Nikon D300 vs Panasonic LX5
The Nikon D300 and the Panasonic Lumix DMC-LX5 are two digital cameras that were revealed to the public, respectively, in August 2007 and July 2010. The D300 is a DSLR, while the LX5 is a fixed lens compact. The cameras are based on an APS-C (D300) and a 1/1.7-inch (LX5) sensor. The Nikon has a resolution of 12.2 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D300 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Nikon D300 and the Panasonic LX5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The LX5 can be obtained in two different colors (black, white), while the D300 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is considerably smaller (57 percent) than the Nikon D300. It is worth mentioning in this context that the D300 is splash and dust resistant, while the LX5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX5 has a lens built in, whereas the D300 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D300 and their specifications in the Nikon Lens Catalog.
Concerning battery life, the D300 gets 1000 shots out of its Nikon EN-EL3e battery, while the LX5 can take 400 images on a single charge of its Panasonic DMW-BCJ13 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | 147 mm | 114 mm | 74 mm | 925 g | 1000 | Y | Aug 2007 | 1,799 | ebay.com | |
2. | Panasonic LX5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Jul 2010 | 499 | ebay.com | |
3. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
4. | Nikon D2X | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Sep 2004 | 4,999 | ebay.com | |
5. | Nikon D2Xs | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Jun 2006 | 4,699 | ebay.com | |
6. | Nikon D40X | 124 mm | 94 mm | 64 mm | 522 g | 520 | n | Mar 2007 | 729 | ebay.com | |
7. | Nikon D60 | 126 mm | 94 mm | 64 mm | 522 g | 500 | n | Jan 2008 | 629 | ebay.com | |
8. | Nikon D80 | 132 mm | 103 mm | 77 mm | 668 g | 600 | n | Aug 2006 | 999 | ebay.com | |
9. | Nikon D90 | 132 mm | 103 mm | 77 mm | 703 g | 850 | n | Aug 2008 | 1,299 | ebay.com | |
10. | Nikon D200 | 147 mm | 113 mm | 74 mm | 920 g | 400 | Y | Nov 2005 | 1,699 | ebay.com | |
11. | Nikon D300S | 147 mm | 115 mm | 81 mm | 938 g | 950 | Y | Jul 2009 | 1,799 | ebay.com | |
12. | Nikon D700 | 147 mm | 123 mm | 77 mm | 1074 g | 1000 | Y | Jul 2008 | 2,999 | ebay.com | |
13. | Nikon D7000 | 132 mm | 105 mm | 77 mm | 780 g | 1050 | Y | Sep 2010 | 1,499 | ebay.com | |
14. | Olympus XZ-1 | 111 mm | 65 mm | 42 mm | 275 g | 320 | n | Jan 2011 | 499 | ebay.com | |
15. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
16. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
17. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX5 was launched at a lower price than the D300, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D300 features an APS-C sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.4. The sensor in the D300 has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. The LX5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 12.2MP, the D300 offers a higher resolution than the LX5 (10MP), but the D300 nevertheless has larger individual pixels (pixel pitch of 5.53μm versus 2.14μm for the LX5) due to its larger sensor. However, the LX5 is a much more recent model (by 2 years and 10 months) than the D300, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon D300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D300 for good quality output (200 dots per inch) amounts to 21.4 x 14.2 inches or 54.5 x 36.2 cm, for very good quality (250 dpi) 17.2 x 11.4 inches or 43.6 x 28.9 cm, and for excellent quality (300 dpi) 14.3 x 9.5 inches or 36.3 x 24.1 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Nikon D300 has a native sensitivity range from ISO 200 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
In terms of underlying technology, the D300 is build around a CMOS sensor, while the LX5 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D300 provides substantially higher image quality than the LX5, with an overall score that is 26 points higher. This advantage is based on 2.5 bits higher color depth, 1.2 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 12.0 | 679 | 67 | |
2. | Panasonic LX5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.6 | 10.8 | 132 | 41 | |
3. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
4. | Nikon D2X | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 10.9 | 476 | 59 | |
5. | Nikon D2Xs | APS-C | 12.2 | 4288 | 2848 | none | 22.2 | 10.9 | 489 | 59 | |
6. | Nikon D40X | APS-C | 10.0 | 3872 | 2592 | none | 22.4 | 11.4 | 516 | 63 | |
7. | Nikon D60 | APS-C | 10.0 | 3872 | 2592 | none | 22.5 | 11.4 | 562 | 65 | |
8. | Nikon D80 | APS-C | 10.0 | 3872 | 2592 | none | 22.1 | 11.2 | 524 | 61 | |
9. | Nikon D90 | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.7 | 12.5 | 977 | 73 | |
10. | Nikon D200 | APS-C | 10.0 | 3872 | 2592 | none | 22.3 | 11.5 | 583 | 64 | |
11. | Nikon D300S | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.5 | 12.2 | 787 | 70 | |
12. | Nikon D700 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2303 | 80 | |
13. | Nikon D7000 | APS-C | 16.1 | 4928 | 3264 | 1080/24p | 23.5 | 13.9 | 1167 | 80 | |
14. | Olympus XZ-1 | 1/1.7 | 10.1 | 3664 | 2752 | 720/30p | 18.8 | 10.4 | 117 | 34 | |
15. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
16. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
17. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The LX5 indeed provides for movie recording, while the D300 does not. The highest resolution format that the LX5 can use is 720/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D300 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX5 relies on live view and the rear LCD for framing. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Nikon D300 and Panasonic LX5 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 6.0/s | Y | n | |
2. | Panasonic LX5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
3. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
4. | Nikon D2X | optical | Y | 2.5 / 235 | fixed | n | 1/8000s | 5.0/s | n | n | |
5. | Nikon D2Xs | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
6. | Nikon D40X | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
7. | Nikon D60 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
8. | Nikon D80 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Nikon D90 | optical | Y | 3.0 / 920 | fixed | n | 1/4000s | 4.5/s | Y | n | |
10. | Nikon D200 | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | Y | n | |
11. | Nikon D300S | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 7.0/s | Y | n | |
12. | Nikon D700 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 8.0/s | Y | n | |
13. | Nikon D7000 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 6.0/s | Y | n | |
14. | Olympus XZ-1 | optional | n | 3.0 / 614 | fixed | n | 1/2000s | 2.0/s | Y | Y | |
15. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
16. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
17. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the D300, but is missing on the LX5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D300 writes its imaging data to Compact Flash cards, while the LX5 uses SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D300 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
2. | Panasonic LX5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
3. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
4. | Nikon D2X | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Nikon D2Xs | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Nikon D40X | Y | - / - | - | - | - | 2.0 | - | - | - | |
7. | Nikon D60 | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Nikon D80 | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Nikon D90 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
10. | Nikon D200 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D300S | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
12. | Nikon D700 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
13. | Nikon D7000 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Olympus XZ-1 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
Studio photographers will appreciate that the Nikon D300 (unlike the LX5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D300 and the LX5 have been discontinued, but can regularly be found used on ebay. The D300 was replaced by the Nikon D300S, while the LX5 was followed by the Panasonic LX7. Further information on the features and operation of the D300 and LX5 can be found, respectively, in the Nikon D300 Manual (free pdf) or the online Panasonic LX5 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Nikon D300 and the Panasonic LX5? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon D300:
- More detail: Offers more megapixels (12.2 vs 10MP) with a 13% higher linear resolution.
- Better image quality: Scores substantially higher (26 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.4 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1000 versus 400) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Advantages of the Panasonic Lumix DMC-LX5:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 720/60p video.
- Ready to shoot: Comes with an integrated lens, while the D300 requires a separate lens.
- More compact: Is smaller (110x65mm vs 147x114mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the D300).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 10 months of technical progress since the D300 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the D300 is the clear winner of the match-up (16 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D300 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D300 and the LX5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon D300 | .. | + + | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 1,799 | ebay.com | |
2. | Panasonic LX5 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
3. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
4. | Nikon D2X | .. | .. | .. | + + | .. | .. | Sep 2004 | 4,999 | ebay.com | |
5. | Nikon D2Xs | .. | .. | .. | .. | .. | .. | Jun 2006 | 4,699 | ebay.com | |
6. | Nikon D40X | .. | 79/100 | .. | + + | 4/5 | 4/5 | Mar 2007 | 729 | ebay.com | |
7. | Nikon D60 | .. | 80/100 | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 629 | ebay.com | |
8. | Nikon D80 | .. | + | .. | + + | o | 4.5/5 | Aug 2006 | 999 | ebay.com | |
9. | Nikon D90 | .. | + + | .. | + + | 4/5 | 4.5/5 | Aug 2008 | 1,299 | ebay.com | |
10. | Nikon D200 | .. | + + | .. | + + | o | .. | Nov 2005 | 1,699 | ebay.com | |
11. | Nikon D300S | 5/5 | + + | .. | 82/100 | 4/5 | 4.5/5 | Jul 2009 | 1,799 | ebay.com | |
12. | Nikon D700 | .. | 89/100 | .. | + + | 4.5/5 | 4.5/5 | Jul 2008 | 2,999 | ebay.com | |
13. | Nikon D7000 | 4/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Sep 2010 | 1,499 | ebay.com | |
14. | Olympus XZ-1 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | Jan 2011 | 499 | ebay.com | |
15. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
16. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
17. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark II vs Nikon D300
- Fujifilm X-Pro1 vs Nikon D300
- Leica V-LUX Typ 114 vs Nikon D300
- Nikon D300 vs Olympus E-M10
- Nikon D300 vs Panasonic FZ2000
- Nikon D300 vs Panasonic G95
- Nikon D3100 vs Panasonic LX5
- Nikon D5600 vs Panasonic LX5
- Panasonic L1 vs Panasonic LX5
- Panasonic LX5 vs Sony A5100
- Panasonic LX5 vs Sony NEX-5N
- Panasonic LX5 vs Sony RX100 V
Specifications: Nikon D300 vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon D300 | Panasonic LX5 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Nikon F mount lenses | 24-90mm f/2.0-3.3 |
Launch Date | August 2007 | July 2010 |
Launch Price | USD 1,799 | USD 499 |
Sensor Specs | Nikon D300 | Panasonic LX5 |
Sensor Technology | CMOS | CCD |
Sensor Format | APS-C Sensor | 1/1.7" Sensor |
Sensor Size | 23.6 x 15.8 mm | 7.85 x 5.89 mm |
Sensor Area | 372.88 mm2 | 46.2365 mm2 |
Sensor Diagonal | 28.4 mm | 9.8 mm |
Crop Factor | 1.5x | 4.4x |
Sensor Resolution | 12.2 Megapixels | 10 Megapixels |
Image Resolution | 4288 x 2848 pixels | 3648 x 2736 pixels |
Pixel Pitch | 5.53 μm | 2.14 μm |
Pixel Density | 3.28 MP/cm2 | 21.59 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 720/60p Video |
ISO Setting | 200 - 3,200 ISO | 80 - 3,200 ISO |
ISO Boost | 100 - 6,400 ISO | 80 - 12,800 ISO |
Image Processor | EXPEED | Venus FHD |
DXO Sensor Quality (score) | 67 | 41 |
DXO Color Depth (bits) | 22.1 | 19.6 |
DXO Dynamic Range (EV) | 12.0 | 10.8 |
DXO Low Light (ISO) | 679 | 132 |
Screen Specs | Nikon D300 | Panasonic LX5 |
Viewfinder Type | Optical viewfinder | Viewfinder optional |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.63x | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 460k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Nikon D300 | Panasonic LX5 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 6 shutter flaps/s | 2.5 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | CF cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
Connectivity Specs | Nikon D300 | Panasonic LX5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Nikon D300 | Panasonic LX5 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Nikon EN-EL3e | Panasonic DMW-BCJ13 |
Battery Life (CIPA) | 1000 shots per charge | 400 shots per charge |
Body Dimensions |
147 x 114 x 74 mm (5.8 x 4.5 x 2.9 in) |
110 x 65 x 43 mm (4.3 x 2.6 x 1.7 in) |
Camera Weight | 925 g (32.6 oz) | 271 g (9.6 oz) |
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