Nikon D700 vs Panasonic FZ200
The Nikon D700 and the Panasonic Lumix DMC-FZ200 are two digital cameras that were revealed to the public, respectively, in July 2008 and July 2012. The D700 is a DSLR, while the FZ200 is a fixed lens compact. The cameras are based on a full frame (D700) and a 1/2.3-inch (FZ200) sensor. The Nikon has a resolution of 12.1 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D700 and the Panasonic Lumix DMC-FZ200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D700 and the Panasonic FZ200. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ200 is considerably smaller (40 percent) than the Nikon D700. It is worth mentioning in this context that the D700 is splash and dust resistant, while the FZ200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ200 has a lens built in, whereas the D700 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D700 and their specifications in the Nikon Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D700||5.8 in||4.8 in||3.0 in||37.9 oz||1000||Y||Jul 2008||2,999|
|Panasonic FZ200||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599|
|Canon SX60||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549|
|Canon SX50||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429|
|Canon 5D||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299|
|Nikon D810||5.7 in||4.8 in||3.2 in||34.6 oz||1200||Y||Jun 2014||3,299|
|Nikon Df||5.7 in||4.3 in||2.6 in||26.8 oz||1400||Y||Nov 2013||2,749|
|Nikon D800||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999|
|Nikon D800E||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299|
|Nikon D3S||6.3 in||6.2 in||3.5 in||43.7 oz||4200||Y||Oct 2009||5,199|
|Nikon D300S||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799|
|Nikon D3X||6.3 in||6.2 in||3.5 in||44.4 oz||4400||Y||Dec 2008||7,999|
|Nikon D3||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999|
|Nikon D300||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799|
|Panasonic FZ300||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599|
|Panasonic FZ150||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499|
|Panasonic FZ100||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ200 was launched at a lower price than the D700, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D700 features a full frame sensor and the Panasonic FZ200 a 1/2.3-inch sensor. The sensor area in the FZ200 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the D700 has a native 3:2 aspect ratio, while the one in the FZ200 offers a 4:3 aspect.
With 12.1MP, the D700 offers a slightly higher resolution than the FZ200 (12MP), but the D700 nevertheless has larger individual pixels (pixel pitch of 8.43μm versus 1.53μm for the FZ200) due to its larger sensor. However, the FZ200 is a much more recent model (by 4 years) than the D700, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Nikon D700 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ200 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D700 provides substantially higher image quality than the FZ200, with an overall score that is 43 points higher. This advantage is based on 4.4 bits higher color depth, 1.4 EV in additional dynamic range, and 4.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ200 indeed provides for movie recording, while the D700 does not. The highest resolution format that the FZ200 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ200 has an electronic viewfinder (1312k dots), while the D700 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ200 offers a wider field of view (100%) than the one in the D700 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the D700 has a higher magnification (0.72x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D700 and Panasonic FZ200 along with similar information for a selection of comparators.
One feature that is present on the D700, but is missing on the FZ200 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ200 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D700 does not have a selfie-screen.
The Nikon D700 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D700 writes its imaging data to Compact Flash cards, while the FZ200 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D700 and Panasonic Lumix DMC-FZ200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
Studio photographers will appreciate that the Nikon D700 (unlike the FZ200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D700 and the FZ200 have been discontinued, but can regularly be found used on eBay. The D700 was replaced by the Nikon D800, while the FZ200 was followed by the Panasonic FZ300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Panasonic websites.
So what conclusions can be drawn? Is the Nikon D700 better than the Panasonic FZ200 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D700:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (43 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (4.3 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1000 versus 540) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in July 2008).
Arguments in favor of the Panasonic Lumix DMC-FZ200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the D700 requires a separate lens.
- More compact: Is smaller (125x87mm vs 147x123mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D700).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years of technical progress since the D700 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D700 emerges as the winner of the contest (16 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D700 and the Panasonic FZ200 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the D700 or the FZ200 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D700||89/100||+ +||4.5/5||5/5||4.5/5||Jul 2008||2,999|
|Panasonic FZ200||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Canon SX60||+ +||75/100||4/5||..||4.5/5||Sep 2014||549|
|Canon SX50||+ +||72/100||4.5/5||..||4.5/5||Sep 2012||429|
|Canon 5D||88/100||+ +||o||o||..||Aug 2005||3,299|
|Nikon D810||..||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299|
|Nikon Df||..||81/100||4/5||4/5||4/5||Nov 2013||2,749|
|Nikon D800||+ +||82/100||5/5||5/5||5/5||Feb 2012||2,999|
|Nikon D800E||..||84/100||5/5||4.5/5||5/5||Feb 2012||3,299|
|Nikon D3S||..||89/100||4.5/5||5/5||5/5||Oct 2009||5,199|
|Nikon D300S||+ +||82/100||4/5||5/5||4.5/5||Jul 2009||1,799|
|Nikon D3X||..||86/100||4/5||5/5||5/5||Dec 2008||7,999|
|Nikon D3||..||+ +||5/5||o||4.5/5||Aug 2007||4,999|
|Nikon D300||+ +||+ +||5/5||o||4.5/5||Aug 2007||1,799|
|Panasonic FZ300||+ +||..||4.5/5||4.5/5||4.5/5||Jul 2015||599|
|Panasonic FZ150||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499|
|Panasonic FZ100||+||..||4.5/5||..||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X Mark II vs Nikon D700
- Canon 5DS R vs Nikon D700
- Canon G15 vs Panasonic FZ200
- Canon G5 X vs Nikon D700
- Fujifilm X10 vs Nikon D700
- Leica S Typ 006 vs Nikon D700
- Nikon D5 vs Panasonic FZ200
- Nikon D700 vs Sony RX1
- Olympus E-PL9 vs Panasonic FZ200
- Panasonic FZ200 vs Ricoh GR II
- Panasonic FZ200 vs Sony NEX-F3
Specifications: Nikon D700 vs Panasonic FZ200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D700||Panasonic FZ200|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||25-600mm f/2.8|
|Launch Date||July 2008||July 2012|
|Launch Price||USD 2,999||USD 599|
|Sensor Specs||Nikon D700||Panasonic FZ200|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 23.9 mm||6.17 x 4.55 mm|
|Sensor Area||860.4 mm2||28.0735 mm2|
|Sensor Diagonal||43.2 mm||7.7 mm|
|Sensor Resolution||12.1 Megapixels||12 Megapixels|
|Image Resolution||4256 x 2832 pixels||4000 x 3000 pixels|
|Pixel Pitch||8.43 μm||1.53 μm|
|Pixel Density||1.40 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||200 - 6,400 ISO||100 - 3,200 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 6,400 ISO|
|Image Processor||EXPEED||Venus VII FHD|
|DXO Sensor Quality (score)||80||37|
|DXO Color Depth (bits)||23.5||19.1|
|DXO Dynamic Range (EV)||12.2||10.8|
|DXO Low Light (ISO)||2303||114|
|Screen Specs||Nikon D700||Panasonic FZ200|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1312k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Nikon D700||Panasonic FZ200|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||12 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D700||Panasonic FZ200|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Nikon D700||Panasonic FZ200|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1000 shots per charge||540 shots per charge|
147 x 123 x 77 mm
(5.8 x 4.8 x 3.0 in)
125 x 87 x 110 mm
(4.9 x 3.4 x 4.3 in)
|Camera Weight||1074 g (37.9 oz)||588 g (20.7 oz)|
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