Nikon Z50 vs Panasonic LF1
The Nikon Z50 and the Panasonic Lumix DMC-LF1 are two digital cameras that were officially introduced, respectively, in October 2019 and April 2013. The Z50 is a mirrorless interchangeable lens camera, while the LF1 is a fixed lens compact. The cameras are based on an APS-C (Z50) and a 1/1.7-inch (LF1) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z50 and the Panasonic Lumix DMC-LF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon Z50 and the Panasonic LF1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LF1 is considerably smaller (47 percent) than the Nikon Z50. It is worth mentioning in this context that the Z50 is splash and dust resistant, while the LF1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the Z50 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon Z50||127 mm||94 mm||60 mm||450 g||320||Y||Oct 2019||859|
|2.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|3.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|5.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|6.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|7.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|8.||Nikon Z fc||135 mm||94 mm||44 mm||445 g||300||n||Jun 2021||959|
|9.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429|
|10.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|11.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|12.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|13.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|14.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|15.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|16.||Sony A6100||120 mm||67 mm||59 mm||396 g||420||n||Aug 2019||749|
|17.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LF1 was launched at a lower price than the Z50, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon Z50 features an APS-C sensor and the Panasonic LF1 a 1/1.7-inch sensor. The sensor area in the LF1 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.5. The sensor in the Z50 has a native 3:2 aspect ratio, while the one in the LF1 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 20.7MP, the Z50 offers a higher resolution than the LF1 (12MP), but the Z50 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 1.89μm for the LF1) due to its larger sensor. Moreover, the Z50 is a much more recent model (by 6 years and 5 months) than the LF1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the Z50 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon Z50 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z50 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Z50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Z50 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 100-204800. The corresponding ISO settings for the Panasonic Lumix DMC-LF1 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|8.||Nikon Z fc||APS-C||20.7||5568||3712||4K/30p||24.2||13.8||2131||85|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z50 provides a higher video resolution than the LF1. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z50 offers a substantially higher resolution than the one in the LF1 (2360k vs 200k dots). The adjacent table lists some of the other core features of the Nikon Z50 and Panasonic LF1 along with similar information for a selection of comparators.
|1.||Nikon Z50||2360||n||3.2 / 1040||tilting||Y||1/4000s||11.0/s||Y||n|
|2.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0/s||Y||Y|
|3.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|5.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1/s||Y||Y|
|6.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|7.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|8.||Nikon Z fc||2360||Y||3.0 / 1040||swivel||Y||1/4000s||11.0/s||n||n|
|9.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|10.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|11.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0/s||Y||Y|
|12.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|13.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|14.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|15.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|16.||Sony A6100||1440||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|17.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The Z50 has a touchscreen, while the LF1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The Z50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LF1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z50 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z50 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Z50 and the LF1 write their files to SDXC cards. The Z50 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the LF1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z50 and Panasonic Lumix DMC-LF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon Z50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|6.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|8.||Nikon Z fc||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|9.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|10.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|13.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|16.||Sony A6100||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|17.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the Z50 has a hotshoe, while the LF1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the Z50 and the LF1 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Nikon and Panasonic. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So how do things add up? Which of the two cameras – the Nikon Z50 or the Panasonic LF1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon Z50:
- More detail: Offers more megapixels (20.7 vs 12MP) with a 34% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 200k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (320 versus 250) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
- More modern: Reflects 6 years and 5 months of technical progress since the LF1 launch.
Advantages of the Panasonic Lumix DMC-LF1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has an integrated lens, whereas the Z50 necessitates an extra lens.
- More compact: Is smaller (103x62mm vs 127x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the Z50).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in April 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the Z50 is the clear winner of the match-up (24 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z50 and the Panasonic LF1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z50 or the LF1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon Z50||5/5||..||5/5||85/100||4.5/5||4.5/5||Oct 2019||859|
|2.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499|
|3.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|5.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|6.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|7.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|8.||Nikon Z fc||4/5||..||4.5/5||86/100||5/5||4.5/5||Jun 2021||959|
|9.||Nikon D3500||..||..||4/5||75/100||4/5||4.5/5||Aug 2018||429|
|10.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|11.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|12.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|13.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|14.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|15.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899|
|16.||Sony A6100||..||..||4/5||82/100||4/5||5/5||Aug 2019||749|
|17.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 50D vs Nikon Z50
- Canon 650D vs Panasonic LF1
- Canon 7D II vs Panasonic LF1
- Canon G7 X vs Panasonic LF1
- Canon SX740 vs Panasonic LF1
- Fujifilm X-Pro2 vs Nikon Z50
- Fujifilm XP120 vs Nikon Z50
- Nikon D80 vs Panasonic LF1
- Nikon Z50 vs Olympus E-P1
- Nikon Z50 vs Olympus E-PL8
- Nikon Z50 vs Pentax K-3
- Panasonic LF1 vs Sony RX100 IV
Specifications: Nikon Z50 vs Panasonic LF1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z50||Panasonic LF1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||28-200mm f/2.0-5.9|
|Launch Date||October 2019||April 2013|
|Launch Price||USD 859||USD 499|
|Sensor Specs||Nikon Z50||Panasonic LF1|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||23.5 x 15.7 mm||7.6 x 5.7 mm|
|Sensor Area||368.95 mm2||43.32 mm2|
|Sensor Diagonal||28.3 mm||9.5 mm|
|Sensor Resolution||20.7 Megapixels||12 Megapixels|
|Image Resolution||5568 x 3712 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.22 μm||1.89 μm|
|Pixel Density||5.60 MP/cm2||27.70 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||100 - 51,200 ISO||80 - 6,400 ISO|
|ISO Boost||100 - 204,800 ISO||80 - 12,800 ISO|
|Image Processor||EXPEED 6||Venus|
|DXO Sensor Quality (score)||..||52|
|DXO Color Depth (bits)||..||20.8|
|DXO Dynamic Range (EV)||..||11.6|
|DXO Low Light (ISO)||..||211|
|Screen Specs||Nikon Z50||Panasonic LF1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||200k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon Z50||Panasonic LF1|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||no|
|Connectivity Specs||Nikon Z50||Panasonic LF1|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon Z50||Panasonic LF1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||320 shots per charge||250 shots per charge|
|In-Camera Charging||USB charging||USB charging|
127 x 94 x 60 mm
(5.0 x 3.7 x 2.4 in)
103 x 62 x 28 mm
(4.1 x 2.4 x 1.1 in)
|Camera Weight||450 g (15.9 oz)||192 g (6.8 oz)|
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