the E-620 is markedly lighter (23 percent) than the Z7. It is worth mentioning in this context that the Z7 is splash and dust resistant, while the E-620 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the Z7 gets 330 shots out of its Nikon EN-EL15b battery, while the E-620 can take 500 images on a single charge of its Olympus BLS-1 power pack. The power pack in the Z7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330		Aug 2018	US$ 3 399	ebay.com
2.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500		Feb 2009	US$ 699	ebay.com
3.		Canon R5	138 mm	98 mm	88 mm	738 g	320		Jul 2020	US$ 3 899	amazon.com
4.		Nikon D850	146 mm	124 mm	79 mm	1005 g	1840		Jul 2017	US$ 3 299	amazon.com
5.		Nikon Z6	134 mm	101 mm	67 mm	675 g	310		Aug 2018	US$ 1 999	ebay.com
6.		Nikon Z7 II	134 mm	101 mm	70 mm	705 g	420		Oct 2020	US$ 2 999	amazon.com
7.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340		May 2023	US$ 3 999	amazon.com
8.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500		Mar 2007	US$ 699	ebay.com
9.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500		Mar 2008	US$ 599	ebay.com
10.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750		Mar 2007	US$ 799	ebay.com
11.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750		May 2008	US$ 699	ebay.com
12.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500		Aug 2009	US$ 449	ebay.com
13.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380		Feb 2019	US$ 3 699	ebay.com
14.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290		Jun 2015	US$ 3 199	ebay.com
15.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650		Oct 2017	US$ 3 199	ebay.com
16.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650		Apr 2021	US$ 3 199	amazon.com
17.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670		Jul 2019	US$ 3 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial
		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
		Camera Model

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-620 was launched at a markedly lower price (by 79 percent) than the Z7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Nikon Z7 features a full frame sensor and the Olympus E-620 a Four Thirds sensor. The sensor area in the E-620 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the Z7 has a native 3:2 aspect ratio, while the one in the E-620 offers a 4:3 aspect.

With 45.4MP, the Z7 offers a higher resolution than the E-620 (12.2MP), but the Z7 nevertheless has marginally larger individual pixels (pixel pitch of 4.35μm versus 4.29μm for the E-620) due to its larger sensor. Moreover, the Z7 is a much more recent model (by 9 years and 5 months) than the E-620, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the Z7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Nikon Z7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Olympus E-620 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The Z7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Nikon Z7 has a native sensitivity range from ISO 64 to ISO 25600, which can be extended to ISO 32-102400. The corresponding ISO settings for the Olympus E-620 are ISO 100 to ISO 3200 (no boost).

In terms of underlying technology, the Z7 is build around a BSI-CMOS sensor, while the E-620 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the Z7 provides substantially higher image quality than the E-620, with an overall score that is 44 points higher. This advantage is based on 5 bits higher color depth, 4.3 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
2.		Olympus E-620	Four Thirds	12.2	4032	3024		21.3	10.3	536	55
3.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
4.		Nikon D850	Full Frame	45.4	8256	5504	4K/30p	26.4	14.8	2660	100
5.		Nikon Z6	Full Frame	24.3	6048	4024	4K/30p	25.3	14.3	3299	95
6.		Nikon Z7 II	Full Frame	45.4	8256	5504	4K/60p	26.3	14.7	2841	100
7.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
8.		Olympus E-410	Four Thirds	10.0	3648	2736		21.1	10.0	494	51
9.		Olympus E-420	Four Thirds	10.0	3648	2736		21.5	10.4	527	56
10.		Olympus E-510	Four Thirds	10.0	3648	2736		21.2	10.0	442	52
11.		Olympus E-520	Four Thirds	10.0	3648	2736		21.4	10.4	548	55
12.		Olympus E-600	Four Thirds	12.2	4032	3024		21.5	10.3	541	55
13.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
14.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
15.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
17.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
		Camera Model

Many modern cameras cannot only take still pictures, but also record videos. The Z7 indeed provides movie recording capabilities, while the E-620 does not. The highest resolution format that the Z7 can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the Z7 has an electronic viewfinder (3690k dots), while the E-620 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the Z7 offers a wider field of view (100%) than the one in the E-620 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the Z7 has a higher magnification (0.80x vs 0.48x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon Z7 and Olympus E-620 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon Z7	3690		3.2 / 2100	tilting		1/8000s	9.0/s
2.		Olympus E-620	optical		2.7 / 230	swivel		1/4000s	4.0/s
3.		Canon R5	5760		3.2 / 2100	swivel		1/8000s	12.0/s
4.		Nikon D850	optical		3.2 / 2359	tilting		1/8000s	9.0/s
5.		Nikon Z6	3690		3.2 / 2100	tilting		1/8000s	12.0/s
6.		Nikon Z7 II	3690		3.2 / 2100	tilting		1/8000s	10.0/s
7.		Nikon Z8	3690		3.2 / 2089	full-flex		1/32000s	30.0/s
8.		Olympus E-410	optical		2.5 / 215	fixed		1/4000s	3.0/s
9.		Olympus E-420	optical		2.7 / 215	fixed		1/4000s	3.5/s
10.		Olympus E-510	optical		2.5 / 215	fixed		1/4000s	3.0/s
11.		Olympus E-520	optical		2.7 / 215	fixed		1/4000s	3.5/s
12.		Olympus E-600	optical		2.7 / 230	swivel		1/4000s	4.0/s
13.		Panasonic S1R	5760		3.2 / 2100	full-flex		1/8000s	9.0/s
14.		Sony A7R II	2400		3.0 / 1229	tilting		1/8000s	5.0/s
15.		Sony A7R III	3686		3.0 / 1440	tilting		1/8000s	10.0/s
16.		Sony A7R IIIA	3686		3.0 / 2340	tilting		1/8000s	10.0/s
17.		Sony A7R IV	5760		3.0 / 1440	tilting		1/8000s	10.0/s
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
		Camera Model

One feature that is present on the Z7, but is missing on the E-620 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon Z7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The Z7 writes its imaging data to XQD cards, while the E-620 uses Compact Flash or xD Picture cards. The E-620 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z7 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z7 and Olympus E-620 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon Z7		stereo / mono			micro	3.1
2.		Olympus E-620		/				2.0
3.		Canon R5		mono / mono			micro	3.2
4.		Nikon D850		stereo / mono			mini	3.0
5.		Nikon Z6		stereo / mono			micro	3.1
6.		Nikon Z7 II		stereo / mono			micro	3.2
7.		Nikon Z8		stereo / mono			full	3.2
8.		Olympus E-410		/				2.0
9.		Olympus E-420		/				2.0
10.		Olympus E-510		/				2.0
11.		Olympus E-520		/				2.0
12.		Olympus E-600		/				2.0
13.		Panasonic S1R		stereo / mono			full	3.1
14.		Sony A7R II		stereo / mono			micro	2.0
15.		Sony A7R III		stereo / mono			micro	3.1
16.		Sony A7R IIIA		stereo / mono			micro	3.2
17.		Sony A7R IV		stereo / mono			micro	3.1
		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
		Camera Model

It is notable that the Z7 offers wifi support, while the E-620 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the Z7 and the E-620 have been discontinued, but can regularly be found used on ebay. The E-620 was replaced by the Olympus E-600, while the Z7 was followed by the Nikon Z7 II. Further information on the features and operation of the Z7 and E-620 can be found, respectively, in the Nikon Z7 Manual (free pdf) or the online Olympus E-620 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Nikon Z7 and the Olympus E-620? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Nikon Z7:

• More detail: Offers more megapixels (45.4 vs 12.2MP) with a 97% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (44 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (5 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (4.3 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (2.3 stops ISO advantage).
• Broader imaging potential: Can record not only still images but also 4K/30p movies.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.48x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 230k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 9 years and 5 months of technical progress since the E-620 launch.

Arguments in favor of the Olympus E-620:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less heavy: Has a lower weight (by 154g or 23 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (500 versus 330) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in February 2009).

If the number of relative strengths (bullet points above) is taken as a guide, the Z7 is the clear winner of the match-up (26 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon Z7 and the Olympus E-620 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z7 or the E-620. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	US$ 3 399	ebay.com
2.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	US$ 699	ebay.com
3.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	US$ 3 899	amazon.com
4.		Nikon D850	4.5/5	+ +	5/5	89/100	4.5/5	5/5	Jul 2017	US$ 3 299	amazon.com
5.		Nikon Z6	5/5	..	5/5	89/100	4.5/5	5/5	Aug 2018	US$ 1 999	ebay.com
6.		Nikon Z7 II	4.5/5	..	4.5/5	..	4.5/5	4.5/5	Oct 2020	US$ 2 999	amazon.com
7.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	US$ 3 999	amazon.com
8.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	US$ 699	ebay.com
9.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	US$ 599	ebay.com
10.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	US$ 799	ebay.com
11.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	US$ 699	ebay.com
12.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	US$ 449	ebay.com
13.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	ebay.com
14.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	US$ 3 199	ebay.com
15.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	US$ 3 199	ebay.com
16.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	US$ 3 199	amazon.com
17.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	US$ 3 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
		Camera   Model

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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• Contax N Digital
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• Fujifilm GFX 50R
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• Kodak AZ901
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• Leica C-LUX
• Leica CL
• Leica D-LUX Typ 109
• Leica D-LUX 5
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• Leica M Typ 240
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• Nikon D7500
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• Olympus E-1
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• Olympus E-M10
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• Olympus E-M10 IV
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• Olympus E-PL5
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• Olympus Stylus 1
• Olympus Stylus 1s
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• Olympus XZ-1
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• OM System OM-1
• OM System OM-1 II
• OM System OM-3
• OM System OM-5
• OM System OM-5 II
• OM System TG-7
• Panasonic FZ80
• Panasonic FZ80D
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• Panasonic G9 II
• Panasonic G10
• Panasonic G85
• Panasonic G97
• Panasonic G95
• Panasonic G100
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• Panasonic GX1
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• Panasonic GX9
• Panasonic GX85
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• Panasonic L1
• Panasonic L10
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• Panasonic S9
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• Panasonic ZS70
• Panasonic ZS80
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• Pentax 645D
• Pentax 645Z
• Pentax K-1
• Pentax K-1 II
• Pentax K-3
• Pentax K-3 II
• Pentax K-3 III
• Pentax K-5
• Pentax K-5 II
• Pentax K-30
• Pentax K-50
• Pentax K-70
• Pentax K-500
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• Pentax K-S1
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• Pentax MX-1
• Pentax Q
• Pentax WG-8
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• Ricoh GR
• Ricoh GR II
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• Ricoh GR IIIx
• Ricoh WG-6
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• Samsung NX1
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• Sigma fp
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• Sony A1
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• Sony A7 IV
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• Sony A7C R
• Sony A7R
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• Sony A7R IIIA
• Sony A7R IV
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• Sony A7R V
• Sony A7S
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• Sony A9
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• Sony A58
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• Sony A850
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• Sony A5100
• Sony A6000
• Sony A6100
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• Sony H200
• Sony H300
• Sony H400
• Sony HX80
• Sony HX90V
• Sony HX95
• Sony HX99
• Sony HX350
• Sony HX400V
• Sony NEX-3
• Sony NEX-3N
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• Sony NEX-5R
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• Sony NEX-6
• Sony NEX-7
• Sony NEX-C3
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• Sony RX0
• Sony RX0 II
• Sony RX1
• Sony RX1R
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• Sony RX1R III
• Sony RX10
• Sony RX10 II
• Sony RX10 III
• Sony RX10 IV
• Sony RX100
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• Sony RX100 III
• Sony RX100 IV
• Sony RX100 V
• Sony RX100 VI
• Sony RX100 VII
• Sony WX800
• Sony ZV-1
• Sony ZV-1 II
• Sony ZV-1F
• Sony ZV-E1
• Sony ZV-E10
• Sony ZV-E10 II
• YI M1
• Zeiss ZX1

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