Nikon D5300 versus Pentax K-1
The Nikon D5300 and the Pentax K-1 are two digital cameras that were announced, respectively, in October 2013 and February 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (D5300) and a full frame (K-1) sensor. The Nikon has a resolution of 24 megapixel, whereas the Pentax provides 36.2 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Nikon D5300 vs Pentax K-1
The physical size and weight of the Nikon D5300 and the Pentax K-1 are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the D5300 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 is notably larger (23 percent) than the Nikon D5300. Moreover, the K-1 is substantially heavier (110 percent) than the D5300. It is noteworthy in this context that the K-1 is splash and dust-proof, while the D5300 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Nikon D5300»||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-|
|Pentax K-1«||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799||-|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||849||-|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-|
|Nikon D3200« »||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599||-|
|Nikon D5200« »||5.1 in||3.9 in||3.1 in||19.6 oz||500||n||Nov 2012||749||-|
|Nikon D5100« »||5.0 in||3.8 in||3.1 in||19.8 oz||660||n||Apr 2011||749||-|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999|
|Pentax K-1 II« »||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5300 was launched at a markedly lower price (by 56 percent) than the K-1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Nikon D5300 vs Pentax K-1
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5300 features an APS-C sensor and the Pentax K-1 a full frame sensor. The sensor area in the K-1 is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the K-1 offers a higher resolution than the D5300 (24MP), but the K-1 nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.91μm for the D5300) due to its larger sensor. Moreover, the K-1 is a much more recent model (by 2 years and 4 months) than the D5300, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the D5300, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the K-1 offers substantially better image quality than the D5300 (overall score 13 points higher). The advantage is based on 1.4 bits higher color depth, 0.7 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Pentax K-1«||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82|
|Nikon D3200« »||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81|
|Nikon D5200« »||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84|
|Nikon D5100« »||APS-C||16.1||4928||3264||1080/30p||23.5||13.6||1183||80|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Pentax K-1 II« »||Full Frame||36.2||7360||4912||1080/60i||-||-||-||-|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D5300 provides a higher frame rate than the K-1. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.
Feature comparison: Nikon D5300 vs Pentax K-1
Apart from body and sensor, cameras can and do differ across a variety of features. The D5300 and the K-1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Nikon D5300 and Pentax K-1 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||4000||5.0||Y||n|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||2000||6.5||Y||Y|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n|
|Nikon D3200« »||optical||n||3.0||921||fixed||n||4000||4.0||Y||n|
|Nikon D5200« »||optical||n||3.0||921||swivel||n||4000||5.0||Y||n|
|Nikon D5100« »||optical||n||3.0||921||swivel||n||4000||4.0||Y||n|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y|
|Pentax K-1 II« »||optical||Y||3.2||1037||full-flex||n||8000||4.4||n||Y|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||8000||12.0||n||Y|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y|
Both the D5300 and the K-1 have been discontinued, but can regularly be found used on eBay. The D5300 was replaced by the Nikon D5500, while the K-1 was followed by the Pentax K-1 II.
Review summary: Nikon D5300 vs Pentax K-1
So what is the bottom line? Which of the two cameras – the Nikon D5300 or the Pentax K-1 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon D5300:
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Faster burst: Shoots at higher frequency (5 vs 4.4 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (125x98mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 530g or 52 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in October 2013).
Reasons to prefer the Pentax K-1:
- More detail: Has more megapixels (36.2 vs 24MP), which boosts linear resolution by 23%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Longer lasting: Gets more shots (760 versus 600) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Reflects 2 years and 4 months of technical progress since the D5300 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the K-1 is the clear winner of the contest (12 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the D5300 or the K-1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Nikon D5300»||HiRec||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-|
|Pentax K-1«||-||84/100||5/5||4.5/5||5/5||Feb 2016||1,799||-|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-|
|Canon T6s« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||849||-|
|Canon G7 X« »||HiRec||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-|
|Nikon D3400« »||Rec||76/100||4/5||4.5/5||4.5/5||Aug 2016||499|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699|
|Nikon D5500« »||Rec||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-|
|Nikon D3300« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-|
|Nikon D3200« »||HiRec||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599||-|
|Nikon D5200« »||HiRec||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749||-|
|Nikon D5100« »||HiRec||76/100||4.5/5||5/5||4.5/5||Apr 2011||749||-|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Pentax K-1 II« »||-||79/100||4.5/5||-||4.5/5||Feb 2018||1,999|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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