Nikon D700 vs Pentax MX-1
The Nikon D700 and the Pentax MX-1 are two digital cameras that were officially introduced, respectively, in July 2008 and January 2013. The D700 is a DSLR, while the MX-1 is a fixed lens compact. The cameras are based on a full frame (D700) and a 1/1.7-inch (MX-1) sensor. The Nikon has a resolution of 12.1 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D700||Pentax MX-1|
|Digital single lens reflex||Fixed lens compact camera|
|Nikon F mount lenses||28-112mm f/1.8-2.5|
|12.1 MP, Full Frame Sensor||12 MP, 1/1.7" Sensor|
|no Video||1080/30p Video|
|ISO 200-6400 (100-25600)||ISO 100-12800|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0" LCD, 922k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|8 shutter flaps per second||1 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Not weather sealed|
|1000 shots per battery charge||290 shots per battery charge|
|147 x 123 x 77 mm, 1074 g||122 x 61 x 51 mm, 391 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D700 and the Pentax MX-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D700 and the Pentax MX-1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax MX-1 is considerably smaller (59 percent) than the Nikon D700. It is worth mentioning in this context that the D700 is splash and dust resistant, while the MX-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the MX-1 has a lens built in, whereas the D700 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D700 and their specifications in the Nikon Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D700»||5.8 in||4.8 in||3.0 in||37.9 oz||1000||Y||Jul 2008||2,999||Nikon D700|
|Pentax MX-1«||4.8 in||2.4 in||2.0 in||13.8 oz||290||n||Jan 2013||499||Pentax MX-1|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||Canon G15|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||Canon 5D|
|Nikon D810« »||5.7 in||4.8 in||3.2 in||34.6 oz||1200||Y||Jun 2014||3,299||Nikon D810|
|Nikon Df« »||5.7 in||4.3 in||2.6 in||26.8 oz||1400||Y||Nov 2013||2,749||Nikon Df|
|Nikon P7800« »||4.7 in||3.1 in||2.0 in||14.1 oz||350||n||Sep 2013||549||Nikon P7800|
|Nikon D800« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999||Nikon D800|
|Nikon D800E« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299||Nikon D800E|
|Nikon D3S« »||6.3 in||6.2 in||3.5 in||43.7 oz||4200||Y||Oct 2009||5,199||Nikon D3S|
|Nikon D300S« »||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||Nikon D300S|
|Nikon D3X« »||6.3 in||6.2 in||3.5 in||44.4 oz||4400||Y||Dec 2008||7,999||Nikon D3X|
|Nikon D3« »||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999||Nikon D3|
|Nikon D300« »||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799||Nikon D300|
|Olympus XZ-2« »||4.4 in||2.6 in||1.9 in||12.2 oz||340||n||Sep 2012||599||Olympus XZ-2|
|Panasonic LF1« »||4.1 in||2.4 in||1.1 in||6.8 oz||250||n||Apr 2013||499||Panasonic LF1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The MX-1 was launched at a lower price than the D700, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D700 features a full frame sensor and the Pentax MX-1 a 1/1.7-inch sensor. The sensor area in the MX-1 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.5. The sensor in the D700 has a native 3:2 aspect ratio, while the one in the MX-1 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 12.1MP, the D700 offers a slightly higher resolution than the MX-1 (12MP), but the D700 nevertheless has larger individual pixels (pixel pitch of 8.43μm versus 1.89μm for the MX-1) due to its larger sensor. However, the MX-1 is a much more recent model (by 4 years and 6 months) than the D700, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Nikon D700 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax MX-1 are ISO 100 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the D700 provides substantially higher image quality than the MX-1, with an overall score that is 31 points higher. This advantage is based on 3.1 bits higher color depth, 0.9 EV in additional dynamic range, and 3.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80||Nikon D700|
|Pentax MX-1||1/1.7||12.0||4000||3000||1080/30p||20.4||11.3||208||49||Pentax MX-1|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71||Canon 5D|
|Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89||Nikon Df|
|Nikon P7800||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95||Nikon D800|
|Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96||Nikon D800E|
|Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82||Nikon D3S|
|Nikon D300S||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88||Nikon D3X|
|Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81||Nikon D3|
|Nikon D300||APS-C||12.2||4288||2848||none||22.1||12.0||679||67||Nikon D300|
|Olympus XZ-2||1/1.7||11.8||3968||2976||1080/30p||20.4||11.3||216||49||Olympus XZ-2|
|Panasonic LF1||1/1.7||12.0||4000||3000||1080/60i||20.8||11.6||211||52||Panasonic LF1|
Many modern cameras are not only capable of taking still images, but can also record movies. The MX-1 indeed provides for movie recording, while the D700 does not. The highest resolution format that the MX-1 can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D700 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the MX-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Nikon D700, the Pentax MX-1, and comparable cameras.
|Nikon D700||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
|Pentax MX-1||none||n||3.0||920||tilting||n||1/8000s||1.0||Y||Y||Pentax MX-1|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon 5D||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Nikon D810||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Nikon Df||optical||Y||3.2||921||fixed||n||1/4000s||5.5||n||n||Nikon Df|
|Nikon P7800||921||n||3.0||921||swivel||n||1/4000s||8.0||Y||Y||Nikon P7800|
|Nikon D800||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800|
|Nikon D800E||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800E|
|Nikon D3S||optical||Y||3.0||921||fixed||n||1/8000s||11.0||n||n||Nikon D3S|
|Nikon D300S||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Nikon D3X||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||n||Nikon D3X|
|Nikon D3||optical||Y||3.0||922||fixed||n||1/8000s||11.0||n||n||Nikon D3|
|Nikon D300||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Olympus XZ-2||optional||n||3.0||920||tilting||Y||1/2000s||5.0||Y||Y||Olympus XZ-2|
|Panasonic LF1||200||n||3.0||920||fixed||n||1/4000s||10.0||Y||Y||Panasonic LF1|
One feature that is present on the D700, but is missing on the MX-1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D700 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D700 writes its imaging data to Compact Flash cards, while the MX-1 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D700 and Pentax MX-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D700||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D700|
|Pentax MX-1||-||stereo||mono||-||-||mini||2.0||-||-||-||Pentax MX-1|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon 5D||Y||none||none||-||-||none||2.0||-||-||-||Canon 5D|
|Nikon D810||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Nikon Df||Y||none||none||-||-||mini||2.0||-||-||-||Nikon Df|
|Nikon P7800||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Nikon D800||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800|
|Nikon D800E||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800E|
|Nikon D3S||Y||stereo||none||-||-||mini||2.0||-||-||-||Nikon D3S|
|Nikon D300S||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Nikon D3X||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D3X|
|Nikon D3||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D3|
|Nikon D300||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D300|
|Olympus XZ-2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus XZ-2|
|Panasonic LF1||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic LF1|
It is notable that the D700 has a hotshoe, while the MX-1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Nikon D700 (unlike the MX-1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D700 and the MX-1 have been discontinued, but can regularly be found used on eBay. The D700 was replaced by the Nikon D800, while the MX-1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Pentax websites.
So what conclusions can be drawn? Which of the two cameras – the Nikon D700 or the Pentax MX-1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon D700:
- Better image quality: Scores substantially higher (31 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.5 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster burst: Shoots at higher frequency (8 vs 1 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1000 versus 290) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in July 2008).
Arguments in favor of the Pentax MX-1:
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Ready to shoot: Comes with an integrated lens, while the D700 requires a separate lens.
- More compact: Is smaller (122x61mm vs 147x123mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D700).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 6 months of technical progress since the D700 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D700 is the clear winner of the match-up (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D700 and the Pentax MX-1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D700 and the MX-1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Nikon D700 vs Pentax MX-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D700||Pentax MX-1|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Nikon F mount lenses||28-112mm f/1.8-2.5|
|Launch Date||July 2008||January 2013|
|Launch Price||USD 2999||USD 499|
|Sensor Specs||Nikon D700||Pentax MX-1|
|Sensor Format||Full Frame Sensor||1/1.7" Sensor|
|Sensor Size||36.0 x 23.9 mm||7.6 x 5.7 mm|
|Sensor Area||860.4 mm2||43.32 mm2|
|Sensor Diagonal||43.2 mm||9.5 mm|
|Sensor Resolution||12.1 Megapixels||12 Megapixels|
|Image Resolution||4256 x 2832 pixels||4000 x 3000 pixels|
|Pixel Pitch||8.43 μm||1.89 μm|
|Pixel Density||1.40 MP/cm2||27.70 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/30p Video|
|ISO Setting||200-6400 ISO||100-12800 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|DXO Sensor Quality (score)||80||49|
|DXO Color Depth (bits)||23.5||20.4|
|DXO Dynamic Range (EV)||12.2||11.3|
|DXO Low Light (ISO)||2303||208|
|Screen Specs||Nikon D700||Pentax MX-1|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Nikon D700||Pentax MX-1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||1 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon D700||Pentax MX-1|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Nikon D700||Pentax MX-1|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1000 shots per charge||290 shots per charge|
147 x 123 x 77 mm
(5.8 x 4.8 x 3.0 in)
122 x 61 x 51 mm
(4.8 x 2.4 x 2.0 in)
|Camera Weight||1074 g (37.9 oz)||391 g (13.8 oz)|
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