Nikon Z6 vs Panasonic S1
The Nikon Z6 and the Panasonic Lumix DC-S1 are two enthusiast cameras that were revealed to the public, respectively, in August 2018 and February 2019. Both the Z6 and the S1 are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Nikon has a resolution of 24.3 megapixels, whereas the Panasonic provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Nikon Z6||Panasonic S1|
|Mirrorless system camera||Mirrorless system camera|
|Nikon Z mount lenses||Leica L mount lenses|
|24.3 MP, Full Frame Sensor||24 MP, Full Frame Sensor|
|4K/30p Video||4K/60p Video|
|ISO 100-51200 (50-204800)||ISO 100-51200 (50-204800)|
|Electronic viewfinder (3690k dots)||Electronic viewfinder (5760k dots)|
|3.2" LCD, 2100k dots||3.2" LCD, 2100k dots|
|Tilting touchscreen||Fully flexible touchscreen|
|12 shutter flaps per second||9 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|310 shots per battery charge||400 shots per battery charge|
|134 x 101 x 67 mm, 675 g||149 x 110 x 97 mm, 1017 g|
Body comparison: Nikon Z6 vs Panasonic S1
The physical size and weight of the Nikon Z6 and the Panasonic S1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is notably larger (21 percent) than the Nikon Z6. Moreover, the S1 is substantially heavier (51 percent) than the Z6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z6 gets 310 shots out of its EN-EL15b battery, while the S1 can take 400 images on a single charge of its DMW-BLJ31 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Nikon Z6»||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||Nikon Z6|
|Panasonic S1«||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||Panasonic S1|
|Fujifilm X-H1« »||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Leica SL« »||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||Leica SL|
|Nikon Z7« »||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||Nikon Z7|
|Nikon D750« »||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299||Nikon D750|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic S1R« »||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||Panasonic S1R|
|Panasonic G9« »||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A7 III« »||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||Sony A9|
|Sony A99 II« »||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7 II« »||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A99« »||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||-||Sony A99|
|Sony A77« »||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||-||Sony A77|
|Sony A900« »||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999||-||Sony A900|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z6 was launched at a somewhat lower price (by 20 percent) than the S1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Nikon Z6 vs Panasonic S1
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the S1 is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.3MP, the Z6 offers a slightly higher resolution than the S1 (24MP), but the Z6 nevertheless has the same individual pixel size (pixel pitch of 5.94μm) as the S1 due to its larger sensor. Moreover, the S1 is a somewhat more recent model (by 5 months) than the Z6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Z6 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
Unlike the Z6, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon Z6 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800.. The Panasonic Lumix DC-S1 offers exactly the same ISO settings.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon Z6»||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Panasonic S1«||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||-||-||-||-||Panasonic S1R|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A99« »||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1 provides a faster frame rate than the Z6. It can shoot movie footage at 4K/60p, while the Nikon is limited to 4K/30p.
Feature comparison: Nikon Z6 vs Panasonic S1
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1 offers a substantially higher resolution than the one in the Z6 (5760k vs 3690k dots). The following table reports on some other key feature differences and similarities of the Nikon Z6, the Panasonic S1, and comparable cameras.
|Nikon Z6»||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Panasonic S1«||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A99« »||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z6 writes its imaging data to XQD cards, while the S1 uses SDHC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z6 only has one slot.
Connectivity comparison: Nikon Z6 vs Panasonic S1
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z6 and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon Z6»||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Panasonic S1«||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A99« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
Studio photographers will appreciate that the Panasonic S1 (unlike the Z6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the Z6 and the S1 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Nikon and Panasonic. Further information on the two cameras, as well as related accessories, can be found on the official Nikon and Panasonic websites.
Review summary: Nikon Z6 vs Panasonic S1
So how do things add up? Which of the two cameras – the Nikon Z6 or the Panasonic S1 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon Z6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.78x).
- Faster burst: Shoots at higher frequency (12 vs 9 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (134x101mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 342g or 34 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in August 2018).
Reasons to prefer the Panasonic Lumix DC-S1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 3690k dots).
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Gets more shots (400 versus 310) out of a single battery charge.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (5 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the S1 emerges as the winner of the match-up (11 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
Do the specifications of the Nikon Z6 and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing.In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z6 or the S1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Nikon Z6 vs Panasonic S1
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog).
|Nikon Z6»||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Panasonic S1«||++||-||-||-||4.5/5||Feb 2019||2,499||Panasonic S1|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Nikon Z7« »||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Nikon D750« »||++||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Olympus E-M1 II« »||++||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic S1R« »||-||-||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Panasonic G9« »||++||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||++||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Sony A7 III« »||++||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||++||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A99« »||-||84/100||4.5/5||o||4.5/5||Sep 2012||2,799||-||Sony A99|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Sony A900« »||++||++||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: ++) highly recommended; +) recommended; o) reviewed; -) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds vs Nikon D1X
- Canon T6 vs Leica M Typ 240
- Fujifilm X-A2 vs Pentax Q
- Fujifilm X-T10 vs Fujifilm X100F
- Fujifilm XP130 vs Panasonic G95
- Nikon D1 vs Fujifilm X-E2S
- Nikon D7500 vs Fujifilm X70
- Nikon D7500 vs Sony RX10
- Panasonic G80 vs Nikon D3000
- Pentax Q vs Canon G7 X Mark II
- Sony A9 vs Olympus E-M1
- Sony HX99 vs Panasonic FT7
Specifications: Nikon Z6 vs Panasonic S1
|Camera Model||Nikon Z6||Panasonic S1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon Z mount lenses||Leica L mount lenses|
|Launch Date||August 2018||February 2019|
|Launch Price||USD 1999||USD 2499|
|Sensor Specs||Nikon Z6||Panasonic S1|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 23.9 mm||35.6 x 23.8 mm|
|Sensor Area||858.01 mm2||847.28 mm2|
|Sensor Diagonal||43.1 mm||42.8 mm|
|Sensor Resolution||24.3 Megapixels||24 Megapixels|
|Image Resolution||6048 x 4024 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.94 μm||5.94 μm|
|Pixel Density||2.84 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||100-51200 ISO||100-51200 ISO|
|ISO Boost||50-204800 ISO||50-204800 ISO|
|Image Processor||EXPEED 6||Venus|
|DXO Sensor Quality (score)||95||95|
|DXO Color Depth (bits)||25.3||25.2|
|DXO Dynamic Range (EV)||14.3||14.5|
|DXO Low Light (ISO)||3299||3333|
|Screen Specs||Nikon Z6||Panasonic S1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||5760k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.2 inch|
|LCD Resolution||2100k dots||2100k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Shooting Specs||Nikon Z6||Panasonic S1|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||12 shutter flaps/s||9 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||400 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||XQD cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Nikon Z6||Panasonic S1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.1||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Nikon Z6||Panasonic S1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||EN-EL15b power pack||DMW-BLJ31 power pack|
|Battery Life (CIPA)||310 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||675 g (23.8 oz)||1017 g (35.9 oz)|
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