Nikon D3400 versus Canon 200D
The Nikon D3400 and the Canon EOS 200D (labelled Canon SL2 in some countries) are two digital cameras that were revealed to the public, respectively, in August 2016 and June 2017. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel.
The side-by-side display below illustrates the physical size and weight of the Nikon D3400 and the Canon 200D. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the D3400 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 200D is notably smaller (7 percent) than the Nikon D3400. However, the 200D is slightly heavier (2 percent) than the D3400. In this context, it is worth noting that neither the D3400 nor the 200D are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Nikon Lens Catalog (D3400) and the Canon EF Lens Catalog (200D).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Nikon D3400 (⇒ rgt)||124 mm||98 mm||76 mm||445 g||1200||no||2016||499||latest||check|
|Canon 200D (⇒ lft)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon 2000D (⇒ lft | rgt)||129 mm||101 mm||78 mm||475 g||500||no||2018||449||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon 800D (⇒ lft | rgt)||131 mm||100 mm||76 mm||532 g||600||no||2017||749||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon 100D (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Nikon D5600 (⇒ lft | rgt)||124 mm||97 mm||70 mm||465 g||970||no||2016||699||latest||check|
|Nikon D5500 (⇒ lft | rgt)||124 mm||97 mm||70 mm||420 g||820||no||2015||899||discont.||check|
|Nikon D3300 (⇒ lft | rgt)||124 mm||98 mm||76 mm||430 g||700||no||2014||499||discont.||check|
|Nikon D5300 (⇒ lft | rgt)||125 mm||98 mm||76 mm||480 g||600||no||2013||799||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||125 mm||96 mm||77 mm||505 g||540||no||2012||599||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D3400 was somewhat cheaper (by 9 percent) than the 200D at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the 200D is 10 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (D3400) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the D3400 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the D3400 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the 200D), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the 200D is a somewhat more recent model (by 10 months) than the D3400, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the D3400 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D3400 has a notably higher overall DXO score than the 200D (overall score 7 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.2 bits higher color depth, 0.5 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon D3400 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Canon 200D (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon 2000D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||..||..||..||..|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon 800D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon 100D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Nikon D7500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D5600 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84|
|Nikon D5500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Nikon D3300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82|
|Nikon D5300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83|
|Nikon D3200 (⇒ lft | rgt)||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. The D3400 and the 200D are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Nikon D3400 and Canon 200D along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Nikon D3400 (⇒ rgt)||optical||no||3.0||921||fixed||no||4000||5.0||7||no|
|Canon 200D (⇒ lft)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon 2000D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon 800D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon 100D (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Nikon D7500 (⇒ lft | rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D5600 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Nikon D5500 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Nikon D3300 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||12||no|
|Nikon D5300 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||no||4000||5.0||12||no|
|Nikon D3200 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||4.0||12||no|
Both the D3400 and the 200D are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The D3400 replaced the earlier Nikon D3300, while the 200D followed on from the Canon 100D.
So what is the bottom line? Is the Nikon D3400 better than the Canon 200D or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D3400:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.2 bits more color depth).
- Longer lasting: Can take more shots (1200 versus 650) on a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in August 2016).
Advantages of the Canon EOS 200D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More modern: Was introduced somewhat (10 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (5 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D3400 or the 200D handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Nikon D3400 (⇒ rgt)||Rec||76/100||4/5||4.5/5||4.5/5||2016||499||latest||check|
|Canon 200D (⇒ lft)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon 2000D (⇒ lft | rgt)||..||..||..||..||..||2018||449||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon 800D (⇒ lft | rgt)||..||80/100 Gold||4.5/5||..||4/5||2017||749||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon 100D (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D5600 (⇒ lft | rgt)||-||79/100 Silver||4.5/5||4.5/5||4/5||2016||699||latest||check|
|Nikon D5500 (⇒ lft | rgt)||Rec||79/100 Silver||4.5/5||5/5||4.5/5||2015||899||discont.||check|
|Nikon D3300 (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2014||499||discont.||check|
|Nikon D5300 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4.5/5||4.5/5||2013||799||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||HiRec||73/100 Silver||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, kindly get in touch, and I will try to add information on that model to the database.
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