Nikon D4S vs Sony A7R III
The Nikon D4S and the Sony Alpha A7R III are two digital cameras that were revealed to the public, respectively, in February 2014 and October 2017. The D4S is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Nikon has a resolution of 16.2 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D4S and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D4S and the Sony A7R III. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is considerably smaller (51 percent) than the Nikon D4S. Moreover, the A7R III is substantially lighter (52 percent) than the D4S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D4S) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the A7R III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D4S gets 3020 shots out of its EN-EL18a battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. As can be seen in the images above, the D4S has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7R III, Sony provides the VG-C3EM vertical grip as an optional accessory (see here on eBay). The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|2.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|3.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|4.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|5.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|6.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|7.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|8.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|9.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|10.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|11.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|12.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|13.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|14.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|15.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|16.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|17.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7R III was launched at a markedly lower price (by 51 percent) than the D4S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the D4S (16.2MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 7.29μm for the D4S). Yet, the A7R III is a much more recent model (by 3 years and 7 months) than the D4S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Nikon D4S are 24.6 x 16.4 inches or 62.6 x 41.7 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.3 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.8 cm for excellent quality prints.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the D4S, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon D4S has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-409600. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7R III offers substantially better image quality than the D4S (overall score 11 points higher). The advantage is based on 1.6 bits higher color depth, 1.4 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|2.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|3.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|4.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|5.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|6.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|7.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|8.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|9.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|10.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|11.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|12.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|13.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|14.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|15.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|16.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|17.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R III provides a better video resolution than the D4S. It can shoot movie footage at 4K/30p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the D4S has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7R III has a higher magnification than the one of the D4S (0.78x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D4S and Sony A7R III in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|2.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|3.||Canon 1D X||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0/s||n||n|
|4.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|5.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|6.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0/s||Y||n|
|7.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5/s||n||n|
|8.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|9.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|10.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0/s||n||n|
|11.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||n|
|12.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0/s||n||n|
|13.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|14.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|15.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|16.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the D4S, but is missing on the A7R III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D4S and the Sony A7R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D4S writes its imaging data to Compact Flash or XQD cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D4S and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|2.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Canon 1D X||Y||mono / -||Y||-||mini||2.0||-||-||-|
|4.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|5.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|6.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|7.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|10.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|15.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|16.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D4S does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the D4S and the A7R III have been discontinued, but can regularly be found used on eBay. The D4S was replaced by the Nikon D5, while the A7R III was followed by the Sony A7R IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what is the bottom line? Which of the two cameras – the Nikon D4S or the Sony A7R III – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D4S:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (3020 versus 650) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in February 2014).
Reasons to prefer the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 16.2MP), which boosts linear resolution by 61%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (127x96mm vs 160x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 700g or 52 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (51 percent cheaper at launch).
- More modern: Reflects 3 years and 7 months of technical progress since the D4S launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7R III is the clear winner of the contest (25 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D4S and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D4S and the A7R III in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|2.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|3.||Canon 1D X||5/5||..||..||..||4.5/5||4.5/5||Oct 2011||6,799|
|4.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|5.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|6.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|7.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|8.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|9.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|10.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|11.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|12.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|13.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|14.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|15.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|16.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|17.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 60D vs Sony A7R III
- Canon S120 vs Sony A7R III
- Fujifilm X-E2 vs Nikon D4S
- Nikon D100 vs Sony A7R III
- Nikon D3S vs Nikon D4S
- Nikon D4S vs Olympus E-3
- Nikon D4S vs Olympus E-600
- Nikon D4S vs Ricoh WG-60
- Nikon D4S vs Sony A6500
- Olympus TG-4 vs Sony A7R III
- Panasonic GH3 vs Sony A7R III
- Sony A6500 vs Sony A7R III
Specifications: Nikon D4S vs Sony A7R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D4S||Sony A7R III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||February 2014||October 2017|
|Launch Price||USD 6,499||USD 3,199|
|Sensor Specs||Nikon D4S||Sony A7R III|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 23.9 mm||35.9 x 24.0 mm|
|Sensor Area||860.4 mm2||861.6 mm2|
|Sensor Diagonal||43.2 mm||43.2 mm|
|Sensor Resolution||16.2 Megapixels||42.2 Megapixels|
|Image Resolution||4928 x 3280 pixels||7952 x 5304 pixels|
|Pixel Pitch||7.29 μm||4.52 μm|
|Pixel Density||1.88 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 32,000 ISO|
|ISO Boost||50 - 409,600 ISO||50 - 102,400 ISO|
|Image Processor||EXPEED 4||BIONZ X|
|DXO Sensor Quality (score)||89||100|
|DXO Color Depth (bits)||24.4||26.0|
|DXO Dynamic Range (EV)||13.3||14.7|
|DXO Low Light (ISO)||3074||3523|
|Screen Specs||Nikon D4S||Sony A7R III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3686k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||921k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D4S||Sony A7R III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||500 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Nikon D4S||Sony A7R III|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon D4S||Sony A7R III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||3020 shots per charge||650 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
160 x 157 x 91 mm
(6.3 x 6.2 x 3.6 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||1350 g (47.6 oz)||650 g (22.9 oz)|
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